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A podcast from renowned silent film accompanist/historian Ben Model covering the techniques of creating and performing live scores to silent films, as well as a discussion of the language of silent cinema. Find what goes on in the mind of a silent film accompanist before, during and after playing for a show. Learn about the aesthetics of silent filmmaking and storytelling language.
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Watching Silent Films

Watching Silent Films

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Film podcast discussing the Silent era (1894 to 1929) and the importance these moving pictures still have in todays age. Every week, we watch silent films, then talk about it! Hosted by YiFeng, Lily, Bob, Diane, and Adam. For more details, visit us here: https://watchingsilentfilms.wordpress.com/
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In this episode: Ben talks about accompanying Laurel & Hardy’s pie fight in “The Battle of the Century”, for a decisive moment for Keaton’s character in “Steamboat Bill, Jr.”, for Ozu’s “A Story of Floating Weeds”, and for Raymond Griffith and Max Fleischer silents at the 15th TCM Classic Film Festival. Performance clips include recordings from sho…
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In this episode: Ben recaps his month’s activities in March 2024, talks about the subtleties of underscoring dramatic moments when a main character thinks through an important decision, a creative way to invent main themes for a program of 7 animated shorts, accompanying a 1914 “Italian Diva” melodrama, and picking up on something about the film fr…
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In this episode: Ben accompanies Tom Mix in “Sky High” at the Library of Congress, adapting for organ some themes he originally composed for piano; Ben and Kerr discuss the importance of seeing silents with live music, and how a film may play one way when watched alone and completely differently at a show; Ben and Kerr discuss the hilarious and gif…
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In this episode: Ben shares his experiences accompanying the silent era blockbuster “The Big Parade”, the rare Italian film “A’ Santanotte”, Laurel & Hardy shorts, and others; he and Kerr discuss the practices of creating leitmotifs on the fly during a show, and then repeating them later in the film’s score; there’s some deep info and history on th…
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In this episode: accompanying several films at MoMA in August of new restorations and a series of early color process silents; audience response difference between San Francisco Silent Film Festival and MoMA screening, and how this affected Ben’s score in NYC; Ben talks about pivoting when presented before a show with a change of running time or of…
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In this episode: Ben talks about preparing for his performance at the San Francisco Silent Film Festival, his first time at the fest; his Undercrank Productions home video label celebrates its 10th anniversary in 2023; Ben talks about the two newly restored Tom Mix silent films that were released by Undercrank on Blu-ray in July; he shares some tip…
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In this episode: Ben talks about doing double-duty as both silent film accompanist and Blu-ray producer-distributor; Ben talks about accompanying “Clash of the Wolves” starring Rin-Tin-Tin at the TCM Classic Film Festival and the differences between this performance and the one of recording a score for this film, along; Kerr and Ben talk about the …
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In this episode: Ben and Kerr discyss about Ben’s process for creating and recording silent film scores for home-video releases, and how it differs from scoring a silent in performance. Ben talks about composing by using the start-stop possibilities of recording in place of traditional notation, as well as using underscoring to help audiences regis…
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In this episode: Ben and Kerr talk about the current theme music for the podcast and its impending replacement; Ben talks about playing for a recent screening of the newly restored Chaney film “The Unknown” and how he musically meets the issues of possible inadvertent laughter in this and other silent dramas; Ben and Kerr discuss Ernie Kovacs’ use …
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In this episode: Ben talks about scoring silent films that lack a traditional narrative – films made for educational purposes – and creating music that is more “visual” than what is usually done for silents; films discussed are the 1922 “Making of a Bronze Statue” and the 1970 “Spirals” produced by the Metropolitan Museum of Art; Ben has been hired…
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In this episode: Ben talks about the fun and challenges of playing a number of different organs at silent film shows during October and November in Ocean Grove NJ, Ursinus College in PA, and at the historic Everett Theatre in Delaware; Ben and Kerr discuss how often to use leitmotivs and some techniques Ben uses to create themes before or during a …
