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Tony Fretton: The social art of architecture
Manage episode 428294252 series 3514198
A is for Architecture’s 112th episode is with the British architect, Tony Fretton. Previously founder and principal of Tony Fretton Architects, and more recently acting as a design consultant, and previously Chair of Architecture and Interiors at TU Delft, Tony’s work includes Westkaai, Residential Towers, Antwerp, The British Embassy, Warsaw, Art Museum, Fuglsang, Denmark, and the The Red House and the Camden Arts Centre, London.
Speaking of his work on galleries, Tony says: ‘I think it's much more subtle and much more interesting to make buildings which sometimes are impressive and visible, and sometimes […] very low visibility. That's much more interesting, much more intellectually satisfying. And how can you make somebody feel comfortable, without [them] even seeing you do it? That's the measure of a good host, a good person, that you let people see the work. […] In Furslang we made a series of rooms which are different in character: one is for temporary exhibitions, and the other for small scale works in gold frames, and then there was section on Danish Impressionism. But each of them shares a vocabulary but it's treated in slightly different ways so that as you go through the room, you see the art but in the periphery of your vision the room stimulates you’.
Sums it up rather neatly.
You can find Tony on Instagram, on at tonyfretton.com, too.
Thanks for listening.
+
Music credits: Bruno Gillick
130 эпизодов
Manage episode 428294252 series 3514198
A is for Architecture’s 112th episode is with the British architect, Tony Fretton. Previously founder and principal of Tony Fretton Architects, and more recently acting as a design consultant, and previously Chair of Architecture and Interiors at TU Delft, Tony’s work includes Westkaai, Residential Towers, Antwerp, The British Embassy, Warsaw, Art Museum, Fuglsang, Denmark, and the The Red House and the Camden Arts Centre, London.
Speaking of his work on galleries, Tony says: ‘I think it's much more subtle and much more interesting to make buildings which sometimes are impressive and visible, and sometimes […] very low visibility. That's much more interesting, much more intellectually satisfying. And how can you make somebody feel comfortable, without [them] even seeing you do it? That's the measure of a good host, a good person, that you let people see the work. […] In Furslang we made a series of rooms which are different in character: one is for temporary exhibitions, and the other for small scale works in gold frames, and then there was section on Danish Impressionism. But each of them shares a vocabulary but it's treated in slightly different ways so that as you go through the room, you see the art but in the periphery of your vision the room stimulates you’.
Sums it up rather neatly.
You can find Tony on Instagram, on at tonyfretton.com, too.
Thanks for listening.
+
Music credits: Bruno Gillick
130 эпизодов
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