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Reflecting Life on Stage, The New York City Hustle, and Putting Away the Constraints - Playwright's Spotlight with Catya McMullen

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Manage episode 402082706 series 3300254
Контент предоставлен James Elden. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией James Elden или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.

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Catya McMullen stopped by Playwright's Spotlight during the run of her new play Arrowhead which runs through March 4, 2024. In this episode, we talk about surviving lockdowns as an artist, what makes a good writer, reflecting life on stage, stage plays as love letters. We also discuss what comes after the initial idea, writing from a personal place and putting away the constraints, laughing your way into a deeper conversation and, a new term from me, the New York City Hustle and the benefits of becoming more generous in your theatre community. In addition, Catya shares her editing technique of Scene Tetris, deciphering notes from prescriptive fixes, accountability and keeping motivated, and whether or not you can find any of her rapping/hip hop performances online. Another fun episode I hope you'll enjoy.
Catya McMullen is a playwright and comedian. Her short play, MISSED CONNECTION won the 37th Samuel French Off Off Broadway Short Play Festival. She is the author of the comedic hip hop musical LOCKED UP BITCHES and the plays GEORGIA MERTCHING IS DEAD, AGNES, EVERYTHING IS PROBABLY GOING TO BE OKAY, WE PRAY TO ELEPHANTS, ASSHOLES IN GAS STATIONS, RUBBER DUCKS AND SUNSETS, and THE COLLECTIVE. She is a proud alum of the Obie award winning EST/Youngblood and a company member of The Middle Voice Theater Company and was a finalist for the City Theater National Award for Short Playwriting and the Creator of the quarterly variety show WE ARE ANIMALS where she raps under her feminist hip hop alias “Chihuahua Fancy” and has received multiple commissions from the Sloan Foundation. She teaches sketch comedy and playwriting at The People’s Improv Theater. Her latest play Arrowhead opened February 9th and runs through March 4th, 2024 at Atwater Village Theater in Los Angeles.
To view the video format of this episode, visit -
https://youtu.be/qIrJvOJn_Z4
Links mentioned in this episode -
Tickets to Arrowhead (Closing March 4, 2024) and IAMA Theatre Company -
https://www.iamatheatre.com/plays-events/arrowhead
Sloan Foundation -
https://sloan.org
The Flea Theatre -
https://theflea.org
Dramatists Play Service (DPS) -
https://www.dramatists.com
Websites and socials for Catya McCullen -
IG - @mccatya
Websites and socials for James Elden, PMP, and Playwright's Spotlight -
Punk Monkey Productions -
www.punkmonkeyproductions.com
PLAY Noir -
www.playnoir.com
PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
X - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer
Punk Monkey Productions and PLAY Noir -
X - @punkmonkeyprods
- @playnoirla
IG - @punkmonkeyprods
- @playnoir_la
FB - fb.com/playnoir
- fb.com/punkmonkeyproductions
Playwright's Spotlight -
X - @wrightlightpod
IG - @playwrights_spotlight
Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

Support the show

  continue reading

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Manage episode 402082706 series 3300254
Контент предоставлен James Elden. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией James Elden или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.

Send us a text

Catya McMullen stopped by Playwright's Spotlight during the run of her new play Arrowhead which runs through March 4, 2024. In this episode, we talk about surviving lockdowns as an artist, what makes a good writer, reflecting life on stage, stage plays as love letters. We also discuss what comes after the initial idea, writing from a personal place and putting away the constraints, laughing your way into a deeper conversation and, a new term from me, the New York City Hustle and the benefits of becoming more generous in your theatre community. In addition, Catya shares her editing technique of Scene Tetris, deciphering notes from prescriptive fixes, accountability and keeping motivated, and whether or not you can find any of her rapping/hip hop performances online. Another fun episode I hope you'll enjoy.
Catya McMullen is a playwright and comedian. Her short play, MISSED CONNECTION won the 37th Samuel French Off Off Broadway Short Play Festival. She is the author of the comedic hip hop musical LOCKED UP BITCHES and the plays GEORGIA MERTCHING IS DEAD, AGNES, EVERYTHING IS PROBABLY GOING TO BE OKAY, WE PRAY TO ELEPHANTS, ASSHOLES IN GAS STATIONS, RUBBER DUCKS AND SUNSETS, and THE COLLECTIVE. She is a proud alum of the Obie award winning EST/Youngblood and a company member of The Middle Voice Theater Company and was a finalist for the City Theater National Award for Short Playwriting and the Creator of the quarterly variety show WE ARE ANIMALS where she raps under her feminist hip hop alias “Chihuahua Fancy” and has received multiple commissions from the Sloan Foundation. She teaches sketch comedy and playwriting at The People’s Improv Theater. Her latest play Arrowhead opened February 9th and runs through March 4th, 2024 at Atwater Village Theater in Los Angeles.
To view the video format of this episode, visit -
https://youtu.be/qIrJvOJn_Z4
Links mentioned in this episode -
Tickets to Arrowhead (Closing March 4, 2024) and IAMA Theatre Company -
https://www.iamatheatre.com/plays-events/arrowhead
Sloan Foundation -
https://sloan.org
The Flea Theatre -
https://theflea.org
Dramatists Play Service (DPS) -
https://www.dramatists.com
Websites and socials for Catya McCullen -
IG - @mccatya
Websites and socials for James Elden, PMP, and Playwright's Spotlight -
Punk Monkey Productions -
www.punkmonkeyproductions.com
PLAY Noir -
www.playnoir.com
PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
X - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer
Punk Monkey Productions and PLAY Noir -
X - @punkmonkeyprods
- @playnoirla
IG - @punkmonkeyprods
- @playnoir_la
FB - fb.com/playnoir
- fb.com/punkmonkeyproductions
Playwright's Spotlight -
X - @wrightlightpod
IG - @playwrights_spotlight
Playwriting services through Los Angeles Collegiate Playwrights Festival
www.losangelescollegiateplaywrightsfestival.com/services.html

