In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Контент предоставлен Sound Perspective. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Sound Perspective или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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36 - All Quiet on the Western Front - Frank Kruse and Lars Ginzel
Manage episode 357046038 series 2509616
Контент предоставлен Sound Perspective. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Sound Perspective или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Happy awards season! Todays episode is with Frank Kruse and Lars Ginzel, sound supervisor and re-recording mixer of the new Netflix war film All Quiet on the Western Front, which recently won the BAFTA for Best Sound and is nominated for an Academy Award. Frank and Lars chat about their history in the German film industry, the extensive crowd recording done with hundreds of extras on set, and how they communicate with director Edward Berger.
All Quiet on the Western Front is now available on Netflix and is still in consideration for the Academy Award for Best Sound.
Follow Sound Perspective on Facebook here
Follow me on Letterboxd at @alfiefaber
To get in touch with comments about the podcast email me at contact@soundperspectivepodcast.com
40 эпизодов
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Manage episode 357046038 series 2509616
Контент предоставлен Sound Perspective. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Sound Perspective или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Happy awards season! Todays episode is with Frank Kruse and Lars Ginzel, sound supervisor and re-recording mixer of the new Netflix war film All Quiet on the Western Front, which recently won the BAFTA for Best Sound and is nominated for an Academy Award. Frank and Lars chat about their history in the German film industry, the extensive crowd recording done with hundreds of extras on set, and how they communicate with director Edward Berger.
All Quiet on the Western Front is now available on Netflix and is still in consideration for the Academy Award for Best Sound.
Follow Sound Perspective on Facebook here
Follow me on Letterboxd at @alfiefaber
To get in touch with comments about the podcast email me at contact@soundperspectivepodcast.com
40 эпизодов
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Похожие на Sound Perspective
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Since launching in 2000, All Songs Considered has been NPR's flagship program for music discovery, artist interviews and conversations with friends and fellow music lovers about the really big questions, like what was the best decade for music, are there albums everyone can agree on, and what do you put on when you need a good cry? Weekly, with host Robin Hilton and the NPR Music family.
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continue reading
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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continue reading
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