In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Контент предоставлен TIFF Long Take and TIFF (Toronto International Film Festival). Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией TIFF Long Take and TIFF (Toronto International Film Festival) или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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Ep. 74: Boots Riley on the Long Road to Making 'Sorry to Bother You'
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Manage episode 212863735 series 1758802
Контент предоставлен TIFF Long Take and TIFF (Toronto International Film Festival). Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией TIFF Long Take and TIFF (Toronto International Film Festival) или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
This week on TIFF Long Take, Rob and Geoff sit down with filmmaker Boots Riley. Although he is perhaps better known as an activist and the front man for the popular political hip-hop group The Coup, Riley has recently focused his talents on filmmaking, writing, and directing the critically adored 'Sorry to Bother You', starring Lakeith Stanfield, Tessa Thompson, and Armie Hammer.
Riley talks about the six-year battle to get Sorry to Bother You made, why he wanted the screenplay to read more like a novel than a film script, and how a previous job working at a call centre helped to inspire the film’s plot.
He also discusses how he reconciles his socialist beliefs with working in the inherently capitalist film business, how he assembled such a phenomenal cast for his debut film, and his talent for directing grounded performances within absurdist plot-lines.
102 эпизодов
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Архивные серии ("Канал не активен" status)
When?
This feed was archived on October 06, 2024 10:08 (
Why? Канал не активен status. Нашим серверам не удалось получить доступ к каналу подкаста в течении длительного периода времени.
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 212863735 series 1758802
Контент предоставлен TIFF Long Take and TIFF (Toronto International Film Festival). Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией TIFF Long Take and TIFF (Toronto International Film Festival) или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
This week on TIFF Long Take, Rob and Geoff sit down with filmmaker Boots Riley. Although he is perhaps better known as an activist and the front man for the popular political hip-hop group The Coup, Riley has recently focused his talents on filmmaking, writing, and directing the critically adored 'Sorry to Bother You', starring Lakeith Stanfield, Tessa Thompson, and Armie Hammer.
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Похожие на TIFF Long Take
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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