Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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Контент предоставлен Christian Cawley and James McLean. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Christian Cawley and James McLean или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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418: John and Jim’s Excellent Journey #5: The House Between
Manage episode 372707676 series 91600
Контент предоставлен Christian Cawley and James McLean. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Christian Cawley and James McLean или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Join James McLean and cult writer and critic John Kenneth Muir for the fifth in what has become a highly irregular series of podcasts focusing on American cult film/television of the late twentieth century (and occasionally, or sometimes quite frequently, other stuff).
This episode considers the role of the audio drama drawing upon John's own experiences in producing his own, The House Between.
This episode considers the role of the audio drama drawing upon John's own experiences in producing his own, The House Between.
Shownotes
Get in touch
If you subscribe to our Doctor Who podcast, please head to Apple Podcasts to leave a rating and review. Any new reviews will be read out.
Not on Apple Podcasts? Leave us a review somewhere else, send the link over on Twitter or Facebook or podkasterborous@gmail.com, and you’ll get a mention.
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Manage episode 372707676 series 91600
Контент предоставлен Christian Cawley and James McLean. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Christian Cawley and James McLean или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Join James McLean and cult writer and critic John Kenneth Muir for the fifth in what has become a highly irregular series of podcasts focusing on American cult film/television of the late twentieth century (and occasionally, or sometimes quite frequently, other stuff).
This episode considers the role of the audio drama drawing upon John's own experiences in producing his own, The House Between.
This episode considers the role of the audio drama drawing upon John's own experiences in producing his own, The House Between.
Shownotes
Get in touch
If you subscribe to our Doctor Who podcast, please head to Apple Podcasts to leave a rating and review. Any new reviews will be read out.
Not on Apple Podcasts? Leave us a review somewhere else, send the link over on Twitter or Facebook or podkasterborous@gmail.com, and you’ll get a mention.
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Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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