In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Elvis: Baz Luhrmann, Catherine Martin + Mandy Walker ASC ACS
Manage episode 331859815 series 2087422
Контент предоставлен Screen Australia. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Screen Australia или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Elvis writer/director/producer Baz Luhrmann, production designer/costume designer/producer Catherine Martin and director of photographer Mandy Walker ACS ASC break down their approach to filming the Warner Bros movie, which despite being set in 50s, 60s and 70s America was filmed on location in Queensland, Australia. The trio discuss how important pre-production was in creating a cohesive visual look and creative choices they made such as bespoke Panavision lenses.
130 эпизодов
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Manage episode 331859815 series 2087422
Контент предоставлен Screen Australia. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Screen Australia или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Elvis writer/director/producer Baz Luhrmann, production designer/costume designer/producer Catherine Martin and director of photographer Mandy Walker ACS ASC break down their approach to filming the Warner Bros movie, which despite being set in 50s, 60s and 70s America was filmed on location in Queensland, Australia. The trio discuss how important pre-production was in creating a cohesive visual look and creative choices they made such as bespoke Panavision lenses.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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…
continue reading
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…
continue reading
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…
continue reading
Werewolf Ambulance is a horror movie comedy podcast. Allen and Katie watch horror movies from all eras and of all qualities and then discuss them in a not-so-academic way (just as the name "Werewolf Ambulance" might imply!) and then discuss and rate them. The episodes do contain spoilers, so please watch the films before listening if that bothers you!
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continue reading
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Our fifth season is Decoding John Ford, a seven-episode series about cinema's most mysterious auteur. Using scores of never-before-heard archival interviews, host Ben Mankiewicz strips back John Ford's self-spun mythology to reveal his brilliance behind the camera – alongside the often ugly, uncomfortable truths about his life and movies, asking whether we can ever truly separate art from the artist. Decoding John Ford starts June 6.
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