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In this episode: Ben reflects on his conversation with William Perry heard in the previous two episodes of the podcast; discusses how considering a show's intended audience is part of his programming process; covers the different film options for Halloween shows; talks at length about his recent live-underscoring of the 1931 "Frankenstein" at the L…
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In this episode: Ben interviews composer, silent film pianist and television producer William Perry. Perry is probably best-remembered for his scores for the now-legendary television series "The Silent Years", produced by Paul Killiam, that ran for two seasons on public television, in 1971 and 1975. For twelve years Perry was the music director and…
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In this episode: Ben interviews composer, silent film pianist and television producer William Perry. Perry is probably best-remembered for his scores for the now-legendary television series "The Silent Years", produced by Paul Killiam, that ran for two seasons on public television, in 1971 and 1975. For twelve years Perry was the music director and…
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In this episode: Ben accompanies a bunch of shows of silent serials during June, and talks about the musical challenges of accompanying serials and in scoring an entire program of them; Kerr and Ben continue their conversation about Ernie Kovacs's use of music, and discuss Kovacs' "Street Scene" video of Bartok's "Concerto For Orchestra", and for m…
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In this episode: Ben plays with holding back musically to help an audience of art deco fans connect with Valentino and Nazimova during a show of "Camille" (1921); he and Kerr Lockhart dig in to details about "Oriental Blues", the theme song Ernie Kovacs used for all of his shows from 1951-1962; and Ben discusses the various intricacies of live-scor…
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In this episode: Ben trusts his instincts and has a little magic happen during a show of "The Patsy"; makes a decision and tries something new when it comes to using a "characteristic" musical mode in scoring Keaton's "The Cameraman" and "The General"; pays tribute to Gilbert Gottfried and talks about getting to do a comedy bit with him when Ben wa…
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Ben talks about: being a guest accompanist at the 25th annual Kansas Silent Film Festival; playing for Edward Everett Horton in a Cathedral, and the use of a "Bowery waltz"; introducing Marcel Perez to fans at the KSFF; playing for William S. Hart in Brooklyn; being able to turn on a dime in underscoring and have it make sense musically; live-scori…
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Ben talks about: the process of scoring "Zander the Great" and "Beverly of Graustark" for home video release; a recent Kickstarter that funded super-quick; Marion Davies's talents as a silent film actor; teaching in-person and on-campus again after two years; accompanying Edward Everett Horton shorts and "The Fire Brigade" at the Museum of Modern A…
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This is a re-posting "flashback" of episode 8, which originally posted on February 4, 2015. Welcome – News from January: composing and performing music for Parallel Exit's "Everybody Gets Cake", running off-Bway thru Feb 8, 2015 – Recording: instrumental from "Cake" show: "A Shakespearean Smoke Break" – the restoration of Georges Melies' "A Trip to…
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This is a re-posting "flashback" of episode 7, which originally posted on January 21, 2015. Welcome – News from the road – December 2014 recap: the Silent Clowns Film Series, Chaplin Mutuals, Library of Congress holiday party, the Powers kids in "The Skeleton" – Recording: live performance, accompaniment to "Peter Pan", Peter saves Tinkerbell –Usin…
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Ben relates the journey of playing piano as part of a full orchestra live accompanying Chaplin’s City Lights under the baton of the score’s restorer, Timothy Brock, during the Silent Film Days Festival in Tromsø, Norway. Ben also explores how he experienced Chaplin’s score “from the inside” and what he learned about making music to support silent f…
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This is a re-posting "flashback" of episode 6, which originally posted on January 7, 2015. Welcome — Mea culpa, and welcome to the podcast reboot — The Silent Film Sound and Music Archive — My new DVD label Undercrank Productions and the LoC — Live performance: "My Best Girl" at St. Francis College — Using pre-existing music in film accompaniment —…
