In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Контент предоставлен Steve Hullfish, ACE, Steve Hullfish, and ACE. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Steve Hullfish, ACE, Steve Hullfish, and ACE или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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Manage episode 403905468 series 3485936
Контент предоставлен Steve Hullfish, ACE, Steve Hullfish, and ACE. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Steve Hullfish, ACE, Steve Hullfish, and ACE или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Today on Art of the Cut, we’re talking with two of the three editors of Matthew Vaughn’s comedy/action film, Argylle.
Joining us for today’s discussion are Tom Harrison-Read and Oscar-winning editor Lee Smith, ACE.
Lee’s been on Art of the Cut several times including for Dunkirk, 1917, Dark Phoenix, and Spectre. Lee was nominated for a BAFTA for The Piano, for an Oscar and an ACE Eddie for Master and Commander. Nominated for an Oscar, a BAFTA, and an ACE Eddie for The Dark Knight. Nominated for a BAFTA and an ACE Eddie for Inception. And he was nominated for a BAFTA and won an Oscar and an ACE Eddie for Dunkirk.
Tom has edited Tomb Raider, In Darkness, and Children of the Corn. He’s also been an assistant editor or additional editor on lots of major tentpole films, including Wonder Woman 1984, Rogue One: A Star Wars Story, Mission: Impossible - Rogue Nation, Captain Phillips, Scott Pilgrim vs. the World, and Quantum of Solace.
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137 эпизодов
Поделиться
Manage episode 403905468 series 3485936
Контент предоставлен Steve Hullfish, ACE, Steve Hullfish, and ACE. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Steve Hullfish, ACE, Steve Hullfish, and ACE или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Today on Art of the Cut, we’re talking with two of the three editors of Matthew Vaughn’s comedy/action film, Argylle.
Joining us for today’s discussion are Tom Harrison-Read and Oscar-winning editor Lee Smith, ACE.
Lee’s been on Art of the Cut several times including for Dunkirk, 1917, Dark Phoenix, and Spectre. Lee was nominated for a BAFTA for The Piano, for an Oscar and an ACE Eddie for Master and Commander. Nominated for an Oscar, a BAFTA, and an ACE Eddie for The Dark Knight. Nominated for a BAFTA and an ACE Eddie for Inception. And he was nominated for a BAFTA and won an Oscar and an ACE Eddie for Dunkirk.
Tom has edited Tomb Raider, In Darkness, and Children of the Corn. He’s also been an assistant editor or additional editor on lots of major tentpole films, including Wonder Woman 1984, Rogue One: A Star Wars Story, Mission: Impossible - Rogue Nation, Captain Phillips, Scott Pilgrim vs. the World, and Quantum of Solace.
Make sure to check out the transcribed version of this interview with lots of great images and video - heck, you can read it AND listen at the same time - at borisfx.com/blog/aotc.
137 эпизодов
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Похожие на Art of the Cut
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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continue reading
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…
continue reading
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continue reading
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