In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Контент предоставлен Lee Russell. Весь контент подкастов, включая выпуски, графику и описания подкастов, загружается и предоставляется непосредственно Lee Russell или его партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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))
TMBDOS! Episode 244: ”Vampire in Venice”/”Nosferatu in Venice” (1988).
Manage episode 306676713 series 2363715
Контент предоставлен Lee Russell. Весь контент подкастов, включая выпуски, графику и описания подкастов, загружается и предоставляется непосредственно Lee Russell или его партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
This week Lee is joined by friend and fellow podcaster, Vaughn Kuhlmeier, to cover one of the more notorious, yet somewhat forgotten, late-period Euro-horror sleaze flicks "Vampire in Venice" (1988), AKA: "Nosferatu in Venice". Originally envisioned to be an unofficial sequel to Werner Herzog's remake of "Nosferatu", the only connection is its star Klaus Kinski, who returns to his iconic role, but here he's not reigned-in, and all hell broke loose on this already troubled production. Is anything about this film worth watching? Does any of it make any damn sense? Can we separate the art from the artist when we can clearly see Kinski sexually assaulting his female co-stars on screen? Tune-in to hear the hosts thoughts, as well what they've been watching as of late.
Check out Vaughn's great podcast Motion Picture Massacre
Featured Music: Excerpts from "Movement 3" by Vangelis.
459 эпизодов
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Manage episode 306676713 series 2363715
Контент предоставлен Lee Russell. Весь контент подкастов, включая выпуски, графику и описания подкастов, загружается и предоставляется непосредственно Lee Russell или его партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
This week Lee is joined by friend and fellow podcaster, Vaughn Kuhlmeier, to cover one of the more notorious, yet somewhat forgotten, late-period Euro-horror sleaze flicks "Vampire in Venice" (1988), AKA: "Nosferatu in Venice". Originally envisioned to be an unofficial sequel to Werner Herzog's remake of "Nosferatu", the only connection is its star Klaus Kinski, who returns to his iconic role, but here he's not reigned-in, and all hell broke loose on this already troubled production. Is anything about this film worth watching? Does any of it make any damn sense? Can we separate the art from the artist when we can clearly see Kinski sexually assaulting his female co-stars on screen? Tune-in to hear the hosts thoughts, as well what they've been watching as of late.
Check out Vaughn's great podcast Motion Picture Massacre
Featured Music: Excerpts from "Movement 3" by Vangelis.
459 эпизодов
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Похожие на They Must Be Destroyed On Sight!
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
Determining if all these so called classic films are indeed just that.
…
continue reading
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…
continue reading
In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
…
continue reading
When your favorite show ends, we’re just getting started. Josh Wigler and friends lead recaps of the biggest TV hits, from genre favorites on HBO to binge-shows on streaming platforms and far beyond. Post Show Recaps comes from veteran entertainment journalist Josh Wigler and Rob Cesternino of Rob Has a Podcast.
…
continue reading
What To Watch is Entertainment Weekly's daily guide to the shows that should be on your radar -- be it network, cable, premium or streaming! Hosted by Gerrad Hall.
…
continue reading
Become a Paid Subscriber and get bonus podcasts: https://anchor.fm/nowplayingpodcast/subscribe Three playful movie reviewers break down a variety of film franchises by dedicating a podcast to every single sequel, reboot, and spin-off in a series. In-depth conversations cover production history, literary sources, gossip, merchandising, and personal opinion with humor and critical insight. No cinematic universe is too obscure or sacred! Over 1,200 reviews at http://nowplayingpodcast.com
…
continue reading
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…
continue reading
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…
continue reading
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continue reading
Player FM - приложение для подкастов
Работайте офлайн с приложением Player FM !
Работайте офлайн с приложением Player FM !