Support the show

  continue reading

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Send us a text This interview is a long time coming. I am extremely grateful for Adam taking the time to come on to share his knowledge. I'm sure if time allotted, we could easily could've had a three hour conversation, and I promise we will do at least one more episode. In this talk, we discuss his decision to write a book about playwriting from a letter-writing perspective, common questions he is asked, marketing and approaching theaters, dealing with rejection, finding opportunities, and negotiating compensation. We also discuss applying to Julliard, structure, considering your audience, the Math of Playwriting, monologues as a marketing tool, how changing characteristics might affect approach, the strategy of revealing information, the traps of questions and answers in dialogue, and the benefits of (earned) reversals. Playwrights of any level will walk away with something from this conversation. I look forward to the next conversations with Adam, because I will walk away so much the wiser. Enjoy! ADAM SZYMKOWICZ’s plays have been produced throughout the U.S., Canada, and around the world. He was the premiere Resident Playwright at The Chance Theater in Anaheim, CA and the first playwright to participate in Bloomington Playwrights Projects’ Square One Series. He has been to The Orchard Project and to JAW at Portland Center Stage, served twice as Playwright in Residence at the William Inge Center, and twice as a Dramatists Guild Fund’s Traveling Masters. Adam received a Playwright’s Diploma from The Juilliard School's Lila Acheson Wallace American Playwrights Program and an MFA from Columbia University where he was the Dean’s Fellow. Plays include - Deflowering Waldo, Pretty Theft, Food For Fish, Incendiary, Clown Bar, Rare Birds, Marian Old Fashioned Cold Fusion, The Parking Lot, The Night Children, When Jack Met Jill, and Heart of Snow. His monologue book, Small Explosions came out from Applause in early 2023. His playwriting book, Letters To A Young Playwright came out from Applause in fall of 2024. He has interviewed 1100 playwrights on his blog. To watch the video format of this episode, visit - https://youtu.be/4ZiQuC1g7-w Links to resources mentioned in this episode - TCG (Theatre Communications Group) - https://www.tcg.org The Chance - https://chancetheater.com Websites and Socials for Adam Szymkowicz - https://www.adamszymkowicz.com I Interview Playwrights (Blog) - http://aszym.blogspot.com/2021/06/1100-playwright-interviews.html Facebook - https://www.facebook.com/adamszymkowicz IG - @aszymkowicz Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the show…
 
