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Контент предоставлен The WallBreakers and James Scully. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией The WallBreakers and James Scully или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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Vicki Sokolik refuses to be an Ostrich. Her son brought to her attention the crisis of unhoused youth — youth unhoused, not living with a parent/guardian, and not in foster care — in America, and she has been fighting to support this vulnerable population every since. Most active in Tampa Bay, Florida, Vicki is the founder and CEO of the nonprofit Starting Right, Now, which removes barriers for unaccompanied homeless youth to cultivate long-term well-being and self-sufficiency. She is also the author of the new book, “If You See Them: Young, Unhoused, and Alone in America.” Vicki Sokolik joined host Jay Ruderman to discuss the many ways unhoused youth fall through the cracks in our society, how her organization helps them, and also how to build trust with people who could use your help. Episode Chapters (00:00) Intro (01:10) Vicki’s origin story (02:40) What is “unhoused youth?” (06:40) What should a person do if they worry they see an unhoused youth? (08:19) How have conversations around unhoused youth changed in Vicki’s 20 years working with them? (11:02) How do people get the word out and help unhoused youth? (14:55) Vicki’s new book (16:48) How Vicki builds trust (20:10) What do students receive at Starting Right, Now? (22:58) How does Vicki balance advocacy and direct support? (27:53) Starting Right, Now alumni (29:10) Goodbye For video episodes, watch on www.youtube.com/@therudermanfamilyfoundation Stay in touch: X: @JayRuderman | @RudermanFdn LinkedIn: Jay Ruderman | Ruderman Family Foundation Instagram: All About Change Podcast | Ruderman Family Foundation To learn more about the podcast, visit https://allaboutchangepodcast.com/…
BW - EP154—004: Stars on Suspense in 1944—Listen to Lucille Ball Star in "Dime A Dance"
Manage episode 431465228 series 2494501
Контент предоставлен The WallBreakers and James Scully. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией The WallBreakers and James Scully или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Support Breaking Walls at https://www.patreon.com/thewallbreakers The man you just heard is Hans Conried. In late 1943 he was thirty-six years old and all over radio. When Suspense moved to Hollywood, Conried quickly became part of William Spier’s trusted circle of character actors, often playing more than one part. Conried honed his craft in the 1930s. To Bill Spier’s credit, he did his best to allow them the time to have parts on other shows. Spier’s rehearsals were known for their loose atmosphere. He selected the best radio actors to be part of the Suspense troupe. This circle included Wally Mayer, Jeannette Nolan, Joseph Kearns, John McIntire, and Lurene Tuttle. Lurene Tuttle later worked with Spier on The Adventures of Sam Spade. Spier had a habit of purposely going into a broadcast with a script that was a minute or two long so the actors were forced into high tension. Spier wouldn’t allow a studio audience. He placed the orchestra behind a screen, out of sight of the cast so that the actors could better concentrate on their performance. Suspense found sponsorship in the fall of 1943 with Roma Wines. The show moved to Thursdays at 8PM eastern time. The first sponsored episode was called “The Black Curtain” and starred Cary Grant. It’s the first time listeners heard both the phrases “A tale well calculated to keep you in Suspense” and “radio's outstanding theater of thrills.” Uniquely, West Coast and Mountain time would get a separate broadcast on Monday December 6th. This broadcast split would continue until September of 1944. The next month on January 13th, 1944 Lucille Ball starred in an episode called “Dime a Dance.” The script was based on a story by Cornell Woolrich and adapted by Bob Tallman. Tallman wrote scripts in a single day with edits done in the hour between rehearsal and broadcast. Thirty-two and a seasoned film actress, in 1944 Ball began to carve out a second career on the radio. She appeared on Duffy’s Tavern, Abbott & Costello, and The Screen Guild Theater. In “Dime a Dance” she plays a dancer in a hall. A serial killer is targeting young women. Her character, Ginger Allen, gets involved in tracking the killer down. This episode’s rating was 8.5. Roughly six million people tuned in. For more info on Lucille Ball’s radio career, tune into Breaking Walls episode 100.
