“LA Made” is a series exploring stories of bold Californian innovators and how they forever changed the lives of millions all over the world. Each season will unpack the untold and surprising stories behind some of the most exciting innovations that continue to influence our lives today. Season 2, “LA Made: The Barbie Tapes,” tells the backstory of the world’s most popular doll, Barbie. Barbie is a cultural icon but what do you really know about her? Hear Barbie's origin story from the peopl ...
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NYAC S3 E13: Wakanda Party Is This? Issa Black Diaspora Party! (Part I)
MP3•Главная эпизода
Manage episode 201289668 series 1118604
Контент предоставлен NYAC Podcast. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией NYAC Podcast или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Part I of the episode where we discuss the pop culture phenomenon that is Black Panther. We are about a month late to the party but we here! Suffice to say, spoilers ahead. If you still haven’t seen the movie, you’re on a long tin! Joined by Black and African arts curator extraordinaire, @ifeanyiawachie, we gush about the visuals, the cinematography, music, acting and general #BlackExcellence on display in the movie. We ask if the movie’s imagination of an African country untouched by colonization is what we envisioned, acknowledge the differences in peoples’ imaginings of a futuristic Africa, and question how technological advancement should manifest while retaining a cultural identity. We also explore the validity and limitations of T’Challa vs Killmonger as an allegory for the relationship between continental Africans and African Americans (and other black people in the diaspora). Ifeyinwa reminds us that while the movie is a celebration of Blackness, it still exists in the Marvel Cinematic Universe and thus is not free of its overarching creative influence, and Yeka O draws a parallel to Biafra and wonders what the country may have looked like had its secession attempt been successful. ------------------------ Resources • https://theintercept.com/2018/02/22/black-panther-brazil-protest/ • http://africasacountry.com/2018/02/africa-is-a-country-in-wakanda/ • https://www.gq.com/story/black-panther-and-the-search-for-home/amp?__twitter_impression=true • https://longreads.com/2018/02/22/how-black-panther-asks-us-to-examine-who-we-are-to-one-another/ • https://www.newyorker.com/culture/culture-desk/on-killmonger-black-panther-s-american-villain • https://www.newyorker.com/news/daily-comment/black-panther-and-the-invention-of-africa • https://www.theatlantic.com/entertainment/archive/2018/02/black-panther-erik-killmonger/553805/?utm_source=atltw ----------------------------------- Episode was mixed by Ifeoluwa Olokode. Theme song is Ayo by Femi Leye
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62 эпизодов
MP3•Главная эпизода
Manage episode 201289668 series 1118604
Контент предоставлен NYAC Podcast. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией NYAC Podcast или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Part I of the episode where we discuss the pop culture phenomenon that is Black Panther. We are about a month late to the party but we here! Suffice to say, spoilers ahead. If you still haven’t seen the movie, you’re on a long tin! Joined by Black and African arts curator extraordinaire, @ifeanyiawachie, we gush about the visuals, the cinematography, music, acting and general #BlackExcellence on display in the movie. We ask if the movie’s imagination of an African country untouched by colonization is what we envisioned, acknowledge the differences in peoples’ imaginings of a futuristic Africa, and question how technological advancement should manifest while retaining a cultural identity. We also explore the validity and limitations of T’Challa vs Killmonger as an allegory for the relationship between continental Africans and African Americans (and other black people in the diaspora). Ifeyinwa reminds us that while the movie is a celebration of Blackness, it still exists in the Marvel Cinematic Universe and thus is not free of its overarching creative influence, and Yeka O draws a parallel to Biafra and wonders what the country may have looked like had its secession attempt been successful. ------------------------ Resources • https://theintercept.com/2018/02/22/black-panther-brazil-protest/ • http://africasacountry.com/2018/02/africa-is-a-country-in-wakanda/ • https://www.gq.com/story/black-panther-and-the-search-for-home/amp?__twitter_impression=true • https://longreads.com/2018/02/22/how-black-panther-asks-us-to-examine-who-we-are-to-one-another/ • https://www.newyorker.com/culture/culture-desk/on-killmonger-black-panther-s-american-villain • https://www.newyorker.com/news/daily-comment/black-panther-and-the-invention-of-africa • https://www.theatlantic.com/entertainment/archive/2018/02/black-panther-erik-killmonger/553805/?utm_source=atltw ----------------------------------- Episode was mixed by Ifeoluwa Olokode. Theme song is Ayo by Femi Leye
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