Send us a text Happy New Year! It's amazing how things come full circle. After having Steven Dietz' wife, Allison Gregory, on last episode, we were privileged enough to have Laura Annawyn Shamas on Playwright's Spotlight, who happened to work them both in Minneapolis at The Playwright's Center. In this episode, Laura and I discuss a playwright's involvement in a piece, tech and costume "covers" (a term I just learned), "fourth" grade playwriting, inspirations, what makes a great director, and structure and staging. We also delve into approaching character and the symbology of names, virtual theatre vs live performance, surprising and caring about the audience, archetypes and character flaws, playing with structure, and developing and trusting a community of playwrights. As always, it's an insightful episode that Laura shares her history and experience in the craft of playwriting. It's a wonderful conversation to motivate and inspire playwrights of every level to get to work. I hope you enjoy this episode of Playwright's Spotlight and, as always... keep writing. Laura Annawyn Shamas (Playwright) is a 2023 winner of the Los Angeles New Play Project Award. Shamas has written over 40 plays, including Circular (published in 2024 by Next Stage Press), Portrait of a Nude, Lady-Like, Chasing Honey, The Other Shakespeare, Talking Leaves (winner, Garrard Best Play Award at Five Civilized Tribes Museum), and Amelia Lives (winner, Fringe First Award at Edinburgh Festival Fringe). Her short play, Seeds, won the Von Marie Atchley Award for Excellence in Playwriting from Native Voices. She worked as a dramaturge for Native Voices at the Autry for their Short Play Festivals from 2021-2023 and Festival of New Plays (2024). She graduated from UCLA with a B.A. in Theatre, the University of Colorado at Boulder with an M.A. in English/Creative Writing, and Pacifica Graduate Institute with an M.A. and Ph.D. in Mythological Studies. She is also on the American Theatre “List of Native Theatres and Theatremakers.” Her newest play Four Women in Red opens January 17th through February 23rd at the Victory Theatre Center in Burbank, CA. To watch the video format of this episode, visit - https://youtu.be/Uiu91mKKG74 Links to resources mentioned in this episode - La MaMa New York - https://www.lamama.org Transformation Theatre - https://www.transformationtheatre.org Repro Eco Project - https://reprofreedomarts.org/performances/works-in-progress/ Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the show…
 
Send us a text This week I had the pleasure of having a fascinating conversation with Allison Gregory on this recent episode of Playwright's Spotlight and her approach of writing about historical and mythological characters and exploring outside their known stories. We delved into the philosophy of "when we are", letting the story find us, the power of the #2 pencil and writing longhand, stealing from the best, obtaining the rights to other's works and public domain. We also discuss commissioning adaptations, tried and true material, embracing constructs, and knowing the audience of children's theatre. It's a wonderful chat I hope everyone feels motivated and inspired by. Enjoy! Allison Gregory’s work has been produced nationally and internationally for multigenerational audiences by a fusion of professional theaters, academic stages, and nontraditional spaces. She has received commissions and development from the Oregon Shakespeare Festival, the Kennedy Center, South Coast Repertory, Indiana Repertory Theatre, the Playwrights’ Center, the Skirball Foundation, Geva Theatre, Seattle Rep, ACT Theater, Orlando Shakes, the National New Play Network (NNPN), Hedgebrook, the New Harmony Project, and Banff Playwrights Lab. Her plays range from satires centering on underrepresented historical figures to contemporary interpretations of mythology, intimate dramas, and exuberant, innovative theatre for young people. Her plays are published by Dramatic Publishing, Playscripts, Concord Theatricals, Smith & Krauss, and Rain City Press and include – Not Medea, Junie B. Jones is Not a Crook, and Judy Moody & Stink: The Mad, Mad, Mad Treasure Hunt. To watch the video format of this episode, visit - https://youtu.be/B9pW5OH7L14 Links to resources mentioned in this episode - Child's Play - https://www.childsplayaz.org Seattle's Children's Theare - www.sct.org Website and Socials for Allison Gregory - Website- www.allisongregoryplays.com Facebook- https://www.facebook.com/allison.gregory.71 Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the show…
 
Send us a text Before I get in to the breakdown of this episode, I have to correct a few things that are bit embarrassing for one hosting a playwriting podcast. 1) Black Comedy was written by Peter Schaefer (Black Comedy, Equis, Amadeus). 2) After "Matisse" is actually After Magritte and was indeed written by Tom Stoppard that was attributer to Black Comedy in this episode. I'm still trying to find the title of the one-act about the burning building. Update to come. Playwright Nick Amatuzio beamed into Playwright's Spotlight after a last minute cancellation. Nick is a former PLAY Noir submitter who is long overdue for a chat. Four seasons in, we discuss the evolution of a play through editing, avoiding scams, monetary prizes vs production, shopping for publication, expanding on historical characters and cannon, when to edit, and what a character doesn't say. We also touch on setup vs response in comedy, struggles in playwriting, the benefits of simplicity, writing farce, and the effects of changing location. As all episodes land, there is always something new to learn no matter how novice or established a playwright may be. I promise you will walk away with some nugget of insight with this latest episode. Thanks for a great start to a fourth season. Enjoy! Nick Amatuzio is a Smith Falls, Ontario based playwright, screenwriter, and author. His plays The American Way and Seein’ is Believin’ are both available at Off the Wall Plays, and his plays Before the Cut, Brush with the Law, Mick's Last Line & Melody's Last Line are available at Stage Write Plays. To watch the video format of this episode, visit - https://youtu.be/qK91kRjP7f4 Links to resources mentioned in this episode - Off the Wall Plays - https://offthewallplays.com Stage-Write Plays - https://stage-write.com.au Writer Beware - https://writerbeware.blog Freefall Writing - https://freefallwriting.com Website and Socials for Nick Amatuzio - Facebook - https://www.facebook.com/nick.amatuzio Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the show…
 
