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Контент предоставлен Sheffield DocFest and Sheffield Doc/Fest. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Sheffield DocFest and Sheffield Doc/Fest или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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Контент предоставлен Sheffield DocFest and Sheffield Doc/Fest. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Sheffield DocFest and Sheffield Doc/Fest или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
In these strange times with "the media” under attack in the West, there’s an urgent need for trustworthy storytelling that responds to current events – and documentary filmmakers are increasingly a part of this. As news organisations invest more in video, many are drawing on documentary techniques - following the best of TV news. How are some of the big names in journalism combining the narrative demands of documentary with the need for balance, objectivity, and fairness? How do editors sourcing stories around the world make sure they aren’t commissioning “fake news”?
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Manage episode 198553672 series 39729
Контент предоставлен Sheffield DocFest and Sheffield Doc/Fest. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Sheffield DocFest and Sheffield Doc/Fest или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
In these strange times with "the media” under attack in the West, there’s an urgent need for trustworthy storytelling that responds to current events – and documentary filmmakers are increasingly a part of this. As news organisations invest more in video, many are drawing on documentary techniques - following the best of TV news. How are some of the big names in journalism combining the narrative demands of documentary with the need for balance, objectivity, and fairness? How do editors sourcing stories around the world make sure they aren’t commissioning “fake news”?
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Похожие на Sheffield DocFest Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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