In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Контент предоставлен Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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Tennessee Williams on Film
Manage episode 288127350 series 2858749
Контент предоставлен Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Happy 110th birthday, TW! In this episode of Filmsuck we're reveling in the mind-blowing film adaptations of Tennessee Williams' great plays such as A Streetcar Named Desire (1951), Cat on a Hot Tin Roof (1958), Suddenly, Last Summer (1959), and Night of the Iguana (1964). The most celebrated American playwright of the mid-20th century, Williams' riveting explorations of tormented sexuality, lacerating family trauma, the sick cruelty of the dominant culture, the desperation of the marginalized, and the "devouring" face of God make for a surreal and unforgettable cinema of excess.
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Manage episode 288127350 series 2858749
Контент предоставлен Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Eileen Jones and Dolores McElroy, Eileen Jones, and Dolores McElroy или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Happy 110th birthday, TW! In this episode of Filmsuck we're reveling in the mind-blowing film adaptations of Tennessee Williams' great plays such as A Streetcar Named Desire (1951), Cat on a Hot Tin Roof (1958), Suddenly, Last Summer (1959), and Night of the Iguana (1964). The most celebrated American playwright of the mid-20th century, Williams' riveting explorations of tormented sexuality, lacerating family trauma, the sick cruelty of the dominant culture, the desperation of the marginalized, and the "devouring" face of God make for a surreal and unforgettable cinema of excess.
51 эпизодов
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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