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568 эпизодов
BW - EP154—004: Stars on Suspense in 1944—Listen to Lucille Ball Star in "Dime A Dance"
Breaking Walls: The Podcast on the History of American Network Radio Broadcasting
Manage episode 431465228 series 2494501
Контент предоставлен The WallBreakers and James Scully. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией The WallBreakers and James Scully или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Support Breaking Walls at https://www.patreon.com/thewallbreakers The man you just heard is Hans Conried. In late 1943 he was thirty-six years old and all over radio. When Suspense moved to Hollywood, Conried quickly became part of William Spier’s trusted circle of character actors, often playing more than one part. Conried honed his craft in the 1930s. To Bill Spier’s credit, he did his best to allow them the time to have parts on other shows. Spier’s rehearsals were known for their loose atmosphere. He selected the best radio actors to be part of the Suspense troupe. This circle included Wally Mayer, Jeannette Nolan, Joseph Kearns, John McIntire, and Lurene Tuttle. Lurene Tuttle later worked with Spier on The Adventures of Sam Spade. Spier had a habit of purposely going into a broadcast with a script that was a minute or two long so the actors were forced into high tension. Spier wouldn’t allow a studio audience. He placed the orchestra behind a screen, out of sight of the cast so that the actors could better concentrate on their performance. Suspense found sponsorship in the fall of 1943 with Roma Wines. The show moved to Thursdays at 8PM eastern time. The first sponsored episode was called “The Black Curtain” and starred Cary Grant. It’s the first time listeners heard both the phrases “A tale well calculated to keep you in Suspense” and “radio's outstanding theater of thrills.” Uniquely, West Coast and Mountain time would get a separate broadcast on Monday December 6th. This broadcast split would continue until September of 1944. The next month on January 13th, 1944 Lucille Ball starred in an episode called “Dime a Dance.” The script was based on a story by Cornell Woolrich and adapted by Bob Tallman. Tallman wrote scripts in a single day with edits done in the hour between rehearsal and broadcast. Thirty-two and a seasoned film actress, in 1944 Ball began to carve out a second career on the radio. She appeared on Duffy’s Tavern, Abbott & Costello, and The Screen Guild Theater. In “Dime a Dance” she plays a dancer in a hall. A serial killer is targeting young women. Her character, Ginger Allen, gets involved in tracking the killer down. This episode’s rating was 8.5. Roughly six million people tuned in. For more info on Lucille Ball’s radio career, tune into Breaking Walls episode 100.
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568 эпизодов
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×Support Breaking Walls at https://www.patreon.com/thewallbreakers Despite a loyal audience, by January of 1956 it was clear that Yours Truly Johnny Dollar was failing to attract any kind of national sponsorship. The road to would have been difficult. Airing at 8:15PM weeknights on CBS radio, it was up against CBS’s own TV schedule, with Burns and Allen broadcast at 8PM eastern time on Mondays, The Phil Silvers Show on Tuesdays, Arthur Godfrey on Wednesdays, The Bob Cummings Show on Thursdays, and Mama on Fridays. The serial format was great for character development, but it also meant audiences needed to tune into all five parts to know what was going on. In April of 1956 Yours Truly Johnny Dollar was shifted to 9:15PM. By the summer CBS radio executives were looking to cut costs. Bob Bailey’s daughter Roberta remembered that time. CBS aired these five-part episodes until November 2nd, 1956. The show moved to Sunday afternoons where it enjoyed continuous airtime in a half-hour time slot. Bob Bailey became the actor most closely associated with the Dollar character, keeping the title role until November of 1960. It was then that CBS decided to move all remaining dramatic productions with the exception of Gunsmoke to New York. Neither Jack Johnstone or Bob Bailey would move with the production. The last Hollywood episode was appropriately entitled “The Empty Threat Matter.” It aired on November 27th, 1960. The trade papers made no mention of the production change. On December 4th, 1960, New York’s version of Yours Truly Johnny Dollar took to the air starring Bob Readick, son of New York radio legend Frank Readick. Former show director Jack Johnstone continued to write scripts, but Bob Readick had the unenviable task of following Bailey, who played Dollar in almost five-hundred episodes. Readick was replaced after just six months as of June 25th, 1961 by the final Johnny Dollar, Mandel Kramer. For Bob Bailey, the end of Dollar meant the end of his radio career.…
Support Breaking Walls at https://www.patreon.com/thewallbreakers Lawrence Dobkin played several roles in “The Todd Matter,” including Bill Powers. He was a longtime member of AFRA. Roberta Bailey-Goodwin remembered many of the actors that appeared with her father on Johnny Dollar. Although not in this particular Dollar episode, Virginia Gregg was an oft-featured character actress and close friend of the Bailey family. Shirley Mitchell, by then a radio legend, voiced Melva Charles.…
