In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Контент предоставлен Fantasy/Animation. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Fantasy/Animation или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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Footnote #56 - Prequels
Manage episode 462068916 series 2426554
Контент предоставлен Fantasy/Animation. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Fantasy/Animation или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Inspired by the recent podcast episode discussing movie musical Wicked (John M. Chu, 2024), the first Fantasy/Animation Footnote of 2025 takes on the politics of film prequels, and how these curious entries into film series and the reflexive gestures that it often makes to earlier moments in a broader narrative offer up a way of understanding processes and theories of adaptation. Topics for this episode include the prequel’s relationship to sequels, midquels, and remakes, and its broader fascination with chronology, history, and origin; the commercial value of prequels and the threat of temporality; cultural transference and how such adaptations highlight differences between media products; and the prequel’s status as an evolving industrial category as much as a device used to tell a story.
**Fantasy/Animation theme tune composed by Francisca Araujo**
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Поделиться
Manage episode 462068916 series 2426554
Контент предоставлен Fantasy/Animation. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Fantasy/Animation или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Inspired by the recent podcast episode discussing movie musical Wicked (John M. Chu, 2024), the first Fantasy/Animation Footnote of 2025 takes on the politics of film prequels, and how these curious entries into film series and the reflexive gestures that it often makes to earlier moments in a broader narrative offer up a way of understanding processes and theories of adaptation. Topics for this episode include the prequel’s relationship to sequels, midquels, and remakes, and its broader fascination with chronology, history, and origin; the commercial value of prequels and the threat of temporality; cultural transference and how such adaptations highlight differences between media products; and the prequel’s status as an evolving industrial category as much as a device used to tell a story.
**Fantasy/Animation theme tune composed by Francisca Araujo**
**As featured on Feedspot’s 25 Best London Education Podcasts**
217 эпизодов
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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