Send us a text Playwright and filmmaker Sharisse Zeroonian streamed into the Playwright's Spotlight this week. Forgive a few moments of choppy audio on my end, but Sharisse's audio is clear, and she gives some great insight into taking your fate as a creative into one's own hands. We discuss her evolution as a writer through academia, offending your audience, self-publishing, unconventional marketing, what influences character names, avoiding expository dialogue, and character wants and obstacles. We also delve into discovering plot holes, writing in the present not in the past, the Playwrights' Center as a resource, the Playwrights Bill of Rights, and producing your own Amazon Series. Sharisse is a testament on DIY playwriting and getting one's work into the world. Enjoy! Sharisse Zeroonian is playwright and filmmaker. Her short play, “Glass Child” was featured in the 2024 10-Minute Play Festival at the Cannon Theater in Devens, MA, and will also be featured this month in the 2024 SOOP To Nuts Play Festival in Pelham, NY. Her short play, "Pomp and Circumstance", was read at the Equity Library Theater in Manhattan in October 2024, and her full-length stage play "One Plus One Is Two" was adapted into an Amazon Prime series in October 2020. She received her undergraduate degree from Boston University in 2018, and her MFA in Writing for Stage and Screen from Lesley University in 2024. To watch the video format of this episode, visit - https://youtu.be/U1Osl2-tr4U Links to resources mentioned in this episode - Playwrights' Center - https://pwcenter.org Dramatists Guild - https://www.dramatistsguild.com Dramatist's Bill of Rights - https://www.dramatistsguild.com/rights Website and Socials for Sharisse Zeroonian - Email - szeroonian@gmail.com IG - @mediterranean_homesick_blues X - @SharisseNaomiZ Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the show…
 
Send us a text A MUST LISTEN! This in far from a dismissal of past guests and interviews. This is a personal and human conversation that is insightful and inspiring from struggle to achievement and perhaps a pathway to the later. June and I had a mishap in schedule that, had it not happened, I don't think we would have had the conversation that we came away with. Her background of going from lawyer to playwright is enough to inspire anyone question their passion into the arts to take the leap. We follow with the lessons of writing a disaster of a play and getting the craft wrong but, yet, finding the engine. We examine her process, need vs premise, skeletal biographies, working backwards to move forwards in terms of character backgrounds, the gentle form of interrogation by starting with love, exploring unknown markets, inspiring playwrights and (un)appreciating the classics, reading vs viewing a play, and compromise, sacrifice, and tradeoffs. It's a very philosophical episode that playwrights of all levels will walk away with something huge. Enjoy! June Carryl is a playwright, actor and director. Her plays include LA BÊTE - A One Act which won the Encore! Producers Award, Spirit of the Fringe Award, and Orgasmico Most Orgasmic Writing Award in 2014, STONE ANGELS, BLOWFLY; MOURNING STORY, BABY TOES, SEDUCER, THE RINGS OF SATURN (The Living Room Series, Blank Theatre), GOD’S WIFE, and THE ART OF YES. She’s received commissions from the Magic and Visual Artists Theater in New York. For tickets to The Girl Who Made the Milky Way, opening November 9th through November 17th at the Colony Theatre in Burbank with school matinees November 12th through the 22nd, visit - https://ci.ovationtix.com/35252/production/1206496 To watch the video format of this episode, visit - https://youtu.be/SaUzYm9Om7Y Links to resources mentioned in this episode - ACT - https://www.act-sf.org Z Space Studio - http://www.zspace.org Armenian Dramatic Arts Alliance - http://www.armeniandrama.org The Blank - https://www.theblank.com Ojai Playwrights Conference - https://www.ojaiplays.org/ Edinburgh Fringe - https://www.edfringe.com IAMA - https://www.iamatheatre.com Playwrights Arena - https://playwrightsarena.org Rogue Machine - https://roguemachine.ludus.com/index.php Lower Depth - https://www.lower-depth.com Collaborative Artists Bloc - https://www.collaborativeartistsbloc.org The Road - https://roadtheatre.org Socials for June Carryl - IG @junecarryl Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the show…
 