Support Breaking Walls at https://www.patreon.com/thewallbreakers Production was done for these serial episodes of Yours Truly Johnny Dollar in a single day. Bob Bailey was paid three-hundred-dollars per week. Adjusted for inflation, a single week’s work on Dollar paid a little less than thirty-five-hundred dollars. Between October of 1955 and November of 1956, fifty-five serials would air. To pen these scripts, Jack Johnstone tapped into his old writing mainstays.…
1 BW - EP159—006: NYC In January 1956 With Johnny Dollar—Will Eisenhower Run For A Second Term 32:55
Support Breaking Walls at https://www.patreon.com/thewallbreakers It’s 6PM on Wednesday, January 11th, 1956. I’m at Colbee’s Restaurant on the ground floor of the CBS headquarters at 485 Madison Avenue. I’m about to have a bite to eat with the man you just heard, Mandel Kramer. Yesterday at Edwards Air Force Base in California, U.S. Air Force First Lt. Barty R. Brooks died in the crash of a F-100 Super Sabre. The accident was caught on film. Word from Memphis is that young singer Elvis Presley recorded a new song called “Heartbreak Hotel.” Today’s cover of The New York Daily News shows Grace Kelly in Monaco, but the interior pages talk about the rising problems in Vietnam. South Vietnam President Ngô Đình Diệm issued an ordinance giving his government almost unchecked power to deal with any opposition. Meanwhile, the Soviet Union has approved technical specifications for an R-13 submarine-launched missile. And earlier today, The 1956 Chevrolet Corvette was announced. It’ll cost three-thousand-one-hundred-twenty dollars. It features a new body, convertible top, optional power steering, optional hardtop, and rollup glass windows. The V6 option has been dropped in favor of either a two-hundred-ten or two-hundred-twenty horsepower V8 Engine. A 3-speed manual transmission is now standard. The main national news is the debate on whether or not President Dwight D. Eisenhower will seek a second term. After suffering a heart attack in September of 1955 Ike is still undeclared, meeting with an array of doctors to gauge whether the rigors of running for reelection will cause undue health issues. The United Press reported on Tuesday the 10th that sixty percent of the more than four hundred doctors polled felt that Dwight would be able to serve. Perhaps some insight into Ike’s psyche was gleaned when on Monday, January 9th, he once again took over full White House duties, including naming Bernard M. Shanley Appointments Secretary. Meanwhile, on NBC radio, Keys To The Capital is airing.…
Support Breaking Walls at https://www.patreon.com/thewallbreakers The man you just heard is Hans Conried. Famous for both his dramatic and comedic portrayals on both radio and TV, By January of 1956 he’d been involved in radio for two decades. Here he is on the February 24th, 1956 episode of Yours Truly Johnny Dollar. By early 1956, those still involved in dramatic radio had advanced the medium’s production to a high art. Most radio drama still remaining was by then based in Hollywood, with much of the news programming based in New York. For Roberta Bailey-Goodwin, then a teenager, accompanying her father to weekly recordings was a family ritual and she got a firsthand look at the artists plying their craft. “The Todd Matter” was written by E. Jack Neuman under the pen name of John Dawson. Gloria Tierney's landlady, Ethel Stromberg, was voiced by Vivi Janiss. The surname Stromberg has multiple origins. In Swedish “strom” means river, while “berg” means mountain. In Germany it's a habitational name from places like Rhineland and means “flat mountain.” Barbara Fuller was Gloria Tierney. Frank Gerstle played Dan Mapes. Marvin Miller, famed for both announcing and acting, also played a small role in “The Todd Matter.”…
1 BW - EP159—004: NYC In January 1956 With Johnny Dollar—Dollar Gets A Stolen Mink Coat Tipoff 21:14
Support Breaking Walls at https://www.patreon.com/thewallbreakers The weather on Monday January 9th, 1956 warmed throughout the day. It hit forty degrees Fahrenheit by nightfall. The front cover of The New York Daily News featured a photo of patrolman Ray Cusack, who rescued many children from a fire in Hempstead, New York. Dwight Eisenhower was still undecided on whether or not to seek a second term, while Democrat hopeful Adlai Stevenson claimed Ike’s recent State of the Union Address was merely a veiled State on the Republican party. Meanwhile the families of both US diplomats and UN officials fled from the Jordanian sector of Jerusalem after violent anti-western riots broke out for the second day in a row. If you turned on your radio at 8:15PM eastern time, you’d have heard a Boston Symphony concert on NBC, and Metropolitan Opera auditions on ABC. WOR aired True Detective, but if you wanted the best in radio detective fiction you’d have turned on CBS, where Bob Bailey was starring in Jack Johnstone’s production of Yours Truly Johnny Dollar, written by E. Jack Neuman. The prison where Vance served time is Sing Sing, originally opening in Ossining, New York in 1825. Among the executions in their electric chair were Julius and Ethel Rosenberg, on June 19th, 1953, for Soviet espionage. A good mink coat cost about twenty-five-hundred