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This is a re-posting "flashback" of episode 5, originally posted on March 18, 2013. Welcome – A whirlwind week of performances and travel - 7 shows in 8 days Live performance: "The Mark of Zorro" at Central Baptist Church – Preparing for a performance: music prep, bench height, piano light, etc – Live performance: "My Best Girl" at Port Washington …
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This is a re-posting "flashback" of episode 4, originally posted on January 14, 2013. Welcome – Playing the organ at the Library of Congress theater – My Kickstarter project to release rare/lost silents on DVD and YouTube – Live performance: Raymond Griffith in "You'd Be Surprised" at Silent Clowns – Listening to a film's spoken intro can give clue…
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This is a re-posting "flashback" of episode 3, originally posted on July 12, 2012. Welcome – Playing for "The Avenging Conscience" and "Paths to Paradise" – Live performance: "Paths to Paradise" at Silent Clowns – Thoughts on scoring "The Saphead" and "The Devil's Needle & Other Tales of Vice and Redemption" on DVD from Kino Lorber – Downloadable m…
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This is a re-posting "flashback" of episode 2, originally posted on June 29, 2012. Welcome – report on what was the first “Mostly Lost” film identification workshop – live performance recording "Ten Commandments" on Steere & Sons organ in Brooklyn – an ethical issue on uploading silents to YouTube from DVDs – on quoting popular songs of the day in …
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This is a re-posting "flashback" of the very first episode of The Silent Film Music Podcast, originally posted on June 9, 2012. Welcome - score for "The Eagle" - new web series - Mabel Normand - Raymond Griffith at The Silent Clowns - score for "The Night Club" - playing for Ernie Kovacs - unidentified silents at Library of Congress - King Vidor's …
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In the second half of this 2-parter, Ben Model recaps the past pandemic year: producing and releasing the Edward Everett Horton DVD set, a handful of DVD release projects in development, remembering MoMA's Eileen Bowser, and looking toward the future of silent film live-streaming in 2022.Episode 43 Show Notes: Announcement: Episodes 1 through 8 of …
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"End of the Year 2021 Recap" – in the first half of this 2-parter, Ben Model recaps the past pandemic year of silent film live-streaming, rediscovering the meaning of providing entertainment for fans, the return to in-person accompaniments, and ponders the future of the silent movie virtual cinema.Episode 42 Show Notes: Live shows return in early s…
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"Live-Scoring for the Virtual Cinema" – in part two of this conversation, Ben Model discusses what it's been like to accompany silent films throughout 2021 via live-streams he's produced and presented out of his home. Ben and co-host Kerr Lockhart discuss: the differences for Ben between the creative mindsets of scoring a silent film while performi…
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"Live-Scoring for the Virtual Cinema" – in part one of this conversation, Ben Model discusses what it's been like to accompany silent films throughout 2021 via live-streams he's produced and presented out of his home. Ben and co-host Kerr Lockhart discuss: the differences for Ben between the creative mindsets of scoring a silent film while performi…
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A tantalizing futuristic wonder, Metropolis is a Silent lingering with choreography that makes your eyes wander throughout the tale as a spectacle like no other. Director Fritz Lang pulls out all the stops on what critics claim today as a creative masterpiece, Metropolis becoming an immediate classic in respect where you will never forget this film…
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One of the most well-known (dare we say famous!) silent films of all time due to a man dangling from the arm of a clock, Safety Last! anchored Harold Lloyd among the comedic greats of the moving pictures era. Lloyd plays a small-town "Boy" trying to make it in the big city, who finds employment as a department-store clerk. He comes up with a wild p…
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The fable-like, poignant story, subtitled A Song of Two Humans, Sunrise is an American silent melodramatic masterpiece by German director F.W. Murnau (In his American film debut) - a beautiful, atmospheric, lyrical and poetic work of art with roots in the German Expressionist movement (from 1914 to 1924). Starring George O'Brien, Janet Gaynor, and …
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When Letty Mason (Lillian Gish), an impoverished young woman from Virginia, relocates to West Texas, she finds herself unsettled by the ever-present wind and sand. Arriving at her new home at the ranch of her cousin (Edward Earle) she receives a surprisingly cold welcome from his wife (Dorothy Cumming). With tension in the family building and unwan…
