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We're trying something different this week: a full post-show breakdown of every episode in the latest season of Black Mirror! Ari Romero is joined by Tudum's Black Mirror expert, Keisha Hatchett, to give you all the nuance, the insider commentary, and the details you might have missed in this incredible new season. Plus commentary from creator & showrunner Charlie Brooker! SPOILER ALERT: We're talking about the new season in detail and revealing key plot points. If you haven't watched yet, and you don't want to know what happens, turn back now! You can watch all seven seasons of Black Mirror now in your personalized virtual theater . Follow Netflix Podcasts and read more about Black Mirror on Tudum.com .…
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Контент предоставлен AbbeyTheatre. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией AbbeyTheatre или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Inspired by the revolutionary ideals of our founders and our rich canon of Irish dramatic writing, our mission is to imaginatively engage with all of Irish society through the production of ambitious, courageous and new theatre in all its forms. We commit to lead in the telling of the whole Irish story, in English and in Irish, and we affirm that the Abbey is a theatre for the entire island of Ireland and for all its people. In every endeavour, we promote inclusiveness, diversity and equality.
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Контент предоставлен AbbeyTheatre. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией AbbeyTheatre или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Inspired by the revolutionary ideals of our founders and our rich canon of Irish dramatic writing, our mission is to imaginatively engage with all of Irish society through the production of ambitious, courageous and new theatre in all its forms. We commit to lead in the telling of the whole Irish story, in English and in Irish, and we affirm that the Abbey is a theatre for the entire island of Ireland and for all its people. In every endeavour, we promote inclusiveness, diversity and equality.
…
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267 эпизодов
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×Youth's the Season -? Audio Described Introduction by AbbeyTheatre
Youth's the Season -?: Programme Note from Director Sarah Jane Scaife by AbbeyTheatre
Sarah Jane Scaife is Artistic Director of Company SJ which she co-founded in 2009. Company SJ produced Samuel Beckett’s Act Without Words II for the Absolut Fringe Festival in Dublin before touring it to London, New York, Limerick, Enniskillen, Tokyo and Paris. In 2013 along with Rough For Theatre 1 it became the first in a series of work entitled Beckett in the City, which sought to insert the writings of Beckett into the architectural and social spaces of the city of Dublin. In 2014 she directed Beckett in the City: Fizzles for the Dublin Fringe Festival and in 2015 she added Beckett in the City: The Women Speak which was performed in Dublin and New York. In 2018 she presented Beckett’s prose piece Company, for the Dublin Theatre Festival with Raymond Keane as performer. In 2021, she directed Beckett sa Chreig: Laethanta Sona (Happy Days), a site specific production on the island of Inis Oírr and in Dublin. Bríd Ní Neachtain won Best Actress for this role at the Irish Times Theatre Awards 2022 in this co-production between Company SJ and The Abbey Theatre. In 2021 and 2022, she co-directed The Long Christmas Dinner with Raymond Keane as the Christmas production on the Peacock stage at the Abbey Theatre. She recently directed Joanne Ryan’s In Two Minds for Fishamble, in the 2023 DTF and in The Edinburgh Fringe in 2024. Sarah Jane is very passionate about the work of Dublin playwright Mary Manning and has been working towards a production of Youth’s The Season -? for the last decade. Commenting on the play, Sarah Janesaid: “When I read Youth’s The Season -? I was really surprised at how different the world it presented felt… It was from a young, female, urban perspective. It was funny but in a caustic way, which felt very recognisable to me. The sense of angst, boredom and frustration for what society had on offer to young women or young men who didn’t conform to the stereotype of Irish society, was familiar in a very real way for me. What is so interesting today is recognising that all the same frustrations, the fears of war, the anxiety of being different or not fitting in that are experienced by the youth today, are written into this play which was written by a young woman in her early twenties, in 1930.”…
Emma - Audio Described Programme Notes by AbbeyTheatre
Grania Audio Described Programme Notes by AbbeyTheatre
The Quare Fellow: Audio described programme notes by AbbeyTheatre
One of the most uniquely recognisable, and critically and popularly lauded, voices in Irish music, Radie Peat – of multi-award winning Lankum and ØXN – collaborates with the Abbey Theatre on its production of Brendan Behan’s The Quare Fellow, lending her vocals to the lyrics of 'The Old Triangle', which ring out hauntingly throughout the performance. Read more here: https://www.abbeytheatre.ie/the-old-triangle/…
Audio Description notes for Somewhere Out There You by Nancy Harris, directed by Wayne Jordan at the Abbey Theatre.