dollars in 1956. Both Orin Vance and Don Freed were voiced by Lawrence Dobkin. By 1956 Dobkin was a radio legend with experience in both New York and Hollywood. The Westin Hotel Chain was launched in 1930 by Severt W. Thurston and Frank Dupar as Western Hotels. They were the first hotel chain to introduce credit cards in 1946. Today the chain, called Westin since 1981, is owned and operated by Mariott. There are Westin Hotels in both the Times Square and Grand Central area. In January of 1956, 57th street was home to various art exhibitions like Kay Sage’s surrealist paintings at the Catherine Viviano gallery, a contemporary Greek Art exhibition at Sagittarius gallery, a European group show at the Matisse gallery, and art and artifacts of various Central African tribes at 57th and Lexington. The Sutton theater, also on 57th street, was showing The Night My Number Came Up starring Michael Redgrave and Sheila Sim. Gloria Tierney’s fictional apartment at 1231 East 57th is an impossibility. The address would put it in the East River.…
Support Breaking Walls at https://www.patreon.com/thewallbreakers It’s a little after midnight on the morning of Monday January 9th. We’re at P.J. Clarke’s on the corner of 55th street and 3rd avenue, getting warm the best way we know how. The weather is nasty outside. It’s about fifteen degrees with freezing rain and gale force winds. Clarke’s is a bar from another time. It’s wonderfully trapped in nostalgia—all burnished wood and chased mirrors. Orson Welles is opening King Lear at The City Center to good reviews. The years in Europe did him well, but he’s happy to be back in New York. Welles is in the back with none other than Frank Sinatra. They’ve known each other since the 1930s, and since they both missed each other’s fortieth birthdays last year, we’re celebrating. Joining us is Jilly Rizzo and Bill Stern. The next round of drinks is on me. That’s Daniel Levazzo. He bought the bar from the Clarke family a few years ago. Hey Dan, three Jacks straight up, a negroni for Orson, and I’ll have Hendricks on the rocks. You want something? Hey Dan, let me borrow your phone, I’ve got to file my story. Hello Operator, give me CBS at 485 Madison Avenue please. (Beat) Yes I know what time it is. I’m a producer there. (Beat) Put me through. (Beat) Thank you. Some things never change. Hello Cindy, it's Scully. Is Ed Murrow still there? (Beat) Could you put me through to him? (Beat) Thank you. (Beat) Hey Ed, It’s James Scully. I’m glad I caught you. Bill Paley’s got you burning the midnight oil huh? (Beat) I did. Orson was good. I’m a P.J. Clarke’s with him and Sinatra right now. Bill Stern’s here too. You want to swing by? I’ll get Dan Levazzo to break out the moonshine. (Beat) With those two? We’ll be here a while. (Beat) Ha! Ok I’ll see you soon. Ed Murrow’s a good man. The gang will be happy to see him. Dan, Do me a favor, turn the TV up for a second. The Tonight Show with Steve Allen is just finishing on NBC-TV and there’s a little news item on the tube before programming signs off. Everyone is talking about Grace Kelly’s engagement to Prince Rainier III of Monaco. It was announced in Philadelphia on January 5th and their party is going to be at the Waldorf-Astoria Hotel here in New York. Grace and Rainier went their separate ways on Saturday. She’s going back to Hollywood to keep working on High Society. The only thing is, one of her co-stars is Sinatra, and he’ll be in no mood to fly to the coast tomorrow. That’s not the only talk of love and marriage going on around New York City. Look at that Sunday Daily News cover. Heiress Juliette Wehle stood up her husband-to-be on their wedding day. She supposedly slipped away at 2AM wearing just a negligee to elope with another man. Don’t worry, it’s not a roving producer from CBS. The twenty-year-old heiress later returned home, unmarried. Excuse me, I’m missing out on the fun. Oh, before I go, I should say that the story of a woman jilting one man for another is ironically a centerpiece in the upcoming plot within Yours Truly Johnny Dollar’s “The Todd Matter.” The first episode will air later tonight at 8:15PM over CBS radio. And remember, it stars Bob Bailey.…
1 BW - EP159—002: NYC In January 1956 With Johnny Dollar—Orson Welles Returns To A Changing New York 8:29
Support Breaking Walls at https://www.patreon.com/thewallbreakers It’s a cold, rainy Sunday evening on January 8th, 1956. We’re heading south on Riverside Drive in Manhattan’s Upper West Side. On the air is NBC’s Monitor with a New World Today discussion about the differences in American life in the past twenty years. The United States is changing. Psychiatry is on the rise as the cold war rages onward. The internal Red Scare has subsided, but Secretary of State John Foster Dulles said this week that the U.S. won’t stop testing nuclear weapons, despite pleas from Pope Pius XII on Christmas Day. While nuclear fears are understandable, the U.S. government thinks the USSR’s presence in emerging nations means they can’t be trusted to follow suit and stop their own testing. In Ecuador today, five evangelical American Christian missionaries were speared to death by members of the Huaorani people after attempting to introduce Christianity to them. Meanwhile, Algeria is in the midst of a war for Independence