Delve into the wide world of Eastern European film with the Klassiki Podcast. Featuring interviews, roundtable discussions, recorded essays, and more, we take you beyond the headlines to explore the past, present, and future of this fascinating region. Sign up to Klassiki today to gain access to our ever-evolving library of classic and contemporary titles, as well as filmmaker interviews, video essays and introductions, programme notes, and much more.
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Deciphering The Saragossa Manuscript
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43:42Listeners may remember our conversation earlier this year with Michael Brooke celebrating the centenary of Wojciech Has – one of Poland’s greatest and most misunderstood directors. We’re taking one last opportunity to honour Has’s hundredth anniversary year: right now until Christmas Day, subscribers can enjoy a restored version of his mind-bending…
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Lucian Pintilie: godfather of the Romanian New Wave
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15:05For this episode, we’re dipping back in to the archive of writing on the Klassiki Journal for a profile of the great Romanian director Lucian Pintilie, whose provocative, modernist work bridges the gap between communist-era filmmaking and the New Wave that has defined Romanian cinema in the 21st century. Subject to censorship and exile, Pintilie re…
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Eastern notions: celebrating Ali Khamraev
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34:59Central Asia remains a great blindspot for many Western cinephiles – so we were thrilled to hear about an upcoming season in New York, hosted by the Asia Society in partnership with Anthology Film Archives. Eastern Notions is a celebration of the great Uzbek director Ali Khamraev, one of the true masters of Central Asian cinema, with more than 20 f…
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Julia Loktev on My Undesirable Friends: Part One – Last Air in Moscow
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37:3314 years after her previous feature, Julia Loktev is back with a monumental new documentary project. My Undesirable Friends is her collective portrait of some of the last independent journalists working in Russia in the run-up to, and aftermath of, the full-scale invasion of Ukraine in February 2022. Part One, titled Last Air in Moscow, was shot en…
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The Klassiki Kino Club: The Return of the Projectionist
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31:54This week, we’re reopening the Klassiki Kino Club, our watch-along exploration of Klassiki’s ever-expanding catalogue. In the hot seat this time around is Ally Pitts, host of the long-running Russian and Soviet Movies Podcast and confirmed Eastern European film aficionado. Ally’s choice comes from Azerbaijan: Orkhan Aghazadeh’s 2024 documentary The…
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Horror behind the Iron Curtain
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41:12As every film fan knows, October is horror season. And while eastern Europe these days is full of horror filmmakers who can mix it with the best of them, this wasn’t always the case: under communism, the genre often struggled to get past state censors. But the idea that there was no horror produced behind the Iron Curtain is a myth. There was in fa…
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Mother Teresa and Persian poetry at the London Film Festival
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22:55The 69th edition of the London Film Festival has just rolled through the capital’s cinemas, bringing a host of filmmaking talents in its wake. Sam headed down to the festival press circuit to speak to two directors in town with their latest films. First we hear from North Macedonia’s Teona Strugar Mitevska, who has been a shining light of Balkan fi…
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The Strugatsky Brothers on screen
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44:01Welcome back! It’s season five of the Klassiki podcast. We’ve got ten more great episodes lined up for you, featuring some exciting interviews, historical deep dives, and a Halloween special later this month. In the meantime, get in touch with us at [email protected]. We’re kicking things off with some science fiction. Boris and Arkady Struga…
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We’ve reached the end season four! Thank you as always for listening along. We’ll be back in the autumn, so look out for that and make sure you’re subscribed in your podcast app of choice so you don’t miss out. In the meantime, we want to hear from you. Do you have questions, comments, complaints, or suggestions for the show? You can now email them…
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From Shakespeare to Solaris: the otherworldly career of Jüri Järvet
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13:54For this episode, we’re dipping back in to the archive of writing on the Klassiki Journal for a profile of the great Estonian actor Jüri Järvet – a cult hero of Soviet and Baltic film who overcame family trauma as a young man before bursting onto the international scene in the 1970s. In the space of just a few years, Jarvet helped to modernise Esto…
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Film at the end of the world, with Ben Rivers
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43:26This week, we’re launching the latest edition of Klassiki Picks, our series of watchlists curated by our friends in the world of cinema and eastern Europe. In this hot seat this time around is prolific British artist and filmmaker Ben Rivers, whose latest feature, the post-apocalyptic tale Mare’s Nest, premieres in competition at the Locarno Film F…
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The Klassiki Kino Club: Andrzej Munk’s Eroica
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37:42Critic, researcher, and friend of the show Alisa Goruleva is back on the pod this week for the second edition of the Kino Club, our watch-a-long exploration of Klassiki’s ever-expanding catalogue. Host Sam Goff asked Alisa to pick another film from our library that she hadn’t seen before to discuss. This time around, she plumped for Andrzej Munk’s …