Ghosts on demand: Audio Described programme notes by AbbeyTheatre
Ghosts: Audio Described programme notes by AbbeyTheatre
As part of the run of our new production of Moliere's Tartuffe, we initiated a series of post-show discussions on themes emerging from the new version of the play by Frank McGuinness. The discussions focussed on the origins of these themes in the play and broadened out to encompass reflections on their relevance for Ireland in the past and the present. Our second talk covered Me Too: confronting patriarchy and sexual oppression. This conversation was explored by curator Catriona Crowe along with journalist and novelist Gene Kerrigan and journalist and writer Caelainn Hogan. In their talk they examined hypocrisy, trying to answer the question if it’s part of the Irish system of elision of difficult things. Facebook - @AbbeyTheatreDublin Instagram - @AbbeyTheatreDublin Twitter - @AbbeyTheatre…
As part of the run of our new production of Moliere's Tartuffe, we initiated a series of post-show discussions on themes emerging from the new version of the play by Frank McGuinness. The discussions focussed on the origins of these themes in the play and broadened out to encompass reflections on their relevance for Ireland in the past and the present. Our first talk covered Me Too: confronting patriarchy and sexual oppression. For this talk, curator Catriona Crowe was joined on stage by Irish Times writer and columnist Roisin Ingle and Consent Project Manager with Dublin Rape Crisis Centre Sarah Monaghan. They discussed the recent Waking the Feminists campaign - how have we done since the campaign was first launched back in 2015 and is there more to be done? The panel also explored if toxic masculinity is a response to women’s attempts to defeat sexual oppression. Facebook - @AbbeyTheatreDublin Instagram - @AbbeyTheatreDublin Twitter - @AbbeyTheatre…
Audio-described programme note for the Abbey Theatre production of Tartuffe
Tales from the Holywell - Audio Described Programme Notes
The Weir - Audio Described Programme Notes
Joyce's Women Audio-described Programme by AbbeyTheatre
Translations Audio-described Programme Notes by AbbeyTheatre
Audio-described programme notes for the audio described performance of An Octoroon by Branden Jacobs-Jenkins, a radical reboot of Dion Boucicault's The Octoroon.
Programme notes for the audio described performance of Portia Coughlan by Marina Carr.
Programme notes for the audio described performance of Faith Healer by Brian Friel.
Programme notes for the audio described on-demand performance of The Long Christmas Dinner by Thornton Wilder.
Programme notes for the audio described performance of What I (Don't) Know About Autism by Jody O'Neill
Programme notes for the audio described performance of iGirl by Marina Carr.
Jessica Traynor in conversation with Marina Carr, Olwen Fouéré and Caitríona McLaughlin. Recorded in the Abbey Theatre rehearsal room, September 27th 2021. Interviewer: Jessica Traynor Sound operator: Aidah Sama Image Credit: Barry McCall
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1 Act Two: Last Orders at the Dockside Audio Play 1:10:38
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The audio play of Last Orders at the Dockside by Dermot Bolger Last Orders at the Dockside follows the death of an elderly docker, as his friends gather in the local pub, The Dockside, to celebrate his life. Over the course of an evening awash with songs, sharp Dublin wit and tales of life on the Docks, hidden tensions expose fault lines in their complex relationships. Last Orders at the Dockside premiered at the Abbey Theatre in September 2019, directed by Graham McLaren. This audio version of Dermot Bolger's original text was recorded at Windmill Lane Studios, Dublin, Ireland, and features the original Abbey Theatre cast. Cast: Éabha Brady, Anthony Brophy, Juliette Crosbie, George Murphy, Stephen Jones, Aidan Kelly, Lisa Lambe, Bríd Ní Neachtain, Terry O'Neill and Jimmy Smallhorne Musicians: Bill Bergin, Mike Brookfield, Aindrias de Staic and Wayne Sheehy…
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1 Act One: Last Orders at the Dockside Audio Play 1:05:04
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The audio play of Last Orders at the Dockside by Dermot Bolger Last Orders at the Dockside follows the death of an elderly docker, as his friends gather in the local pub, The Dockside, to celebrate his life. Over the course of an evening awash with songs, sharp Dublin wit and tales of life on the Docks, hidden tensions expose fault lines in their complex relationships. Last Orders at the Dockside premiered at the Abbey Theatre in September 2019, directed by Graham McLaren. This audio version of Dermot Bolger's original text was recorded at Windmill Lane Studios, Dublin, Ireland, and features the original Abbey Theatre cast. Cast: Éabha Brady, Anthony Brophy, Juliette Crosbie, George Murphy, Stephen Jones, Aidan Kelly, Lisa Lambe, Bríd Ní Neachtain, Terry O'Neill and Jimmy Smallhorne Musicians: Bill Bergin, Mike Brookfield, Aindrias de Staic and Wayne Sheehy…
Programme notes for audio described on-demand performance of Walls and Windows by Rosaleen McDonagh.
