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Контент предоставлен Twenty Summers. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Twenty Summers или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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Last summer, something monumental happened. One of Uncuffed's founding producers, Greg Eskridge, came home after more than 30 years in prison. In this episode we’ll bring you back to that emotional day last summer when he walked out of the San Quentin gates, free at last. Our work in prisons is supported by the California Arts Council, the California Department of Corrections and Rehabilitation, independent foundations, and donations from listeners like you. Learn more, sign up for Uncuffed news, and support the program at www.weareuncuffed.org Follow us @WeAreUncuffed on Instagram and Facebook Transcripts are available within a week of the episode coming out at www.kalw.org/podcast/uncuffed…
Commodity: Gin Stone Installation
Manage episode 405194552 series 3019789
Контент предоставлен Twenty Summers. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Twenty Summers или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Artist talk & reception celebrating "Commodity", art installation of life-size animals created by the local artist Gin Stone. An allegorical art installation employing life-size animals created by the artist Gin Stone in a ‘diorama’ that explores the environmental consequences of patriarchal-driven capitalism through human evolution. The unfolding artwork advances its timeline with each consecutive install location it occupies, the results of which are an evolving narrative. In three acts, the installation creates an apt metaphor for the exploitation of living beings, the environment, and ultimately, the planet. The Hawthorne Barn is the setting for the initial installation or 'act'. Gin Stone was born in 1971 in Binghamton, NY. She now lives and works in studio based on coastal Massachusetts. She is a transdisciplinary artist using sculpture, installation and science to convey themes regarding nature and myth. She attended the Hartford Art School. With work that conveys environmental activism while incorporating material based sub-text, animals become allegorical characters used to highlight - and reject- women and nature as commodities exploited by a largely patriarchal capitalist society (ecofeminism). Stone’s creatures are created with materials including commercially fished line, ghost gear, recycled and antique textiles as well as found objects. Her work has explored the myth of ancient religion and goddess worship, channeling her immense interest in myth and mysticism. The resulting effect is a cocktail of politics, culture, history and ritual, inhabiting the space of its viewers with intrigue while inspiring thoughtful dialogue of how texture can be both physical as well as abstract. The beauty inherent in nature is brought to life to craft a portrait of meaning and movement, while building chapters on evolution and ecology.
…
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114 эпизодов
Manage episode 405194552 series 3019789
Контент предоставлен Twenty Summers. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Twenty Summers или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Artist talk & reception celebrating "Commodity", art installation of life-size animals created by the local artist Gin Stone. An allegorical art installation employing life-size animals created by the artist Gin Stone in a ‘diorama’ that explores the environmental consequences of patriarchal-driven capitalism through human evolution. The unfolding artwork advances its timeline with each consecutive install location it occupies, the results of which are an evolving narrative. In three acts, the installation creates an apt metaphor for the exploitation of living beings, the environment, and ultimately, the planet. The Hawthorne Barn is the setting for the initial installation or 'act'. Gin Stone was born in 1971 in Binghamton, NY. She now lives and works in studio based on coastal Massachusetts. She is a transdisciplinary artist using sculpture, installation and science to convey themes regarding nature and myth. She attended the Hartford Art School. With work that conveys environmental activism while incorporating material based sub-text, animals become allegorical characters used to highlight - and reject- women and nature as commodities exploited by a largely patriarchal capitalist society (ecofeminism). Stone’s creatures are created with materials including commercially fished line, ghost gear, recycled and antique textiles as well as found objects. Her work has explored the myth of ancient religion and goddess worship, channeling her immense interest in myth and mysticism. The resulting effect is a cocktail of politics, culture, history and ritual, inhabiting the space of its viewers with intrigue while inspiring thoughtful dialogue of how texture can be both physical as well as abstract. The beauty inherent in nature is brought to life to craft a portrait of meaning and movement, while building chapters on evolution and ecology.
…
continue reading
114 эпизодов
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×Journalism informs. It investigates. It holds the powerful accountable. But can it also be art? Adam Moss makes that case in his new book, The Work of Art, featuring visual artists, novelists, poets, musicians, and journalists like Gay Talese, Ira Glass, and the front-page editors of the New York Times. Join Moss and Provincetown Independent editor Ed Miller, along with journalist and historian Dan Okrent, journalist and podcaster Andrew Sullivan, and journalist and artist Tessera C. Knowles, as they discuss the creative side of journalism — as it is practiced now, as it has flourished historically, and as it takes ever-new forms on the way to an indefinite future. This event benefited the Local Journalism Project — the nonprofit organization that supports next-generation journalists at the Provincetown Independent.…