between France and the Algerian National Liberation Front. It began in November of 1954 and by now it’s considered the world’s only active war of note. It’s a complex conflict characterized by guerrilla warfare and the use of torture. Gunsmoke is far and away radio’s highest-rated dramatic show. It airs on CBS Sunday evenings with a Saturday afternoon repeat broadcast. The combined rating of 6.5 means somewhere between six and seven million people are still tuning in from their homes. When factoring in car and transistor radios, nearly ten million people are listening. CBS remains the home for the top-rated prime-time shows. Our Miss Brooks is pulling a rating of 4.3, and both Edgar Bergen and Two For The Money are pulling a 3.9. Meanwhile, on daytime radio, CBS has the twelve highest-rated programs. So where am I heading? I’m a roving CBS producer. I’ve worked on both coasts, including with Norman MacDonell on Gunsmoke in Hollywood, but last year programming directors Guy Della Choppa and Howard Barnes sent me back home to New York. I’m heading to the City Center at 131 West 55th street. I’m to cover a preview of Shakespeare’s King Lear starring Orson Welles. It features Viveca Lindfors and Geraldine Fitzgerald and begins at 8:30PM. I helped with Welles’ Omnibus production of Lear on CBS-TV in October 1953. I had drinks with him last week. He kept raving about two things: Carl Perkins’ new hit, “Blue Suede Shoes,” and friend Jack Johnstone’s production of Yours Truly, Johnny Dollar. Johnstone directed Welles’ Almanac series from the west coast during World War II. I phoned Jack yesterday. He had this to say. Jack was sure to mention that this week’s upcoming Dollar story would take place in New York. If all goes well, Orson might be interested in returning to network radio in some capacity. Welles is once again a father. His daughter Beatrice was born last November 13th. He’s been looking for more stable projects and wants to get dinner after the performance. Lear doesn’t officially open until Thursday the 12th. The City Center was built as The Mecca Temple and opened in 1923. It’s part of a small section of galleries, apartments, and performing spaces, but development is possibly encroaching. Last April, The Mayor's Slum Clearance Committee, chaired by Robert Moses, was approved to designate the area just west in Lincoln Square for urban renewal. The residents, many of them Hispanic, have been protesting the decision, but Robert Moses usually gets his way.…
Support Breaking Walls at https://www.patreon.com/thewallbreakers At a CBS radio meeting in September 1955 at 485 Madison Avenue, John Karole VP of Sales, predicted CBS’s time sold would be more than the other three networks combined. Radio affiliates were given a Segmented Selling Plan. The plan offered a five-minute segment for twenty-one hundred dollars. Frank Stanton, President of CBS, boasted that since the birth of radio advertising, more than eight billion dollars had been spent on commercials. Network radio advertising in 1955 was up and year-over-year revenue would finish four million dollars ahead of 1954, but privately, many of the local stations grumbled. CBS had recently instituted income-slashing one-year contracts and added a standard six-month cancellation clause, while cutting compensation by twenty percent. Eight million new radios were manufactured in 1955—forty-five percent more the previous year. Car radios were now standard and transistor sets were on the rise. It was estimated that mobile listening added anywhere from thirty to seventy percent to overall radio ratings. On-the-go ratings polls were still rudimentary, but Richard M. Mall in The Journal of Broadcasting speculated that the days of families listening together in the parlor were over. Five-minute newscasts now dominate the tops of most hours. CBS was selling news advertising at its highest rate in history and New York was CBS’ major news hub. CBS announced new evening radio programs with name-brand talent and The $64,000 Question would now be simulcast on both radio and TV. They were also increasing dramatic production. This included two evening strips at 8PM that would air five nights per week for fifteen minutes each night. One was a reboot of Yours Truly, Johnny Dollar. It was to star Gerald Mohr, who had just finished a successful run as Christopher Storm on TV’s Foreign Intrigue. Mohr recorded an audition on August 29th, 1955. Veteran radio director Jack Johnstone was brought in, but Mohr didn’t take the part. New auditions were held the next month. Each actor had twenty minutes to pitch themselves and audition with actress Lillian Buyeff. Amongst those who read were radio mainstays Paul Dubev, Larry Thor, Jack Moyes, Tony Barrett, Vic Perrin, and the man they selected, Bob Bailey. The rebooted Yours Truly Johnny Dollar debuted over CBS airwaves at 8:15PM eastern time on October 3rd, 1955. The new format offered seventy-five minutes of weekly time, allowing tremendous character development. It wasn’t long before letters were pouring into CBS. While the CBS sales team looked for national sponsorship, in early 1956 a new case took Johnny Dollar to New York City. Dollar would be in town between January 9th and 13th. Tonight, we’ll focus on Yours Truly, Johnny Dollar, stolen goods, and what was happening in New York that week in January, 1956.…
