#37 – The Good, The Bad And The Ugly Settling The Score podcast

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Theater Cinema Arts Science Music Settling The Score Amp; Andy

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Контент предоставлен Settling the Score. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Settling the Score или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.

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Welcome to Exile, a podcast about Jewish lives under the shadow of fascism. Narrated by award-winning screen and stage actor, Mandy Patinkin. Untold stories and firsthand accounts drawn from intimate letters, diaries and interviews found in the Leo Baeck Institute’s vast archive. Each episode, a story of beauty and danger that brings history to life. Because the past is always present. Starting November 1, episodes are released weekly every Tuesday. The Leo Baeck Institute, New York | Berlin is a research library and archive focused on the history of German-speaking Jews. Antica Productions produces award-winning non-fiction podcasts, films and series which inform and inspire audiences around the world.

Settling the Score « »
#37 – The Good, the Bad and the Ugly

5 лет назад 1:29:46

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MP3•Главная эпизода

Контент предоставлен Settling the Score. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Settling the Score или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.

It’s lined up in our sights and we’re ready to pull the trigger on Ennio Morricone’s score for the 1966 iconic Spaghetti Western The Good, the Bad and the Ugly. How did he arrive at the combination of ingredients that created such a memorably distinctive sound? Is the main theme meant to evoke an animal call, a lone gunslinger, a dream, or all of the above? And, what does Jon’s cat think of this score?

… continue reading

70 эпизодов

#Theater #Cinema #Arts #Science #Music #Settling The Score #Amp; Andy

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#37 – The Good, the Bad and the Ugly

Settling the Score

84 subscribers

published 5 лет назад

Поделиться

MP3•Главная эпизода

Контент предоставлен Settling the Score. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Settling the Score или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.

It’s lined up in our sights and we’re ready to pull the trigger on Ennio Morricone’s score for the 1966 iconic Spaghetti Western The Good, the Bad and the Ugly. How did he arrive at the combination of ingredients that created such a memorably distinctive sound? Is the main theme meant to evoke an animal call, a lone gunslinger, a dream, or all of the above? And, what does Jon’s cat think of this score?

… continue reading

70 эпизодов

#Theater #Cinema #Arts #Science #Music #Settling The Score #Amp; Andy

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#68 – 2025 Oscars Special 2:42:29

4 дня назад2:42:29

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2:42:29

It’s back to the Oscars stage for Jon and Andy, to talk about this year’s nominees for Best Original Score, and it’s back to some age old questions: Do we want our music made out of notes or blobs? Does reading up about these scores get in the way of our curmudgeonly opinions? And, how much music should a musical's music music?…

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#67 – The Graduate 1:45:11

21 день назад1:45:11

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1:45:11

Are you here for an affair? Ah yes, an episode of Settling the Score, very good sir - this one's about Simon and Garfunkel’s song score to Mike Nichol’s classic 1967 satire The Graduate . How was this movie pioneering in its use of music? Do these famous songs engender sympathy or skepticism for the characters, or both? And, it's okay to ask: do these lyrics actually mean anything?…

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#66 – The Empire Strikes Back 2:26:19

22 weeks назад2:26:19

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2:26:19

“I love this score.” “I know.” Jon and Andy search their feelings about John Williams’ score for the 1980 hit sci-fi fantasy sequel The Empire Strikes Back . How important has this score been to our hosts? How does its mastery show itself on different scales? And, what are the odds of successfully navigating this show’s longest episode ever?…

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#65 – Double Indemnity 1:26:59

38 weeks назад1:26:59

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1:26:59

Jon and Andy go straight down the line through Miklós Rózsa's score for the 1944 film noir classic Double Indemnity . Which elements of this music sound like noir, and which don’t? Why do we enjoy stories about bad people? And, where’s a good spot in L.A. to sneak into if you want to hear some Schubert?…

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#64 – 2024 Oscars Special 2:51:12