The ridiculously talented Lisa O'Neill talks with Lisa Farrelly about finding her way into the drama of Patrick Kavanagh's The Great Hunger playing outside at IMMA on the grounds of The Royal Hospital Kilmainham. The two Lisa's discuss artistry, the loneliness of a sharp memory and lit candles that flicker with hope. Recorded on Monday 28 September 2020 at the Abbey Theatre. Interviewer & Editor: Lisa Farrelly Sound operator: Derek Conaghy Image Credit: 04/2020 Broadcast 06/10/2020…
Actor Caitríona Ennis talks with Lisa Farrelly about finding the heart of Emer in Corn Exchange & the Abbey Theatre's The Fall of the Second Republic, making the grade and going to war for all her characters. Recorded on Wednesday 4 March 2020 at the Abbey Theatre. Interviewer & Editor: Lisa Farrelly Sound operator: Derek Conaghy 03/2020 Broadcast 12/03/2020 Photograph Credit Ros Kavanagh…
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A grand coalition of Corn Exchange memories, techniques and anecdotes make this podcast a rare recording gem. Mark O'Halloran leads artistic director & founder of The Corn Exchange, Annie Ryan, alongside collaborator, Andrew Bennett, in a conversation that captures twenty five years of their work, so far. Recorded on Tuesday 3 March 2020 at the Abbey Theatre. Interviewer: Mark O'Halloran Editor: Lisa Farrelly Sound operator: Conall Coleman 02/2020 Broadcast 06/03/2020…
Hansel and Gretel – Directors’ Note Written by directors Muireann Ahern and Louis Lovett Read by Bríd Ní Ghruagáin. An Irish National Opera, Theatre Lovett and Abbey Theatre Co-Production. Out of the Abbey: Navan, Solstice Arts Centre: Tues 18 Feb Kilkenny, Watergate Theatre: Thurs 20 Feb Wexford, National Opera House: Sat 22 Feb Cork, The Everyman: Tues 25 Feb Tralee, Siamsa Tíre: Thurs 27 Feb Limerick, Lime Tree Theatre: Sat 29 Feb Galway, Town Hall Theatre: Tues 3 Mar Longford, Backstage Theatre: Thurs 5 Mar Letterkenny, An Grianán: Sat 7 Mar For updates about audio described and captioned performances, text ACCESSARTS to 51444 or head to www.adiarts.ie for more information.…
Audio Described Programme notes for Hansel and Gretel by Engelbert Humperdinck at the Abbey Theatre. Welcome to the introductory notes for Hansel and Gretel, by Engelbert Humperdinck. This opera is presented by the Abbey Theatre, Irish National Opera and Theatre Lovett. It is directed by Muireann Ahern and Louis Lovett. The score was arranged by Richard Peirson who plays piano and conducts the opera. The Set and Costume Designer is Jamie Vartan. Lighting Design is by Sarah Jane Shiels. The Video Designer is Jack Phelan. The introductory notes for Hansel and Gretel were prepared by Bríd Ní Ghruagáin. Introductory Notes and Audio Description for this and many other productions is provided by Arts & Disability Ireland with support from The Arts Council. For updates about audio described and captioned performances, text ACCESSARTS to 51444 or head to www.adiarts.ie for more information.…
For this podcast theatre makerJody O'Neill talks with Lisa Farrelly about creating her show What I (Don't) Know About Autism which is enjoying a sold out run on the Peacock stage. Jody talks about the perception, assumptions, and treatments that are associated with Autism and challenges, educates and celebrates Autistic identity. What I (Don't) Know About Autism Dublin, Peacock Theatre Sat 1 - Sat 8 Feb Cork, The Everyman: Tue 11 – Thu 13 Feb Bray, Mermaid Arts Centre: Sat 15 Feb Cast: Shay Croke Cast: Paula McGlinchey Cast: Jayson Murray Cast: Jody O'Neill Cast: Matthew Ralli Cast: Eleanor Walsh Writer: Jody O’Neill Producer: Melissa Nolan Director: Dónal Gallagher Choreographer: Cindy Cummings Set and Costume Design: Medb Lambert Lighting Design: Eoin Winning Composer and Sound Design: Carl Kennedy Stage Manager: Cian Mulhall Assistant Stage Manager: Shannon Cowan PR: Dairne O’Sullivan Funded by the Arts Council and Wicklow County Council with the support of The Everyman, the Abbey Theatre, Mermaid Arts Centre, AsIAm, Fishamble New Play Company, Rough Magic Theatre Company, KCAT and Triple A Wicklow. Recorded on Tuesday 4 February 2020 at the Abbey Theatre. Interviewer & Editor: Lisa Farrelly Sound operator: Derek Conaghy 01/2020 Broadcast 07/02/2020 Irish Independent Article Health & Well Being Courtesy Irish Independent 03/02/20 Photo Emily Quinn (C)…
