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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Big Screen: Gaslight
Manage episode 377561895 series 3380432
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Shelley Stamp (Film & Digital Media, UC Santa Cruz) joins moderator Kelsey Moore (Film and Media Studies, UCSB) in a post-screening discussion on George Cukor’s classic 1944 film Gaslight, sharing thoughts on genre, the origin of gaslighting as a term, and the film’s historical legacy. Their conversation also dives into the complexities of gender and the historical contexts of the Second World War and Hollywood’s Golden Age. They discuss the relationships between Gothic melodrama and film noir, as well as these films’ appeal to female audiences. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39053]
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