In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Контент предоставлен Sheffield DocFest and Sheffield Doc/Fest. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Sheffield DocFest and Sheffield Doc/Fest или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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Khalik Allah: Exploring a New Film Language
Manage episode 222820394 series 39729
Контент предоставлен Sheffield DocFest and Sheffield Doc/Fest. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Sheffield DocFest and Sheffield Doc/Fest или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Self-taught photographer and filmmaker, Khalik Allah's profoundly personal work has been described as "street opera"; visceral, haunting and honest. Having previously worked with Wu-Tang Clan and Mobb Deep, Khalik's feature debut Field Niggas, garnered critical acclaim from the cultural press and his follow up Black Mother received its UK premier at Sheffield Doc/Fest. Khalik talks to film programmer Ashley Clark, about his work as an artist and the creation of a unique and daring film language and aesthetic.
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Manage episode 222820394 series 39729
Контент предоставлен Sheffield DocFest and Sheffield Doc/Fest. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Sheffield DocFest and Sheffield Doc/Fest или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Self-taught photographer and filmmaker, Khalik Allah's profoundly personal work has been described as "street opera"; visceral, haunting and honest. Having previously worked with Wu-Tang Clan and Mobb Deep, Khalik's feature debut Field Niggas, garnered critical acclaim from the cultural press and his follow up Black Mother received its UK premier at Sheffield Doc/Fest. Khalik talks to film programmer Ashley Clark, about his work as an artist and the creation of a unique and daring film language and aesthetic.
101 эпизодов
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
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