In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Контент предоставлен Simon Howell and Kate Rennebohm, Simon Howell, and Kate Rennebohm. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Simon Howell and Kate Rennebohm, Simon Howell, and Kate Rennebohm или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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Part 9: Akerman vs. America
Manage episode 346381098 series 3003260
Контент предоставлен Simon Howell and Kate Rennebohm, Simon Howell, and Kate Rennebohm. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Simon Howell and Kate Rennebohm, Simon Howell, and Kate Rennebohm или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Riding guest-free for a change, Kate and Simon tackle three films (a short and two features) that touch on issues of racism, injustice, and murder: the Amnesty International-prompted Pour Febe Elisabeth Velasquez, El Salvador, 1999's Sud and 2002's De L'Autre Coté. We also dive a little more than usual into criticisms of Akerman's documentary work/style and consider how the intervening decades have treated Akerman's portraits of American racism and violence.
If you like the show or what we do generally, consider throwing us a few bucks to help cover our costs: https://paypal.me/kateandsimonpod
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12 эпизодов
Поделиться
Manage episode 346381098 series 3003260
Контент предоставлен Simon Howell and Kate Rennebohm, Simon Howell, and Kate Rennebohm. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Simon Howell and Kate Rennebohm, Simon Howell, and Kate Rennebohm или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Riding guest-free for a change, Kate and Simon tackle three films (a short and two features) that touch on issues of racism, injustice, and murder: the Amnesty International-prompted Pour Febe Elisabeth Velasquez, El Salvador, 1999's Sud and 2002's De L'Autre Coté. We also dive a little more than usual into criticisms of Akerman's documentary work/style and consider how the intervening decades have treated Akerman's portraits of American racism and violence.
If you like the show or what we do generally, consider throwing us a few bucks to help cover our costs: https://paypal.me/kateandsimonpod
Our intro music is performed by Sundar Subramanian. You can stream and buy his work here: https://sundarsubramanian.bandcamp.com/
12 эпизодов
Все серии
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Похожие на The Akerman Year
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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continue reading
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