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As a party of aristocrats gathers at the Vogelöd family manor house for a hunting weekend, the uninvited arrival of Count Oechst (Lothar Mehnert) interrupts their plans. While rumors persist that the urbane and disdainful Oechst may have murdered his own brother (Paul Hartmann), social discomfort increases further when the Baron (Paul Bildt) and Ba…
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Post WW1, F.W. Murnau directs this German-Danish co-production, showcasing some of his best intentions toward future films. Der Gang in die Nacht (Journey into the Night) is derived from a screenplay by the Danish scenarist Harriet Bloch. It’s an example of the “nobility film,” a genre cultivated by the Nordisk studio where Bloch worked. In these s…
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"Adventures In Sound!" - Ben tracks his own journey to find the digital devices that best re-create or at least evoke the classic theater pipe organ experience under modern screening conditions.TopicsBen discusses the “temporary” theme for the podcast, “Those Keystone Comedy Cops”Ben’s instrumental evolution Learning to play the organLee Erwin, the…
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In Robert Wiene's final film entry, Wiene proved that he not only had impeccable taste when it came to creating the rococo ambience of the original opera, but was also perceptively tuned into the ironic element which distinguishes Rosenkavalier as one of the major 20th century operas. The film is based on the music of Der Rosenkavalier opera by Ric…
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By the director of The Cabinet of Dr. Caligari, this is the Passion embedded in a contemporary story. An anarchist jailed for an attempted assassination is told the Passion story by the prison chaplain, who seeks to convince him that it is better to sacrifice one's own life than take the life of one's enemy. The framing story, taken from a novel, i…
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For the viewer who has grown accustomed to Douglas Fairbank's and his similar "themes," films dealing with swashbuckling or youth or joy, The Gaucho is a silent film classic that will strip away any misconceptions about what role Fairbanks will play or which type of character is best identified toward his bustling career. The Gaucho is unique in bo…
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"Crime and Punishment," the original story written in twelve monthly installments during 1866 by Dostoevsky, focuses on the mental anguish and moral dilemmas of Rodion Raskolnikov, an impoverished ex-student in Saint Petersburg who formulates a plan to kill an unscrupulous pawnbroker for her money. Before the killing, Raskolnikov believes that with…
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The most cherished film by Charlie Chaplin, City Lights is also his ultimate Little Tramp chronicle. The writer-director-star achieved new levels of grace, in both physical comedy and dramatic poignancy, with this silent tale of a lovable vagrant falling for a young blind woman who sells flowers on the street (Virginia Cherrill) and mistakes him fo…
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Robert Wiene's Genuine: A Tale of a Vampire follows-up his massively successful 1919 film The Cabinet of Dr. Caligari, using the same writer, production designer, and cinematographer who had worked on the previous film. Genuine (Fern Andra) is not actually a vampire in the film, but rather a vamp (succubus) who uses her powers of seduction to torme…
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The most cherished film by Charlie Chaplin, City Lights is also his ultimate Little Tramp chronicle. The writer-director-star achieved new levels of grace, in both physical comedy and dramatic poignancy, with this silent tale of a lovable vagrant falling for a young blind woman who sells flowers on the street (Virginia Cherrill) and mistakes him fo…
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Part of legendary director Alfred Hitchcock's "9," The Pleasure Garden marks his directorial debut with this British-German wonder. For the Master of Suspense, Hitchcock shows in this film many of the talents he would develop eventually, notably a great mastery of image composition and lighting, with a probable influence of German expressionism in …
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With Autumn quickly approaching, WSF takes on another German expressionist silent horror written and directed by Caligari's Robert Wiene. FURCHT (FEAR) is the tale of Count Greven (Bruno Decarli)'s eventual descent into madness and hysteria with his obsession of collecting one too many of the world's greatest treasures. Lured by rumors of a sacred …
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We rejoin Diane MacIntyre again this week as we talk about The Thief of Bagdad, starring Douglas Fairbanks. Freely adapted from One Thousand and One Nights, and directed by Raoul Walsh, this American silent swashbuckler film tells the story of a thief who falls in love with the daughter of the Caliph of Baghdad. Featuring Julanne Johnston as the Pr…
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