1 Brandee Younger Trio in Concert 1:05:14
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This sonically-innovative harpist is revolutionizing her instrument for the digital era. Over the past 15 years, she has worked relentlessly to stretch boundaries and limitations for harpists. In 2022, she made history by becoming the first black woman to be nominated for a Grammy Award for Best Instrumental Composition. That same year, she was also nominated for an NAACP Image Award. “No harpist thus far has been more capable of combining all of the modern harp traditions—from Salzedo, through Dorothy Ashby, through Alice Coltrane—with such strength, grace and commitment.” —saxophonist Ravi Coltrane…
Over the past six or seven years I have focused on cutting away certain areas of maps, creating lace-like pages of roads, rivers, and other geographical features. These are then protected between sheets of acrylic, in boxes, or safely mounted on panels. For my site-specific installation at Twenty Summers, I embraced the fragility of the pages, leaving them unprotected and open to whatever might happen when people also enter the space. I envisioned hundreds of cut maps hanging from the beams, perhaps randomly, perhaps in a specific layout. I have a sense of the installation being somewhat representative of the world, in particular the fragility of the planet and how we are failing to take care of it. But I also like the idea that it spreads through the community and parts of it live on wherever people put the pieces that they take. I see the whole as ephemeral and removing some of the individual elements does not diminish it. And maybe, during future iterations of the installation, more will be added, and it will continually evolve; perhaps becoming a permanent part of my art practice.…

1 20S x Atmos | Oceans Between Us 1:00:08
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All life once rose from the ocean, and all life still depends on it today. From melting glaciers and rising sea levels to plastic pollution and overfishing, our common origin is in danger. This group of marine biologists, ocean advocates, and researchers of the local coastal ecosystem venture into a discussion about how the ocean connects us—and what we can do to protect it.…
Fabiola Méndez is a Puerto Rican cuatrista, singer, Emmy-nominated composer, and educator that has taken part in a musical and cultural movement, crossing over the lines of genres such as folk, jazz & Afro-Caribbean and taking the listener on a journey through identities, cultures, and roots.
A chance meeting with a stranger on the side of the road led artist, Michael Joseph down a decade-long journey photographing and documenting an American subculture, called Travelers. Travelers are the most contemporary of non-conformists, having evolved from the 1930s Dustbowl Hobo, '50s Kerouac Beatnik, and the '90s East Village Squatter. Michael presents his work and new book, "Lost and Found: A Portrait of American Wanderlust" through visuals and audio. His portrait project set in Provincetown, called "Wild West of the East" will be discussed. Topics common to both projects include identity formation, found family, wanderlust, the human journey and the search for equality and human authenticity.…
Introduce yourself to the nettle plant through an immersion of flavor, texture, sensations and experiences. Nicole Cormier RD, LDN offers connections to Urtica dioica with a tasting of various preparations of the plant to eat, sip and feel. “I am passionate about helping people...improving whole health ... mental and physical ...educating ... I believe in the power connecting farmers and consumers.”…

