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Контент предоставлен Underground City Podcast. Весь контент подкастов, включая выпуски, графику и описания подкастов, загружается и предоставляется непосредственно Underground City Podcast или его партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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UC Podcast 034 by Patryk Molinari

55:34
 
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Manage episode 233153872 series 2081924
Контент предоставлен Underground City Podcast. Весь контент подкастов, включая выпуски, графику и описания подкастов, загружается и предоставляется непосредственно Underground City Podcast или его партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Patryk was born near Berlin in the middle of the 80s and started early to develop a deep relationship to music. He has always felt very close to electronic music. But it was not before his 18th birthday that the passion grew so strong that he tried his own productions. In the beginning using LoFi equipment he tried to transfer music of any kind into his very own productions. Back then he has been strongly influenced by the Big Beat scene in England and Vienna Scientists like Kruder & Dorfmeister. He tried out different styles until he discovered the house scene. He decided to get his own equipment and to share the music that he admires so much with others. Soon he developed an affection for Deep and French house. Bit by bit the minimalistic sounds hit him and he worked full of enthusiasm on his first minimalistic productions. His tracks are strongly influenced by the flourishing and always self reinventing Berlin night life. Artists like Dyed Soundorom, Nekes, Boris Werner and Michael Melchner are currently among those that influence him most. But also Nu Jazz, Easy Listening and Soul can be found occasionally in his music. Patryk about his music: "I love groovy, shaky things and I always try to transfer that in my productions. The tracks don't always have to be danceable or for the clubs. They can simply be for listening but still communicate a certain groove. Most important is that they reflect what one has felt while doing the production and it relates to oneself."
  continue reading

5 эпизода

Artwork
iconПоделиться
 
Manage episode 233153872 series 2081924
Контент предоставлен Underground City Podcast. Весь контент подкастов, включая выпуски, графику и описания подкастов, загружается и предоставляется непосредственно Underground City Podcast или его партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Patryk was born near Berlin in the middle of the 80s and started early to develop a deep relationship to music. He has always felt very close to electronic music. But it was not before his 18th birthday that the passion grew so strong that he tried his own productions. In the beginning using LoFi equipment he tried to transfer music of any kind into his very own productions. Back then he has been strongly influenced by the Big Beat scene in England and Vienna Scientists like Kruder & Dorfmeister. He tried out different styles until he discovered the house scene. He decided to get his own equipment and to share the music that he admires so much with others. Soon he developed an affection for Deep and French house. Bit by bit the minimalistic sounds hit him and he worked full of enthusiasm on his first minimalistic productions. His tracks are strongly influenced by the flourishing and always self reinventing Berlin night life. Artists like Dyed Soundorom, Nekes, Boris Werner and Michael Melchner are currently among those that influence him most. But also Nu Jazz, Easy Listening and Soul can be found occasionally in his music. Patryk about his music: "I love groovy, shaky things and I always try to transfer that in my productions. The tracks don't always have to be danceable or for the clubs. They can simply be for listening but still communicate a certain groove. Most important is that they reflect what one has felt while doing the production and it relates to oneself."
  continue reading

5 эпизода

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