Welcome to the programme notes for What I (Don't) Know About Autism by Jody O'Neill. The play is directed by Dónal Gallagher and the choreographer is Cindy Cummings. The Set and Costume Designer is Medb Lambert. Lighting Design is by Eoin Winning and the Composer and Sound Design is by Carl Kennedy. This production will be in The Peacock Theatre from 1 – 8 February 2020, Monday to Saturday at 8pm with a matinee on Saturday at 2.30pm. The performance lasts for one hour and ten minutes, without an interval. All performances will be relaxed performances. This means there will be a relaxed approach to noise during the show and audience members are free to move about or leave the auditorium as they need. The programme notes for this production of What I (Don't) Know About Autism were prepared by Máirín Harte. Audio description at the Abbey Theatre is provided by Arts and Disability Ireland with support from The Arts Council. For updates about audio described and captioned performances, text ACCESSARTS to 51444 or head to www.adiarts.ie for more information. Thank you. Go raibh maith agaibh.…
Director Dan Colley talks with Phil Kingston about Collapsing Horse's devising process, artistic choices and challenging the imagination. Cast: Genevieve Hulme-Beaman & Manus Halligan Based on the short story by: Gabriel García Márquez Adapted for the stage by: Dan Colley, Manus Halligan and Genevieve Hulme-Beaman Directed by: Dan Colley Set and Props Design by: Andrew Clancy Lighting Design by: Sarah Jane Shiels Composition and Sound Design by: Alma Kelliher Photographs: Ste Murray Recorded on 12 December 2019 at the Abbey Theatre. Interviewer: Phil Kingston Editor: Lisa Farrelly Sound operator: Derek Conaghy 19/2019 Broadcast 20/12/2019…
Actor Marion O'Dwyer talks with Lisa Farrelly about all the roads that have lead her back to Inish; from shy beginnings to determined debutante, from Diceman days to the tenements of O'Casey, from Ballybeg to Broadway. Marion talks about working hard at being funny and the tricky balancing act of keeping a life on and off the stage. Recorded on Tuesday 10 December 2019 at the Abbey Theatre. Interviewer & Editor: Lisa Farrelly Sound operator: Derek Conaghy 18/2019 Broadcast 13/12/2019 [Edited for sneezes and Chekcoughs] Photo Malcolm McGettigan(C)…
Drama at Inish director Cal McCrystal talks with Lisa Farrelly about the freedom of directing, the limits of comedy and the pride & delight he takes in making people laugh. Recorded on Wednesday 13 November 2019 at the Abbey Theatre. Interviewer & Editor: Lisa Farrelly Sound operator: Derek Conaghy 17/2019 Broadcast 19/11/2019 Photo Malcolm McGettigan(C)…
For the last order in the series of mini-podcasts, Docker Paddy Daly talks with writer Niamh Gleeson about the working conditions, sharp wit and everyday education of a lifetime on the dockside. Recorded at the Abbey Theatre Friday 4 October. The Abbey Theatre's Last Orders at the Dockside is a Dublin Port Commission and runs as part of the Dublin Theatre Festival 2019. Interviewer: Niamh Gleeson Podcast Editor: Lisa Farrelly Sound operator: Derek Conaghy 16/2019 Broadcast 25/10/2019 Edited for broadcast.…
Former Docker Paddy Nevins talks with writer Niamh Gleeson about his forty eight years working on the docks, the dangers of working and the even more dangerous work of navigating a dating life. Paddy talks about being one of the last men on the job, the bond with the men and chasing the last ferry home, Recorded at the Abbey Theatre Thursday 3 October. The Abbey Theatre's Last Orders at the Dockside is a Dublin Port Commission and runs as part of the Dublin Theatre Festival 2019. Interviewer: Niamh Gleeson Podcast Editor: Lisa Farrelly Sound operator: Derek Conaghy 15/2019 Broadcast 23/10/2019…
