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Контент предоставлен 92nd Street Y and 92Y Unterberg Poetry Center. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией 92nd Street Y and 92Y Unterberg Poetry Center или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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Read By: Hanif Abdurraqib

5:35
 
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Manage episode 278195298 series 2662774
Контент предоставлен 92nd Street Y and 92Y Unterberg Poetry Center. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией 92nd Street Y and 92Y Unterberg Poetry Center или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.

Hanif Abdurraqib on his selection:

This poem is an interesting choice for me, as someone who is always too anxious to engage in the act of singing at any karaoke night, but there is something I love about being present during a karaoke night. And what I think I love about seeing the kind of excitement that fans through a room or that fans through one of my friends when they’re on stage, singing a song that they know they know, is that karaoke is in some ways the height of the communal exercise of enjoying music. There is no real hierarchy; the person who is singing on the stage is not the profession who wrote the song; it almost in someways does not matter if they sing the song well. What matters is that they sing the song with a kind of unbridled enthusiasm that can tremor through a crowd and get that crowd to also tilt towards a type of ecstasy, knowing that they know a song too. It is this really, to me, fascinating mold of music and music enjoyment. So watching a friend of mine transform into someone entirely different onstage, and through that transformation, this grand excitement—it allows me to hear a song differently. And I think this poem encompasses that. And I think this poem celebrates a moment of loving music in a way that feels familiar to me—the interior love of a song—where a song becomes more what we need it to be, more than what it might have been.

All Heathens at Bookshop.org

Music: "Shift of Currents" by Blue Dot Sessions // CC BY-NC 2.0

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83 эпизодов

Artwork
iconПоделиться
 

Архивные серии ("Канал не активен" status)

When? This feed was archived on August 01, 2024 01:53 (2M ago). Last successful fetch was on February 27, 2024 08:08 (7M ago)

Why? Канал не активен status. Нашим серверам не удалось получить доступ к каналу подкаста в течении длительного периода времени.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 278195298 series 2662774
Контент предоставлен 92nd Street Y and 92Y Unterberg Poetry Center. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией 92nd Street Y and 92Y Unterberg Poetry Center или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.

Hanif Abdurraqib on his selection:

This poem is an interesting choice for me, as someone who is always too anxious to engage in the act of singing at any karaoke night, but there is something I love about being present during a karaoke night. And what I think I love about seeing the kind of excitement that fans through a room or that fans through one of my friends when they’re on stage, singing a song that they know they know, is that karaoke is in some ways the height of the communal exercise of enjoying music. There is no real hierarchy; the person who is singing on the stage is not the profession who wrote the song; it almost in someways does not matter if they sing the song well. What matters is that they sing the song with a kind of unbridled enthusiasm that can tremor through a crowd and get that crowd to also tilt towards a type of ecstasy, knowing that they know a song too. It is this really, to me, fascinating mold of music and music enjoyment. So watching a friend of mine transform into someone entirely different onstage, and through that transformation, this grand excitement—it allows me to hear a song differently. And I think this poem encompasses that. And I think this poem celebrates a moment of loving music in a way that feels familiar to me—the interior love of a song—where a song becomes more what we need it to be, more than what it might have been.

All Heathens at Bookshop.org

Music: "Shift of Currents" by Blue Dot Sessions // CC BY-NC 2.0

  continue reading

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