Support Breaking Walls at https://www.patreon.com/thewallbreakers On the Sunday, December 31st, 1944 episode of The Jack Benny Program, it’s New Year’s Eve and Jack resolves to be friends with Fred Allen in 1945. For more information on Jack Benny in 1944, including how and why he changed sponsors, please tune into Breaking Walls Episode 151 which covers Benny’s 1944 in great detail.…
Support Breaking Walls at https://www.patreon.com/thewallbreakers At 9PM on Monday, December 25th, 1944, The Whistler, broadcast from KNX, went on the air over CBS’ regional West Coast Network. The Whistler’s narration acted as a modern version of the Greek chorus, omnisciently taunting the characters. The narrator proved so popular that it was adapted into eight film noirs by Columbia Pictures between 1944 and 1948. Whistler radio dramas were usually told through the perspective of the guilty person. His or her guilt is never in doubt, and there’s always a strange twist at the end. Since it was Christmas Night, this episode “Christmas Bonus,” instead has a positive twist at the end for the main character.…
Support Breaking Walls at https://www.patreon.com/thewallbreakers The General Mills sponsored Lone Ranger from WXYZ in Detroit first began airing on January 31st, 1933. The next year it became one of the cornerstone programs which led to the formation of the Mutual Broadcasting System. The show moved to the Blue Network in 1942 and would remain on the network after it became ABC in 1945. The Christmas Day, 1944 episode was entitled, “A Present for Janey.”…
1 BW - EP158—008: Christmas Weekend 1944—The Elgin Christmas Special 1:58:37
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1:58:37Support Breaking Walls at https://www.patreon.com/thewallbreakers At 4PM eastern time on Christmas Day, CBS broadcast the third annual Elgin watches Christmas party for the men and women in the Armed Forces, guest-starring Jack Benny, George Burns, Gracie Allen, Bob Hope, Bing Crosby, Ginny Simms, and many others. It was hosted by Don Ameche and the announcer was Ken Carpenter. Don Ameche had been an integral part of The Chase and Sanborn Hour, earning a reputation from Edgar Bergen as one of the best comedic ad-libbers in the business. Elgin Watches was first incorporated in August 1864 as the National Watch Company. The founders eventually based their operations in the growing city of Elgin, Illinois and changed the company name. By the turn of the 20th century, it was one of the largest watch manufacturers in the world. During World War II all civilian manufacturing was halted and the company moved into the defense industry, manufacturing military watches, chronometers, fuzes for artillery shells, aircraft instruments, and cannon bearings. Their agency of record J. Walter Thompson confined radio sponsorship to their annual Thanksgiving and Christmas specials, which began in 1942.…
The Cavalcade of America’s sponsor, The Du Pont Company, had profited from gunpowder during the first World War. Years of bad press led them to hire the ad agency Batten, Barton, Durstine, and Osborne. They wanted a brand perception change. The Cavalcade of America was the answer. In 1944 The Cavalcade of America was in the midst of a thirteen-year primetime run on NBC. Sponsored by Dupont, the program dramatized history and historical fiction, focusing intensely on the war at home and abroad. On Christmas night at 8PM, Walter Huston emceed a program called “America For Christmas” which took listeners around the country to showcase all the things that made different states in the United States so unique.…
On the Sunday, December 24th 1944 episode of The Great Gildersleeve, Gildy overcomes depression and recent legal issues to have a wonderful celebration at his home. All the most-famous townspeople of Summerfield stopped by. This episode pulled a rating of 14.9. Roughly ten million people tuned in. For more information on the launch of The Great Gildersleeve and the show’s 1944, please tune into Breaking Walls Episode 149.…
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Breaking Walls: The Podcast on the History of American Network Radio Broadcasting
Support Breaking Walls at https://www.patreon.com/thewallbreakers On the Sunday, December 24th, 1944 episode of The Jack Benny Program, it’s Christmas Eve and Jack Benny is trimming the Christmas tree with Mary Livingstone and Rochester’s help. The gang drops by to exchange gifts too. For more information on Jack Benny in 1944, including how and why he changed sponsors, please tune into Breaking Walls Episode 151 which covers Benny’s 1944 in great detail.…
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Breaking Walls: The Podcast on the History of American Network Radio Broadcasting
Support Breaking Walls at https://www.patreon.com/thewallbreakers At 10PM eastern time on Friday December 22nd, 1944, Jimmy Durante and Garry Moore signed on over CBS with Georgia Gibbs and Roy Bargy’s orchestra. The show pulled a rating of 11.8 opposite Amos ‘n’ Andy on NBC. Roughly eight million people tuned in.…
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Breaking Walls: The Podcast on the History of American Network Radio Broadcasting
