In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Ep. 64: Mark Duplass on the Changing Economics of Film
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Manage episode 205325065 series 1758802
Контент предоставлен TIFF Long Take and TIFF (Toronto International Film Festival). Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией TIFF Long Take and TIFF (Toronto International Film Festival) или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
This week on TIFF Long Take, Rob sits down with actor and filmmaker Mark Duplass. Along with his brother, Jay, the Duplass brothers have become two of the most influential figures in independent film, writing and directing films like 'The Puffy Chair', 'Cyrus', and 'Jeff, Who Lives at Home', as well producing films like 'Safety Not Guaranteed', 'The Skeleton Twins', and the recent Netflix documentary series 'Wild, Wild Country'. Their recently published memoir, 'Like Brothers', is in stores this week.
Duplass talks about the challenges of being inextricably linked to a creative partner, how to create a financial model that prioritizes artistry, and why he’d rather be prolific than be a perfectionist.
He also discusses why he and his brother aren’t interested in making “bigger” movies, the importance of “failing cheaply,” and his track record of giving young filmmakers a platform.
102 эпизодов
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Архивные серии ("Канал не активен" status)
When?
This feed was archived on October 06, 2024 10:08 (
Why? Канал не активен status. Нашим серверам не удалось получить доступ к каналу подкаста в течении длительного периода времени.
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 205325065 series 1758802
Контент предоставлен TIFF Long Take and TIFF (Toronto International Film Festival). Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией TIFF Long Take and TIFF (Toronto International Film Festival) или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
This week on TIFF Long Take, Rob sits down with actor and filmmaker Mark Duplass. Along with his brother, Jay, the Duplass brothers have become two of the most influential figures in independent film, writing and directing films like 'The Puffy Chair', 'Cyrus', and 'Jeff, Who Lives at Home', as well producing films like 'Safety Not Guaranteed', 'The Skeleton Twins', and the recent Netflix documentary series 'Wild, Wild Country'. Their recently published memoir, 'Like Brothers', is in stores this week.
Duplass talks about the challenges of being inextricably linked to a creative partner, how to create a financial model that prioritizes artistry, and why he’d rather be prolific than be a perfectionist.
He also discusses why he and his brother aren’t interested in making “bigger” movies, the importance of “failing cheaply,” and his track record of giving young filmmakers a platform.
102 эпизодов
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Похожие на TIFF Long Take
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Работайте офлайн с приложением Player FM !
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