Writer Niamh Gleeson talks with Declan Byrne of the Dublin Dock Workers Preservation Society about his life working on the docks, the dangerous altruisim of smuggling and the luckiness of unstickable nicknames. Recorded at the Abbey Theatre Thursday 3 October. The Abbey Theatre's Last Orders at the Dockside is a Dublin Port Commission and runs as part of the Dublin Theatre Festival 2019. Interviewer: Niamh Gleeson Podcast Editor: Lisa Farrelly Sound operator: Derek Conaghy 14/2019 Broadcast 16/10/2019…
Programme notes for the audio described performance of Last Orders at the Dockside at the Abbey Theatre, Saturday matinee, 19th October, 2019. The Programme Notes for Last Orders at the Dockside were prepared by Bríd Ní Ghruagáin who, along with Máirín Harte, will audio describe the performance live on the day. Audio description at the Abbey Theatre is provided by Arts and Disability Ireland with support from The Arts Council. For further details about other accessible performances, text ACCESSARTS to 51444 or head to www.adiarts.ie for more information.…
In the latest installment of the dockside series, haulier Michael Foran talks with writer Niamh Gleeson about being born on the docks, scutting trucks, mitching school and meeting the scholars on the way home. Michael talks about his love of storytelling, recites his own poetry and delights us with his favourite ballad song. Recorded at the Abbey Theatre Thursday 3 October. The Abbey Theatre's Last Orders at the Dockside is a Dublin Port Commission and runs as part of the Dublin Theatre Festival 2019. Interviewer: Niamh Gleeson Podcast Editor: Lisa Farrelly Sound operator: Rob Flynn. 13/2019 Broadcast 14/10/2019…
The second in a series of mini podcasts to accompany Dermot Bolger's Last Orders at the Dockside, writer Niamh Gleeson talks with Margaret Cullen, daughter of docker Glimmer Byrne, about the hardship and happy childhood days being reared in Sheriff street & the way of life that stays with you all your life no matter where you roam. The Abbey Theatre's Last Orders at the Dockside is a Dublin Port Commission and runs as part of the Dublin Theatre Festival 2019. Recorded on Wednesday 03 October 2019 at the Abbey Theatre. Recorded at the Abbey Theatre Thursday 3 October. Interviewer: Niamh Gleeson Podcast Editor: Lisa Farrelly Sound operator: Rob Flynn. 12/2019 Broadcast 11/10/2019…
In the first in a series of mini podcasts to accompany Dermot Bolger's Last Orders at the Dockside, writer Niamh Gleeson talks the ebb and flow of forty six years working on the docks with docker John 'Miley' Walsh. The Abbey Theatre's Last Orders at the Dockside is a Dublin Port Commission and runs as part of the Dublin Theatre Festival 2019. Recorded on Wednesday 03 October 2019 at the Abbey Theatre. Interviewer: Niamh Gleeson Podcast Editor: Lisa Farrelly Sound operator: Rob Flynn. 11/2019 Broadcast 09/10/2019…
Theatre maker Dylan Tighe talks with Lisa Farrelly about his production of Pasolini's Saló Redubbed as part of Dublin Theatre Festival 2019 on the Peacock stage. Pasonlini's Saló Redubbed Cast: Thomas Collins Cast: Peter Gaynor Cast: Lauren Larkin Cast: Niamh McCann Cast: Gina Moxley Cast: Will O'Connell Cast: Daniel Reardon Directed and Adapted by: Dylan Tighe Lighting Design: Aedín Cosgrove Video Design: José Miguel Jiménez Assistant Video Design: Eavan Aiken Set Design: Aedín Cosgrove and Dylan Tighe Post-Production Sound Design: Kevin Gleeson Sound Engineer and Additional Design: Alexis Nealon Costume Supervisor and Stylist: Ellen Kirk Assistant Director: Grace Morgan Production Manager: Anthony Hanley Stage Manager: Baz O'Donovan Assistant Stage Manager: Roxzan Bowes Producer: Gwen Van Spijk Recorded on Wednesday 03 October 2019 at the Abbey Theatre. Interviewer & Editor: Lisa Farrelly Sound operator: Derek Conaghy 10/2019 Broadcast 04/10/2019 Image: Kathrin Baumbach (c)…
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