Support Breaking Walls at https://www.patreon.com/thewallbreakers Originally part of CBS’s experimental pilot summer series Forecast in 1940, Duffy’s Tavern had moved to the Blue Network in October of 1942, and then to NBC’s main network before the Blue Network was sold in September of 1944. Sponsored by Bristol Myers, it starred Ed Gardner as Archie, the manager of Duffy’s Tavern, “the eyesore of the east side, where the elite meet to eat.” Gardner’s heavily New York accented portrayal of Archie has inspired several characters in the years since. On Friday December 22nd, 1944 Monty Wooley guest-starred on the program. The episode pulled a rating of 13.4. Roughly nine million people tuned in.…
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Breaking Walls: The Podcast on the History of American Network Radio Broadcasting
Support Breaking Walls at https://www.patreon.com/thewallbreakers On Thursday December 21st, 1944 We Came This Way took to the air as part of NBC’s University of the Air. The series illustrated various struggles for freedom throughout history. This episode highlighted Gilbert du Motier, the Marquis de Lafayette who fought for the Continental Army under George Washington during the American Revolution, and was later one of the voices of reason during the French Revolution.…
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Breaking Walls: The Podcast on the History of American Network Radio Broadcasting
Support Breaking Walls at https://www.patreon.com/thewallbreakers On the Sunday, December 17th, 1944 episode of The Jack Benny Program, Jack meets Frank Sinatra in a pharmacy. For more information on Jack Benny in 1944, including how and why he changed sponsors, please tune into Breaking Walls Episode 151 which covers Benny’s 1944 in great detail. For more information on the life and career of Frank Sinatra, please tune into Breaking Walls Episode 85.…
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Breaking Walls: The Podcast on the History of American Network Radio Broadcasting
Support Breaking Walls at https://www.patreon.com/thewallbreakers By 1944 Rudy Vallée was one of the most famous American entertainers in history. Vallée spent much of early 1944 conducting the 11th Naval District Coast Guard Band, known as one of the best military units in the nation. He returned to civilian life, and to radio over NBC, on September 9th, 1944 with the launch of a new show, called Villa Vallée, and sponsored by Drene shampoo. It co-starred Monte Woolley. This 10:30PM eastern time episode pulled a rating of 12.3.…
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Breaking Walls: The Podcast on the History of American Network Radio Broadcasting
Support Breaking Walls at https://www.patreon.com/thewallbreakers On the Sunday, November 26th, 1944 episode of The Jack Benny Program, Jack and the gang discuss how they spent Thanksgiving. For more information on Jack Benny in 1944, including how and why he changed sponsors, please tune into Breaking Walls Episode 151 which covers Benny’s 1944 in great detail…
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Breaking Walls: The Podcast on the History of American Network Radio Broadcasting
Support Breaking Walls at https://www.patreon.com/thewallbreakers Although Bud Abbott and Lou Costello are remembered for their movies, they got their start toward national fame in radio. They’d met in 1929, when Costello was booked with a vaudeville act into a neighborhood theater. Abbott worked in the box office and soon found himself playing Costello’s straight man. In 1938 they appeared at Loew’s in New York, where they were seen by Ted Collins, architect of Kate Smith’s career. Their slaphappy style was perfect for radio, and their rise to frontline stardom was rapid. For two seasons, beginning Feb. 3rd, 1938, they were regulars on The Kate Smith Hour, while also appearing on Edgar Bergen’s Chase and Sanborn show. Signed by Universal in 1939, the duo pulled the studio out of financial trouble with a string of low-budget hits. NBC gave them a summer replacement show for Fred Allen in 1940. Then in the fall of 1942 they went on the air full-time for Camel Cigarettes. They were an immediate top-ten ratings hit, and became a Thursday night comedy staple. On Thanksgiving night in 1944 their 10PM NBC rating was 20.5, good for eighth overall on radio that week. More than sixteen million people tuned in.…
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Breaking Walls: The Podcast on the History of American Network Radio Broadcasting
Support Breaking Walls at https://www.patreon.com/thewallbreakers In November of 1944 Bing Crosby’s Kraft Music Hall was Thursday night’s highest-rated program. Airing at 9PM eastern time, singing with Bing was heard by more than eighteen million people as they wound down around the fire and radio. That evening’s first song was “Dance with a Dolly” and the guest was thirty-one year old opera soprano Risë Stevens.…
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Breaking Walls: The Podcast on the History of American Network Radio Broadcasting
Support Breaking Walls at https://www.patreon.com/thewallbreakers This program, originally airing on KPO San Francisco, was in conjunction with the 5th War Loan Drive. Thanksgiving 1944 was also called “War Bond Day.” It featured the likes of Rudy Vallée and others.