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Béla Tarr, Hungary’s maestro of melancholy
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19:57For this episode, we’re dipping back in to the archive of writing on the Klassiki Journal. Today is the seventieth birthday of one of the true greats: Béla Tarr, Hungary’s maestro of slow cinema melancholy. So, to celebrate, host Sam Goff is reading from our companion to the life and times of this icon of eastern European film – from his early days…
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One hundred years of Marlen Khutsiev
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44:152025 is the centenary year of one of Soviet cinema’s true greats: Marlen Khutsiev, whose films from the fifties and sixties captured the excitement of the post-war years. If there was such a thing as the Soviet New Wave, then Khutsiev was its beating heart. In films like I Am Twenty and July Rain, he borrowed from the neorealists in Italy and icono…
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Rolands Kalniņš: riding the Baltic New Wave with “Latvia’s Godard”
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14:03For this episode, we’re dipping back in to the archive of writing on the Klassiki Journal. Today, host Sam Goff reads an essay about the work of one of Baltic cinema’s great innovators, Rolands Kalniņš, aka the Latvian Godard, whose playfully political films staged a colourful protest against Soviet occupation. This piece was written by friend of t…
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The Klassiki Kino Club: István Szabó’s Confidence
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33:47This week we’re trying something new on the pod: the first edition of the Klassiki Kino Club. We wanted to find a way of championing our ever-growing library of films with our listeners. So we asked a friend of the show to pick a title available on Klassiki that they had never seen before to watch for the first time – and then to jump on a call to …
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Romania before the New Wave
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47:05The cinema of communist Romania rarely gets a look in compared with the 21st-century New Wave of Cristi Puiu, Radu Jude, and co. At Klassiki we’ve just launched a new collection of classic Romanian titles from the 1960s and '70s that tries to redress the balance. From wartime epics to New Wave romance and subversive satire, these films reveal a dif…
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From Rossellini to Dracula: Radu Jude in Transylvania
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35:51Welcome back! We’ve made it to season four of the Klassiki Podcast. We’re kicking off with a return guest: one of our very favourite filmmakers, Radu Jude. After the success of last year’s gig-economy satire Do Not Expect Too Much from the End of the World, Radu is back in 2025 with not one but two new films: Kontinental ‘25, an homage to Roberto R…
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Eastern European film past, present, and future
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43:47We’ve reached the end of the third season of the show! Thank you to everyone who’s listened along so far. If you enjoy the show, please leave us a five-star review or a comment on your podcast app of choice. We’ll be back soon with more great shows – subscribe now so you don’t miss a thing. At the end of April, we’ll be running our third annual par…
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Caught by the night: the gothic visions of Juraj Herz
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15:05For this episode, we’re dipping back in to the archive of writing on the Klassiki Journal for an essay on the Slovak maestro of the macabre, Juraj Herz, written and read by Sam Goff. Best known for his controversial and politically charged 1969 horror film The Cremator, Herz remains the great outsider of the Czech New Wave – a Holocaust survivor wh…
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The Shards: Russia on the edge
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37:12This week, Klassiki is launching a new collection of Russian documentaries, exploring life in the country as repressions continue to intensify and the war on Ukraine stretches into its fourth year. On the podcast this week, we’re highlighting another recent documentary that deserves wider attention – Masha Chernaya’s The Shards, which won best film…
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Jonas Mekas: a Lithuanian abroad
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45:56“The godfather of American avant-garde cinema“, Jonas Mekas left his native Lithuania in 1944, and a few years later moved to New York. His friendships and collaborations with the likes of Andy Warhol, Allen Ginsberg, and Yoko Ono helped to consolidate the downtown art scene, and his impressionistic “diary films”, compiled from footage of his life …
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Under the Grey Sky: inside the crisis in Belarus
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43:05In 2020, Belarus was rocked by mass protests following fraudulent presidential elections that returned autocratic leader Aleksandr Lukashenko to power. The new feature film from Belarusian-Polish director Mara Tamkovich, Under the Grey Sky, is based on the true story of a journalist, Kateryna Andreevna, who was arrested and charged with treason for…
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The long, strange trips of Wojciech Jerzy Has
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41:552025 is the centenary year of Wojciech Jerzy Has – one of Poland’s greatest and most misunderstood filmmakers. A full retrospective of Has’s films is currently underway across the UK: from his surrealist masterpieces The Saragossa Manuscript and The Hourglass Sanatorium, to his never-before-screened shorts. To set the scene for this retrospective, …
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Ester Krumbachová: the ghost of the Czech New Wave