Send us a text Bonus episode between our usual schedule! In order to align our guest's upcoming shows with their interview, we're sneaking an additional episode during what would normally be a break. However, we skipped an week earlier in the season, so we hope this makes up for it. Ethan Crystal and Garrett Poladian streamed in to the Playwright's Spotlight to talk about their world premiere musical Golem Owned a Tropical Smoothie, the first writing endeavor for the two. We talk about the origin of the idea and the dedication and steps to get it from concept to production. We also explore the key element for actors to creating a successful project to showcase their talent, and Ethan and Garrett make a strong argument on how to succeed. We delve into the two perspectives as playwrights vs characters, inserting meaning, the benefits of audience response, musical collaboration, and obsession and consistency. This is an episode about taking the leap and how to showcase your talent in a medium one may not be familiar with. Listen to end, because Ethan and Garrett share a perspective I have yet to hear in three seasons. Enjoy. For tickets to Golem Owned a Tropical Smoothie playing through November 10th, visit - https://thetanknyc.org/calendar-1/2024/10/17/golem-owned-a-tropical-smoothie Ethan Crystal is a singer, actor, writer, musician, and comedian as well as an award-winning vocal arranger, comedy writer, and composer. He is also the host of Ethan’s Open Mic, a variety open mic with a live band. Garrett Poladian is a New York City based actor, writer, and ballerino having been a full-time company dancer from 2014-2016 with the ballet Pensacola, the only resident professional dance company in the area. To watch the video format of this episode, visit - https://youtu.be/eMJLHD--HbQ Links to resources mentioned in this episode - Theatre Now - https://www.tnny.org Sound Bites - https://www.tnny.org/soundbitesprogram The Tank - https://thetanknyc.org Website and Socials for Ethan Crystal and Garrett Poladian - Ethan Crystal - IG - @ethancrystal1 Garrett Poladian - IG - @garrettpoladian TikTok - @ravensymonestaint Golem Owned a Tropical Smoothie - @golemmusical Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the show…
 
Send us a text After high praise from Ellen Geer a few episodes, we were able to get Jennie Webb to sit in the Playwright's Spotlight and share her experiences as a playwright, dramaturg, and overseer of workshops. We explored her transition from acting into playwriting, her assistance in developing new works from "living voices", the benefits of asking questions, knowing the origin of a moment and earning it as pushing boundaries and whether or not there is a formula for playwriting. We also touch on her love of language, her process, submitting to outside markets especially oversees, defining success and accepting rejection, giving oneself parameters, and the benefits of going for a walk. Another episode chock of great advice and insight. We had a lot of fun. Enjoy. Jennie Webb is an LA-based playwright and dramaturg having created and ran the new play development program, Seedlings, at Will Geer’s Theatricum Botanicum and co-creating EST/LA's Ignite Project. Her work includes “Yard Sale Signs,” “Smiling Cat Candy Heart,” "On Tuesday," "It's Not About Race," “Rebecca on the Bus,” “Brand New Script” and "Buying a House". National recognition include Finalist for O’Neill Playwrights Conference, Gulfshore Playhouse, and City Theatre Short Play Festival as well as Semi-Finalist for the O’Neill Playwrights Conference, PlayPenn, Athena Project, and Trustus Theatre Festival. She is the recipient of Max K. Lerner Playwriting Fellowships and a Women in Theatre Red Carpet Award and is a member of the Playwrights Union, EST/LA, Honor Roll!, Dramatists Guild. She is also co-founder of LA Female Playwrights Initiative. For information for Jennie's reading of Wound Care on October 18th, visit - https://www.companyofangels.org/new-works-fest-rsvp-1 To watch the video format of this episode, visit - https://youtu.be/l0z5Yj3qqDg Links to resources mentioned in this episode - O'Neill Playwrights Conference - https://www.theoneill.org/npc Play Penn - https://www.playpenn.org Will Geer Theatricum Botanicum - https://theatricum.com EST/LA - https://www.estlosangeles.org LA Female Playwrights Initiative - https://lafpi.com Playwrights Union - https://playwrightsunion.com Actors Gang - https://theactorsgang.com Hollywood Fringe - https://www.hollywoodfringe.org Website and Socials for Jennie Webb - www.jenniewebbsite.com IG - @jenniewebbsite Facebook - https://www.facebook.com/jenniewebbsite X/Twitter - @jenniewebbsite Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the show…
 