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Breaking Walls: The Podcast on the History of American Network Radio Broadcasting
Support Breaking Walls at https://www.patreon.com/thewallbreakers In November of 1944 Lum and Abner was airing as a weekday, fifteen minute serial. In New York the show aired over WJZ. The show was syndicated out of KECA in Los Angeles. KECA was the flagship station of the newly independent Blue Network, which would soon become ABC. Chester Lauck was Lum Edwards. Norris Goff was Abner Peabody. Set in the fictional hamlet of Pine Ridge, Arkansas, in real life Lauck and Goff disliked the term “hillbilly,” believing it mocked people unfairly. The biggest building in Pine Ridge was Dick Huddleston’s, who ran the general store and post office. Across the road was the blacksmith shop, run by Caleb Weehunt. Next door Mose Moots’ barbershop. Above the barbershop was the lodge hall, where the town council met and the Pine Ridge Silver Comet Band practiced. Next to the tonsorial emporium was Luke Spears’s Lunch Room. A short distance down the road from Luke’s place was the Jot ’Em Down Store, run by Lum Edwards and Abner Peabody. On Thanksgiving in 1944 Lum is suddenly lonely and alone because Abner is out of town. Lum is trying to find someone to spend his holiday with.…
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Breaking Walls: The Podcast on the History of American Network Radio Broadcasting
Support Breaking Walls at https://www.patreon.com/thewallbreakers Much ink has been spilled on Breaking Walls this year talking about Suspense. For more information on the series in 1944, please tune into Breaking Walls episode 154. The Thanksgiving 1944 episode was called “The Fountain Plays” starring Charles Laughton. It’s a story filled with murder, blackmail, and cover-up. The original tale was penned by Dorothy L. Sayers adapted by Robert L. Richards. Richards is famous for having written “The House in Cypress Canyon,” a noted Suspense classic. This is the first of twenty-nine weeks of Roma commercials featuring society figure and entertaining expert Elsa Maxwell. She offers her hard-earned wisdom about wine and other beverage selections. Maxwell was a gossip columnist and writer with occasional movie appearances, but known for her elaborate parties. She is credited with adding games to parties, such as scavenger hunts, to make them more interesting beyond the idle chatter of who was seen with whom or who was invited and who wasn’t. Maxwell rose from a lower middle class life in San Francisco to being the host of parties that included big stars and royalty. Elsa Maxwell does not play herself, instead she’s played by noted radio actress Lucille Meredith.…
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Breaking Walls: The Podcast on the History of American Network Radio Broadcasting
Support Breaking Walls at https://www.patreon.com/thewallbreakers Mail Call began airing on August 11th, 1942 over the Armed Forces Radio Service to entertain troops with songs, skits, and questions (via the mail) answered by celebrities in order to boost the morale of soldiers stationed far from their homes In 1944 Lt. Col. Thomas A.H. Lewis, commander of the Armed Forces Radio Service, wrote that "The initial production of the Armed Forces Radio Service was 'Mail Call,' a morale-building half hour which brought famed performers to the microphone to sing and gag in the best American manner." Lewis added, "To a fellow who has spent months guarding an outpost in the South Seas, Iceland or Africa a cheery greeting from a favorite comedian, a song hit direct from Broadway, or the beating rhythm of a hot band, mean a tie with the home to which he hopes soon to return.” The show was produced from AFRS’s California headquarters at 6011 Santa Monica Boulevard. On Thanksgiving Day in 1944, the program’s guests were Groucho Marx and Lionel Barrymore.…
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Breaking Walls: The Podcast on the History of American Network Radio Broadcasting
Support Breaking Walls at https://www.patreon.com/thewallbreakers Much ink has been spilled on Breaking Walls this year talking about Suspense. For more information on the series in 1944, please tune into Breaking Walls episode 154. On Thursday November 2nd, 1944, Van Johnson made his first appearance on “radio’s outstanding theater of thrills” in “The Singing Walls.” In this Cornell Woolrich story, a man is drugged by gangsters to be framed for a crime. All he can remember is that music seemed to be coming out of the walls that surround him. Van Johnson started on Broadway in the mid-1930s and was selected as the understudy for Gene Kelly in Pal Joey. Lucille Ball got him an audition in Hollywood. From then on he was a “boy next door” handsome Hollywood star. At the time of this Suspense appearance, radio columns were commenting about the frequency of his appearances on radio’s biggest programs. He was on all of the big comedy and variety shows as well as dramatic programs, often appearing on radio multiple times a week, sometimes daily, during this period of his career.…
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Breaking Walls: The Podcast on the History of American Network Radio Broadcasting
Support Breaking Walls at https://www.patreon.com/thewallbreakers In the fall of 1944 Fibber McGee and Molly were in the midst of their tenth season on the air. The comedic duo was part of NBC’s blockbuster Tuesday night comedy lineup. Between 1939 and 1949 their show was never ranked lower than third overall in the ratings. On Halloween night their rating was 25.6. More than twenty million people tuned in to hear Fibber McGee add duck hunting to the list of activities he is supposedly good at.…
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