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37:03Artist, guru, witch, muse. The cinematic polymath Ester Krumbachová was an essential figure behind many of the classics of the Czech New Wave. But Krumbachová herself remains an elusive figure, marginalised in histories of female filmmaking. In recent years, this has begun to change. Krumbachová’s sole directorial effort, the romantic parody Murder…
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The war-haunted world of Larisa Shepitko
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15:53In this episode, we’re dipping back in to the archive of writing on the Klassiki Journal for an essay on the Soviet-Ukrainian director Larisa Shepitko, written and read by host Sam Goff. One of the most significant female filmmakers to emerge from the Soviet system, Shepitko’s career was cut short at the age of just 41 when she was killed in a car …
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Pressburger: the Hungarian heart of British film
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39:49The films of Michael Powell and Emeric Pressburger are among the jewels in the crown of British cinema. One half of this national institution, Emeric Pressburger, was a Hungarian Jewish refugee – a background rarely commented on in discussions of the duo’s achievements. He brought Central European sensibilities to the British public – but how do we…
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In the studio with animation legends the Quay Brothers
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41:20The Klassiki Podcast is back! To kick off our third season, we're stepping into the studio with Stephen and Timothy Quay, aka the Quay Brothers. The duo’s career spans five decades and has seen them craft features, shorts, music videos, adverts, and installations – all in their unmistakable signature style combining stop motion and live action, sur…
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From Cranes to Cuba: how Kalatozov and Urusevsky reinvented Soviet cinema
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18:07We’ve reached the end of the second season of the show! Thank you to everyone who’s listened along so far. If you enjoy the show, please leave us a five-star review or a comment on your podcast app of choice. We’ll be back in 2025 with a new season, bigger and better than before. For the final episode of the season, we’re dipping back in to the arc…
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Shooting through tragedy: Shoghakat Vardanyan on 1489
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33:07Host Sam Goff speaks to Armenian director Shoghakat Vardanyan about her remarkable debut, 1489. In 2020, Vardanyan’s 21-year-old brother went missing days into the Second Nagorno-Karabakh War between Armenia and Azerbaijan. With no prior filmmaking experience, Shoghakat picked up her phone and started recording herself and her parents as they began…
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One hundred years of Sergei Parajanov
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36:482024 marks one hundred years since the birth of the great Sergei Parajanov, who turned Soviet cinema on its head in masterpieces like Shadows of Forgotten Ancestors and The Colour of Pomegranates. Persecuted for his experimental artistic approach and queer identity, his work still provokes vital questions about post-Soviet culture. What exactly doe…
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Eisenstein and Ivan the Terrible today
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40:352024 marks 80 years since the release of the great Sergei Eisenstein’s final, unfinished masterpiece: Ivan the Terrible. Commissioned by Stalin himself to make a biopic celebrating the bloodthirsty 16th-century tsar, Eisenstein instead produced a complex portrait of paranoia and power that remains relevant to this day. To get to the heart of Eisens…
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The lonely voice of Aleksandr Sokurov
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40:01This month, audiences in London have been revisiting the works of one of Russian cinema’s grandees, with a retrospective of the films of Aleksandr Sokurov, organised by the cultural institute Pushkin House. Best known in the West for his 2002 epic Russian Ark, Sokurov is arguably the last living embodiment of the classic Russian arthouse director, …
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Poland in the 80s, from Wajda to Kieślowski
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15:11In this guide, first published on the Klassiki Journal and written and read by host Sam Goff, we introduce the cinema of Poland in the 1980s. The last decade of communist rule was a period marked by the brutality of martial law, but also the emergence of critical new voices and masterpieces from figures such as Andrzej Wajda, Agnieszka Holland, and…
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Dea Kulumbegashvili and Petar Valchanov at the London Film Festival
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27:09This month saw the 68th edition of the London Film Festival hit the capital’s cinemas. Host Sam Goff went down to the festival press circuit to get hold of two of Eastern Europe’s finest: Georgia’s Dea Kulumbegashvili, whose abortion drama April has been turning heads since it won the Special Jury Prize at this year’s Venice Film Festival; and Bulg…
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The footballing fantasies of Sandro Koberidze
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40:53Georgian filmmaker Sandro Koberidze joins host Sam Goff to chat about his forthcoming film Dry Leaf and the hidden connections between his two great passions: cinema and football. Watch Sandro’s award-winning What Do We See When We Look at the Sky? on Klassiki now. Sign up for a free 7-day trial at klassiki.online.…
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Under the Volcano: Damian Kocur reimagines the Ukraine war drama
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34:29Host Sam Goff sits down with Polish filmmaker Damian Kocur to discuss his new Ukraine war drama Under the Volcano. The film follows a Ukrainian family who are vacationing in Tenerife when the full-scale war breaks out back home, leaving them stranded on the island. Damian explains how he applied his idiosyncratic filmmaking technique to this story …
