In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Ep. 57: Understanding the Art of Film Editing
Архивные серии ("Канал не активен" status)
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What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 201154855 series 1758802
Контент предоставлен TIFF Long Take and TIFF (Toronto International Film Festival). Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией TIFF Long Take and TIFF (Toronto International Film Festival) или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Editing is one of the most integral parts of any film, yet a good editor often doesn’t receive the level of recognition that a director, cinematographer, or composer would. To take a closer look at the often unappreciated craft Rob and Geoff sit down with one of the best film editors working today, Tatiana S. Riegel. Over her 30 year career Riegel has worked on a number of beloved films including Pulp Fiction, There Will Be Blood, and Lars and The Real Girl, and recently won an Independent Spirit Award and was nominated for an Oscar for editing I, Tonya.
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She also discusses why audience screenings are so crucial to her job, and why, despite a large disparity, women have historically had more opportunities in the field editing than they have in other disciplines like cinematography or directing.
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Архивные серии ("Канал не активен" status)
When?
This feed was archived on October 06, 2024 10:08 (
Why? Канал не активен status. Нашим серверам не удалось получить доступ к каналу подкаста в течении длительного периода времени.
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 201154855 series 1758802
Контент предоставлен TIFF Long Take and TIFF (Toronto International Film Festival). Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией TIFF Long Take and TIFF (Toronto International Film Festival) или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Editing is one of the most integral parts of any film, yet a good editor often doesn’t receive the level of recognition that a director, cinematographer, or composer would. To take a closer look at the often unappreciated craft Rob and Geoff sit down with one of the best film editors working today, Tatiana S. Riegel. Over her 30 year career Riegel has worked on a number of beloved films including Pulp Fiction, There Will Be Blood, and Lars and The Real Girl, and recently won an Independent Spirit Award and was nominated for an Oscar for editing I, Tonya.
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Похожие на TIFF Long Take
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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