In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Контент предоставлен Matt Brothers and Daryl Bär. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Matt Brothers and Daryl Bär или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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Bonus 31: Paul Dano's Letterboxd Favourite Four - A Brighter Summer Day (with Iana Murray)
Manage episode 457047986 series 2851752
Контент предоставлен Matt Brothers and Daryl Bär. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Matt Brothers and Daryl Bär или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
During the junket for Spaceman, Paul Dano revealed his Favourite Four Films for Letterboxd. Matt and Daryl are joined by returning legend, Iana Murray to discuss two of those picks.
The first was Paul Thomas Anderson's Punch-Drunk Love (2002).
The second is Edward yang's A Brighter Summer Day (1991).
Here's a link to Iana's work.
You can find all season artwork designs (from the ridiculously talented Stephen Trumble) on our Teepublic store. We also have our intro themes and interludes over on Bandcamp. The intro theme was performed by Daryl Bär and produced by Mike Hall.
Please drop us a Five Star Review us at Apple Podcasts, or a Five Star Rating on Spotify. Find us on Twitter and Instagram (@ispauldanook), and drop us an email at ispauldanook@gmail.com
106 эпизодов
Поделиться
Manage episode 457047986 series 2851752
Контент предоставлен Matt Brothers and Daryl Bär. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Matt Brothers and Daryl Bär или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
During the junket for Spaceman, Paul Dano revealed his Favourite Four Films for Letterboxd. Matt and Daryl are joined by returning legend, Iana Murray to discuss two of those picks.
The first was Paul Thomas Anderson's Punch-Drunk Love (2002).
The second is Edward yang's A Brighter Summer Day (1991).
Here's a link to Iana's work.
You can find all season artwork designs (from the ridiculously talented Stephen Trumble) on our Teepublic store. We also have our intro themes and interludes over on Bandcamp. The intro theme was performed by Daryl Bär and produced by Mike Hall.
Please drop us a Five Star Review us at Apple Podcasts, or a Five Star Rating on Spotify. Find us on Twitter and Instagram (@ispauldanook), and drop us an email at ispauldanook@gmail.com
106 эпизодов
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Похожие на Is Paul Dano OK?
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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continue reading
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