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Prefab pictures: cinema of the tower block with Owen Hatherley
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44:27The Klassiki Podcast is back for our second season. We’re kicking off with an interview with author Owen Hatherley about the history of the tower block on screen. Widely understood in the West as symbolic of the grey monotony of life behind the Iron Curtain, the prefab tower block remains misunderstood more than three decades after the fall of comm…
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Yuliya Solntseva: the forgotten queen of Soviet film
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17:29In this profile, written by critic and curator Rachel Pronger and first published on the Klassiki Journal, we introduce you to one of the most consequential and misunderstood figures in Soviet film history: Yuliya Solntseva. A silent star who became one half of Ukraine’s most influential creative marriage but whose place in history has been obscure…
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The fight for the future of Georgian film
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27:48Host Sam Goff is joined by two representatives of the so-called “film movement” in Georgia – Keti Machavariani of the Georgian Film Institute, and Keto Kipiani of the Documentary Association of Georgia – to discuss cinema’s place in the ongoing protest movement against the increasing authoritarianism of the country’s government. They explain the si…
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Springtime for Soviet cinema: the films of the Thaw
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17:35In this guide, first published on the Klassiki Journal and written and read by host Sam Goff, we introduce the cinema of the Soviet Thaw. As a new era of cultural freedom swept the USSR after the death of Stalin, iconic directors like Mikhail Kalatozov and Marlen Khutsiev created a new cinematic language defined by sincerity and stylistic innovatio…
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Żuławski, Parajanov, and me: adventures in Eastern Europe with Dan Bird
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40:39Dan Bird is one of the world’s leading specialists on cult cinema from Eastern Europe. His work in restoration and distribution has played a key role in preserving the legacies of iconic filmmakers like Andrzej Żuławski and Sergei Parajanov. He joins host Sam Goff to discuss a career spent traversing Eastern Europe in search of hidden gems. Klassik…
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The humanism and surrealism of the Czech New Wave
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18:51In this piece, first published on the Klassiki Journal by critic Sonya Vseliubska and read here by host Oliver Hunt, we introduce the wild world of the Czech New Wave, one of the most influential movements in Central and Eastern European cinema. Blending aesthetic and philosophical innovations from France and Italy, the New Wave gave us legendary f…
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Agnieszka Holland on her urgent and politically charged refugee drama Green Border
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24:06Legendary Polish director Agnieszka Holland joins host Oliver Hunt to discuss her ripped-from-the-headlines new film, Green Border. Tackling the refugee crisis that unfolded along the Poland-Belarus border in 2021, the film provoked political controversy within Poland, and shows Holland at her humanist best. Green Border is out in the UK from 21 Ju…
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Behind the scenes of the Romanian New Wave with Ada Solomon
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40:12Film producer extraordinaire Ada Solomon joins host Sam Goff to take us behind the scenes of Romanian’s troubled but brilliant post-communist cinema. One of Eastern Europe’s most vital producers, Ada outlines the origins of the Romanian New Wave, the movement that rocked Europe in the 2000s. She also gets into her work with Radu Jude and others, an…
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From Toronto to Ararat: Atom Egoyan on his career in the Armenian diaspora
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46:24Acclaimed Canadian-Armenian filmmaker Atom Egoyan joins host Sam Goff to discuss the role his Armenian heritage has played in his career. From his early features to his historical epic Ararat, Atom discusses how he’s grappled with personal and national history onscreen and the gems of classic Armenian film that have inspired him. Delve into Atom’s …
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Ian Christie on Eccentrism, the forgotten mavericks of the Soviet avant-garde
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36:56Film historian Ian Christie joins host Sam Goff to discuss his new book on the Factory of the Eccentric Actor: one of the most striking and under-appreciated corners of Soviet avant-garde cinema. Ian talks us through the wild world of 1920s Petrograd, how Eccentrism predicted the French New Wave, and the lessons it still bears for students of Russi…
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Radu Jude on TikTok and the future of film
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35:19Romania’s provocateur in chief Radu Jude joins host Sam Goff to discuss the runaway success of his hilarious new film, Do Not Expect Too Much from the End of the World. Along the way, Jude explains the the East-West crisis in European politics, his evolving approach to national history, and how TikTok is forcing filmmakers to adapt – or die. Watch …
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Klassiki is a streaming platform with a difference. Dedicated to cinema from eastern Europe, we offer subscribers an ever-evolving library of classic and contemporary titles, featuring iconic figures like Andrei Tarkovsky and Kira Muratova as well as hidden gems, documentaries, animation, and more. Subscribers get access to all this, as well as fil…
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