1 20S X Atmos | The Weather Station in Concert 1:11:26
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The Weather Station is the project of Toronto based songwriter Tamara Lindeman. The last few years have seen The Weather Station release two albums: the career defining Ignorance (2021) and its ethereal, mostly live recording companion piece, How Is It That I Should Look At The Stars (2022). In that time, The Weather Station have gone on to headline tours across North America and Europe, play major festivals, and perform on the televised Austin City Limits as well as Jimmy Kimmel Live. Ignorance was named Best New Music (Pitchfork), and landed in year-end Top 10 lists from The New Yorker (#1), Spin, New York Times, Uncut, Pitchfork, The Guardian, and many others. Called "a heartbroken masterpiece" in The Guardian, the record was a complex evocation of climate grief that struck a chord worldwide. As a writer, Lindeman is known for her detail. “Her writing can feel … like the collected epiphanies from a lifetime of observing” (Pitchfork). Over the course of six albums, her music has moved from home recorded, mostly acoustic folk to the “ornate act of world building” (New Yorker) that was Ignorance. The throughline, though, is a focus on ideas; her lyrics walk the line between the personal and the conceptual, forever tying small moments to larger metaphysical quandaries. Nominated for three Juno Awards, a Socan Songwriting Award, and the Polaris Prize, her albums have made a mark both critically and conceptually.…
On August 18th, 1949, Forum 49 hosted a panel discussion called ‘Directions in 20th Century Architecture’ featuring architect Marcel Breuer, the artist and filmmaker György Kepes, and architect and journalist, Peter Blake, who was then curator for Architecture and Design at the Museum of Modern Art. All three speakers were engaged in the then-raging debate about whether modern houses should use the materials and methods of vernacular, regional architecture, or employ universal, standardized, machine-made components. Breuer had just finished building his own experimental house in Wellfleet and one for the Kepes family not far away. Both houses were modest-sized, environmentally sensitive, outposts for art-making and creative congregation. By coincidence this 75th anniversary of Forum 49 is also the year the Cape Cod Modern House Trust is seeking to purchase, restore and re-open Breuer’s house as a platform for scholarship and new creative work. By looking back at the Forum 49 discussions, this talk will explore the relevance of Breuer’s work today, as well as the process of preserving his summer house and the archiving of its contents.…
The ecological crisis is only a symptom of a deeper spiritual disconnect, one that must be mended to heal the whole. What can we learn from nature about the processes of decay and renewal? What must be decomposed in order for our species to mend its relationship with the Earth? In this keynote conversation bridging the spiritual and ecological, we will hear from Atmos editor-in-chief Willow Defebaugh and philosopher, writer, and founder of The Emergence Network Bayo Akomolafe, as they invite us into a deeper understanding about the transmutations and murmurations our world is faced with today.…
Cody Plays is an experiment in creating a play in a matter of a few days with a rotating group of special guests and collaborators created by writer/performer Cody Sullivan. Where is the show taking place this week? What is happening in the world that day? Who can we beg to take a role? The answers to these questions are the frantic, immediate, ephemeral ingredients that Cody uses to facilitate the group creation of each Cody Plays. Cody started the show in Provincetown at The Gifford House, in June 2023. He continues to play in Provincetown and Boston. “The results are outrageous and boisterous and harken back to Provincetown’s devil-may-care days.” – Chris Muller, The Boston Globe.…
As part of our 20S x Atmos weekend Pinar Sinopoulos-Lloyd, Sabrina Imbler, Patricia Ononiwu Kaishian, and Willow Defebaugh come together to discuss "Queering Nature". The queer experience is rooted in expression and acceptance—a celebration of all the unique and individual natures that make up the whole of nature, a rich tapestry woven by biodiversity. In this panel discussion, expert voices from the field of queer ecology will explore wonders from around the planet that challenge our human notions of gender and sexuality, who gets to determine the narrative frameworks of biology, and the expansive nature of identity.…
Mike Sullivan and friends in a concert featuring masked performances of Stephen Sondheim repertoire with other choral and musical theater works. With performers wearing masks and custom clothing designs, Faces of Celebration meets at the intersection of music, fashion, and art, and explores the variety of ways in which we engage with storytelling and creative expression. The concert is performed in two acts, consisting of local and visiting singers and instrumentalists.…

1 20S x Atmos | Going Back to the Land 1:05:34
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Enjoy a session from our Twenty Summers x Atmos weekend of conversations at the Hawthorne Barn. To rewrite our future, we must right the wrongs of the past and present—including the harm that colonization has authored upon the Earth’s original caretakers and listen to their words of wisdom. In this talk, Indigenous advocates, leaders, and visionaries will invite the audience into a discussion about Native sovereignty, stewardship, reparations, and the landback movement.…

1 Bermuda Search Party in Concert 1:33:32
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Experience an evening in the Barn with Bermuda Search Party! Since their inception in early 2018, Bermuda Search Party (formerly known as The Q-Tip Bandits) have emerged into the Boston music scene as an energetic and vibrant act that continues to touch audience’s hearts while getting them up on their feet. Their smooth yet powerful sound is backed by the raw energy of rock and the coolness and colors of R&B and funk — with palpable grooves coated with savory, soul-inspired riffs, anthemic horns and meaningful lyrics.…
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