Send us a text Michi Barall streamed into Playwright's Spotlight this week days before her new play Drawing Lessons leaps into rehearsal at Children's Theatre Company. Conceptually complex, Michi shares the concept of translating a graphic novel for the stage, the concept of live drawing on stage and simultaneously performing, putting the concept on the page, the process of casting, and her struggles breaking down virtual art. We also discuss the impact of the New York and Minneapolis markets and organizations on the play and the changes from each as well as collaborating with multiple artists and the Deadline Draft. We touch on her journey from actor to playwright, the lessons from Greek playwrights, learning the rules and overcoming obstacles, the importance of Theatre History, and conquering Imposter Syndrome. It's a very educational episode that explores the possibilities of theatre and what can be achieved. As always, Enjoy! Michi Barall is a New York City-based actor, playwright, and academic. Her dance-theatre piece, Rescue Me , was produced at the Ohio Theatre by Ma-Yi in 2010. Her music-theatre adaptation of Peer Gynt - Peer Gynt and The Norwegian Hapa Band , premiered in 2107 at the ART/NY Theatre. She holds degrees from Stanford University, NYU with an M.F.A. in Acting) and Columbia with a PhD in Theatre/English & Comparative Literature. She has taught at Columbia, NYU, and MIT and is currently on the faculty at Purchase College. Drawing Lessons opens at Children's Theatre Company in Minneapolis, Minnesota October 8th through November 10th, 2024. For tickets, visit - https://childrenstheatre.org/whats-on/drawing-lessons/ To watch the video format of this episode, visit - https://youtu.be/w1gHrCcEN5M Links to resources mentioned in this episode - Children's Theatre Company - https://childrenstheatre.org Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the show…
 
Send us a text Ben Edlin and Deborah Aquila came by the studio to sit in the Playwright's Spotlight before the World Premiere of the collaborative play -TH*IR*DS. In this interview, we discussed the long process of developing this play over the course of seven years, the changes made, the possibility of it becoming a pilot but returning the concept to the stage, their process and procedure, and breaking a story. We also touch obstacles in collaboration, Ben's need to "enter the cave", choosing words and punctuation, assembling the team, and the changes that occur during table work as well as the challenges of flipping from playwright to actor when cast in your own piece. It's a insightful discussion that gives both perspectives of a collaborating team. Enjoy. BEN EDLIN is a playwright and actor who trained at Dartmouth College and The Aquila Studio in Los Angeles. He is also a founding member of THE THREE WEEKS NOTICE COLLECTIVE, with whom he recently premiered his play, “Conversations in Exile,” an original adaptation of Chekhov’s “Three Sisters.” His newest play, THIRDS opened September 6th and runs through September 29th at The Zephyr Theatre in Los Angeles. DEBORAH AQUILA is casting director and is the mind behind the story of THIRDS. A graduate of NYU's TISCH SCHOOL of the ARTS and THE STELLA ADLER CONSERVATORY, she’s cast films including "THE SHAWSHANK REDEMPTION," "PRIMAL FEAR," "KISS THE GIRLS," and "LA LA LAND.” She is a proud member of the Academy of Motion Picture Arts and Sciences, BAFTA, and the Casting Society of America (CSA) and has been nominated 18 times for the Artios Award by the CSA, winning for the features Red, My Week with Marilyn, CODA and La La Land. For tickets to TH*IR*DS, playing through September 29th, 2024, visit - https://thirdstheplay.com/ To watch the video format of this episode, visit - https://youtu.be/06ioaeHchCY Links to resources mentioned in this episode - The Aquila Studio - https://www.theaquilastudio.com Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the show…
 
Send us a text If there was a formula that could tell you how to become a successful playwright, this episode is it. Nicholas Pilapil dropped into the Playwright's Spotlight for an insightful approach to becoming a working playwright. His approach to workshops lays out a pathway of motivation and accountability. We discuss confidence versus hubris, his approach to selecting playwrights for his workshop, the benefits of seeing theatre, telling the story, character description, set, and beats, as well as how to creating distinct voices. This was such a motivating chat that I believe lays out a foolproof way to becoming a working playwright. Let me know if you agree. Enjoy! Nicholas Pilapil is an alum of The Writers’ Room at the Geffen Playhouse, IAMA Theatre Company’s Emerging Playwrights Lab, The Vagrancy Playwrights Group, and artEquity. His plays include The Bottoming Process and if all that You take from this is courage, then I’ve no regrets and was the winner of the Samuel French Off-Off Broadway Short Play Festival. His work has also been developed with Geffen Playhouse, Abingdon Theatre Company, Playwrights Foundation, American Stage, Ensemble Studio Theatre/LA, The Workshop Theater and Artists at Play. For tickets for God Will Do the Rest playing through September 29th, visit - https://www.latinotheaterco.org/godwilldotherest To watch the video format of this episode, visit - https://youtu.be/49Xf3MSTcmE Links to resources mentioned in this episode - Artists at Play - https://artistsatplay.org Los Angeles Theatre Center - https://culture.lacity.gov/cultural-centers/los-angeles-theatre-center-latc/ Geffen's Writers Room - https://www.geffenplayhouse.org/tickets/new-plays/the-writers-room/ IAMA - https://www.iamatheatre.com/ Boston Court Theatre - https://bostoncourtpasadena.org Website and Socials for Nicholas Pilapil - https://www.nicholaspilapil.com Twitter/X - @nicholaspilapil IG - @nicholaspilpil Facebook - https://www.facebook.com/nepilapil TikTok - @nicholaspilapil Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the show…
 