52 weeks назад2:51:12

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2:51:12

It’s time again for Jon and Andy to strip away the phony tinsel of Hollywood and find the real tinsel underneath, as they consider this year’s Oscar nominees for Best Original Score. Is it possible that our hosts are feeling less cranky this year? What are some different ideas these movies have for using music to fill time? And, did you notice that this episode is still shorter than two of these five nominated films?…

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#63 – The Conversation 1:28:39

1 year назад1:28:39

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1:28:39

Come and eavesdrop on Jon and Andy discussing David Shire’s score for the 1974 surveillance mystery drama The Conversation . What does Shire's solo piano music express about the main character? How are the themes of the movie embodied in its world of sound? And, will Fred Flintstone be a good father?…

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#62 – Name The Score! 2 2:03:06

1 year назад2:03:06

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2:03:06

Surprise! It’s time for a break from the bucket: Jon and Andy look back at all the scores they’ve talked about since the end of the AFI list, and Andy puzzles Jon with another needle-drop quiz. Can Jon remember all this music? Can you remember it better than Jon? And, like, what have our hosts even been talking about this whole time?…

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#61 – How to Train Your Dragon 1:59:53

1 year назад1:59:53

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1:59:53

This time Jon and Andy train their attention on John Powell’s score for the 2010 animated fantasy adventure How to Train Your Dragon. Just how many themes does this score have? Might their meanings change with repeat viewings? And, what rhythmic pattern will Jon finally let Andy talk about?

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#60 – There Will Be Blood 1:53:24

1 year назад1:53:24

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1:53:24

In this episode Jon and Andy drink up Jonny Greenwood’s score for Paul Thomas Anderson’s 2007 period drama There Will Be Blood . How does Greenwood’s music seem to get so deeply inside your head? What lines can be drawn between it and his work for Radiohead? And, is either of us even close to getting the Daniel Plainview voice right?…

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#59 – The Day the Earth Stood Still 1:34:26

2 years назад1:34:26

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1:34:26

This time Jon and Andy land their spaceship in the middle of Bernard Herrmann’s score for the 1951 sci-fi classic The Day the Earth Stood Still ! How strongly was Herrmann committed to musical otherness? What peculiar instrumentation did he use to achieve unearthly sounds? And, have we finally cracked Gort's secret alien robot code?…

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#58 – 2023 Oscars Special 2:40:20

2 years назад2:40:20

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2:40:20

Join Jon and Andy as they sneak back into the Dolby Theater to discuss this year's nominees for Best Original Score! Could this be our least impressive slate of contenders yet? What does it mean for music to really speak to the human heart? And, will we succeed in our attempt to keep the episode short? (No.)…

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#57 – In the Heat of the Night 1:18:57

2 years назад1:18:57

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1:18:57

They call this an episode about Quincy Jones’ score for the 1967 social drama mystery In the Heat of the Night ! How amazingly broad is the scope of Jones’ expertise? What effect does it have on the movie that his music feels so good? And, what would YOU say to Rod Steiger?

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#56 – Scott of the Antarctic 1:41:37

2 years назад1:41:37

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1:41:37

Get ready for a long haul, as Jon and Andy set out across Ralph Vaughan Williams' score for the 1948 historical adventure film Scott of the Antarctic. What was unusual about the relationship between this movie and its celebrated classical composer? What techniques did he use to depict snow, ice, and struggle? And, are criticisms not made worse / when written in a rhyming verse?…

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#55 – Conan the Barbarian 1:31:16

3 years назад1:31:16

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1:31:16

Crush your enemies, see them driven before you, and hear Jon and Andy discuss Basil Poledouris’ score for the 1982 fantasy adventure movie Conan the Barbarian . From what classical references does Poledouris draw, and what very non-classical things might have drawn from him? What’s a quick way to make your music sound archaic? And, waiter, what’s this in my soup?…

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#54 – The Incredibles 1:25:54

3 years назад1:25:54

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1:25:54

Jon and Andy catch each other monologuing about Michael Giacchino’s score for the 2004 Pixar superhero movie The Incredibles ! How did Giacchino become one of Hollywood’s go-to composers? What cultural influences wind up shaken and stirred into his music? And, how big of a dork was Jon when he had a chance to ask Giacchino a question?…

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