In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Контент предоставлен Seventh Row. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Seventh Row или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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TIFF 24 #10: Marianne Elliott on The Salt Path and directing for stage vs. screen
Manage episode 447541696 series 2456621
Контент предоставлен Seventh Row. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Seventh Row или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
**To join the waitlist for Reel Ruminators: A Movie-of-the-Month Discussion Club, visit http://seventh-row.com/reelruminators **
Legendary theatre director Marianne Elliott (Angels in America at the National Theatre, gender-swapped Company, War Horse) joins Alex on the podcast to discuss her feature film debut, The Salt Path. The film is based on the best-selling memoir about a working-class British couple who lose their home and embark on a long hike along the coast to heal themselves. It had its world premiere at TIFF.
Elliott sat down with Alex via Zoom before the film's premiere to discuss the challenges and excitement of making the move from theatre to film and why she wanted to tell this particular story about a woman in her 50s and her husband.
The Salt Path was a sales title at the festival and does not yet have a North American distributor.
The episode is spoiler-free.
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Manage episode 447541696 series 2456621
Контент предоставлен Seventh Row. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Seventh Row или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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Legendary theatre director Marianne Elliott (Angels in America at the National Theatre, gender-swapped Company, War Horse) joins Alex on the podcast to discuss her feature film debut, The Salt Path. The film is based on the best-selling memoir about a working-class British couple who lose their home and embark on a long hike along the coast to heal themselves. It had its world premiere at TIFF.
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The episode is spoiler-free.
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- 98. Marianne Elliott's Angels in America (Members Only)
- 42. Dominic Cooke's On Chesil Beach (Members Only)
- Bonus 17. Saoirse Ronan and James McArdle in The Tragedy of Macbeth (Members Only)
- Creative Nonfiction #2: Sophie Fiennes on Four Quartets and documenting theatre on film
- Creative Nonfiction #4: Sam Green on 32 Sounds and inspirations from theatre
About the TIFF 2024 season:
The TIFF 2024 season previews under-the-radar gems and buzzy titles at the festival with spoiler-free episodes that will help you prioritize what to watch for in the coming months.
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Check out all of our TIFF 2024 coverage here: https://seventh-row.com/tiff24
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Похожие на Seventh Row Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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…
continue reading
The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
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continue reading
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Работайте офлайн с приложением Player FM !
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