Send us a text Actor, director, producer, playwright, and artistic director since 1978 of the famous Will Geer Theatricum Botanicum, Ellen Geer stopped by to talk about the history of the Theatricum, growing up in a blacklisted family, and how playwriting helps heal societal wounds. Ellen shares her transition into playwriting, her approach to revising Shakespeare to the female characters' point of view and how it changes the story, the learning curve of a self-taught playwright, and the importance of ending a days work of writing on a high note. She also delves into the important lessons of playwriting, the use of technology, struggles and confidence, and her view of "gatekeepers" and staging your own work, especially when it could be considered a controversial piece. It's a charming conversation and the second episode where my camera shut down in the middle of the interview, so I apologize for the brief interruption. In the end, it was a pleasure to sit and share with an important and prominent influence in the Los Angeles theatrical community. Enjoy! For tickets to the current running production of Wendy's Peter Pan at the Theatricum Botanicum, visit - https://www.todaytix.com/los-angeles/shows/41175-wendys-peter-pan Ellen Geer is a playwright, actress, producer, and director and has been the artistic director of Will Geer’s Theatricum Botanicum since 1978, where she helped the theater develop from a Sunday afternoon workshop performing Shakespeare to a professional repertory theater company with a negotiated Actors Equity Contract. She has produced and directed well over 100 Theatricum productions, including plays by Shakespeare, Tennessee Williams, Chekhov and Thornton Wilder and many of her own plays and adaptations have been performed at Theatricum as well, including this season’s Wendy’s Peter Pan and last season’s Queen Margaret’s Version of Shakespeare’s War of the Roses; Trouble the Water; An Enemy of the People ; TOM (adapted from the novel “Uncle Tom’s Cabin”); Merlin: The Untold Story ; Dracula ; A Dark Cloud Came ; and Dory, A Musical Portrait . To watch the video format of this episode, visit - https://youtu.be/F5nDOG__jr4 Website and Socials for Ellen Geer and Theatricum Botanicum - Will Geer Theatricum Botanicum - https://theatricum.com Theatricum's Socials - Facebook - https://www.facebook.com/Theatricum IG - https://www.instagram.com/theatricum_botanicum/ X - @theatricum Ellen Geer Facebook - https://www.facebook.com/ellen.geer.3 Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the show…
 
Send us a text Tom Jacobson swung into the Playwright's Spotlight in the midst of his coinciding plays The Bauhaus Project and Crevasse to discuss the correlation to both of the pieces and the subject matter of fascism and anti-Semitism in Nazi Germany. While discussing the historical influence of the Bauhaus, we explore previews and changes within coinciding pieces, writing trilogies and their process and presentation, standalones within trilogies, jumping timelines in historical works, balancing historic events and relationships, and taking creative license. We also discuss research, outlining, and when to start writing, breaking down structure, layering characters with and for the actor, table work and the role of the playwright, doubling and tripling up actors, writing complex sets with simplicity, stage magic on the play, and the benefits of academia as well as relationships and how they can help land productions. It's a wonderful conversation with a few technical hiccups that you might find entertaining, but you'll walk away with some education in history in addition to some insight in the craft of playwriting. As always... Enjoy! Tom Jacobson has penned more than 50 plays and has had more than 100 productions of his works performed around the world. His play The Twentieth-Century Way premiered at The Theatre @ Boston Court and the New York International Fringe Festival garnering five Ovation Award nominations, four Los Angeles Drama Critics' Circle nominations, one GLAAD Award nomination, a Fringe Festival Award for Outstanding Production of a Play, a PEN Center Award for Drama and then moved Off Broadway to Rattlestick Playwrights Theatre. He has been a co-literary manager of The Theatre @ Boston Court, a founding member of Playwrights Ink, and a board member of Cornerstone Theater Company and The Theatre @ Boston Court. His most recent play The Bauhaus Project opened at the Atwater Village Theatre and will be running simultaneously with his play Crevasse at the The Victory Theatre here in the Los Angeles area. Both pieces focus on the relationship of art and artists to the rise of fascism, anti-Semitism in Nazi Germany. For tickets for The Bauhaus Project and Crevasse through August 18th, 2024 - https://glamgical.com/the-bauhaus-project-and-crevasse/ For the video format of this episode, visit - https://youtu.be/sNg7rH8QzQE Links to resources mentioned in this episode - Dramatists Guild - https://www.dramatistsguild.com Moving Arts - https://movingarts.org Website and Socials for Tom Jacobson - www.tomjacobsonplaywright.com Facebook - https://www.facebook.com/tom.jacobson3 Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the show…
 
