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Контент предоставлен Sheffield DocFest and Sheffield Doc/Fest. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Sheffield DocFest and Sheffield Doc/Fest или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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Контент предоставлен Sheffield DocFest and Sheffield Doc/Fest. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Sheffield DocFest and Sheffield Doc/Fest или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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Manage episode 260048822 series 39729
Контент предоставлен Sheffield DocFest and Sheffield Doc/Fest. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Sheffield DocFest and Sheffield Doc/Fest или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
How do documentary filmmakers tackle the most taboo of subjects and tell stories that can’t be shared openly, while respecting the ethical, legal and personal sensitivities of the people involved?
This session from Doc/Fest 2019 explores radical and hybrid formats in bringing such subjects to screen, and the innovative techniques used by directors working in film and TV.
The session was chaired by Krishan Arora with Collete Camden (dir. Married to a Paedophile) and Carl Javér (dir. Reconstructing Utøya).
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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