Send us a text Catherine Filloux dropped into the Playwright's Spotlight before the New York Premiere of her new play How to Eat an Orange. We spoke about her development and involvement in Theatre Without Borders and transitioning from an actor to playwright which would later push her into becoming a librettist for operas. She explained the structure of a libretto, the purpose of arias, developing characters and writing for range. We also touched on the dramatic question, theatrical perspectives, framing and shaping your play, and whether or not there is one thing that all playwrights should be doing. Catherine brings her knowledge and experience to this episode that I think everyone listening will walk away with something. Enjoy! Catherine Filloux is an award-winning playwright who has been writing about human rights and social justice for over twenty-five years. Her plays have been produced around the U.S. and internationally. Filloux was honored with the 2019 Barry Lopez Visiting Writer in Ethics and Community Fellowship; the 2017 Otto René Castillo Award for Political Theatre and the 2015 Planet Activist Award due to her long career as an activist artist in the theater community. She received her M.F.A. at NYU’s Tisch School of the Arts’ Dramatic Writing Program and is a co-founder of Theatre Without Borders as well as an alumna of New Dramatists. She has taught playwriting at many universities and colleges including Vassar College, Wesleyan University and Bennington College. Plays include White Savior, whatdoesfreemean?, Kidnap Road, and How to Eat an Orange. To watch the video format of this episode, visit - https://youtu.be/VZZqwhmP_H8 Links to resources mentioned in this episode - Theatre Without Borders - https://theatrewithoutborders.com/ Circle in the Square Theatre - https://circlesquare.org/theatre/ HB Theatre Foundation - https://www.hbstudio.org Website and Socials for Catherine Filloux - www.catherinefilloux.com IG - @catherinefillouxwriter Facebook - https://www.facebook.com/CFillouxWriter/ X - @CFillouxWriter Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the show…
 
Send us a text Olivia Sawatzki came by Playwright's Spotlight after the West Coast Premiere of her play Being Alive (& other big jokes) at the Raven Playhouse in North Hollywood. We discuss seeing your work onstage, writing strategies, evolving as a playwright, being influenced and deconstructing playwrights' works, the process of revision, writing tricks and rituals as well as breaking habits. We also talk about confidence, finding motivation, character descriptions, detailed stage directions, and living an artists life. As an emerging playwright, Olivia has some wonderful information that any playwright at whatever stage in the career can benefit from. Enjoy! Olivia Sawatzki is a Los Angeles-based playwright. Originally from Columbus, Ohio. She is an alumna of Ohio State University, where she graduated Magna Cum Laude with a BA in Theatre in 2020. She won the 2019 Gerald R. Black Prize for Recognition of Excellence in Playwriting. Her plays have been produced in Ohio and California and include Men of Might, LZRDGRL, Bleed Me Dry, and for sale, baby shoes. Most recently, her play Being Alive (& other big jokes) sold-out its West Coast Premiere run at in Los Angeles, CA, and she is a member of the Dramatists Guild. To watch the video format of this episode, visit - https://youtu.be/MEG5VRKejqQ Links to resources mentioned in this episode - Stuart Rogers & Theatre Tribe - https://stuartrogersstudios.com/la-theatre/ New Play Exchange - https://newplayexchange.org Dramatists Guild - https://www.dramatistsguild.com Playwrights' Center - https://new.pwcenter.org NYCPlaywrights - https://www.nycplaywrights.org Website and Socials for Olivia Sawatzki - IG - @olivsawa Websites and socials for James Elden, PMP, and Playwright's Spotlight - Punk Monkey Productions - www.punkmonkeyproductions.com PLAY Noir - www.playnoir.com PLAY Noir Anthology – www.punkmonkeyproductions.com/contact.html James Elden - Twitter - @jameseldensauer IG - @alakardrake FB - fb.com/jameseldensauer Punk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductions Playwright's Spotlight - Twitter - @wrightlightpod IG - @playwrights_spotlight Playwriting services through Los Angeles Collegiate Playwrights Festival www.losangelescollegiateplaywrightsfestival.com/services.html Support the show…
 
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