In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Контент предоставлен Kevin Sparrow. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Kevin Sparrow или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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Manage episode 348554019 series 2990351
Контент предоставлен Kevin Sparrow. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Kevin Sparrow или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
From man-eating plants to man-eating mans, this week we're exploring cannibalism in a feast for the senses. First, Emmy Colón-Geistlinger joins us to talk about why The Texas Chain Saw Massacre is the perfect Thanksgiving movie. Then, we make a recommendation for our double-meat double-feature, the 2010 Mexican film We Are What We Are.
Follow Emmy online at https://soyemmy.com, Instagram @la_soy_emmy,
and listen to The Violet Vulture wherever you get your podcasts.
Follow us on Twitter and Instagram @callsinsidepod
and our host Kevin Sparrow on Twitter @dirtydevlin
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Chris Justice - Oil and a Dangerous South: Alternate Geopolitical Readings of “The Texas Chain Saw Massacre. Classic-Horror.com, 2010.
Jessica Scott - Written in the Stars: Astrology and Fatalism in Proto-Slashers. Manor Vellum, 2021.
53 эпизодов
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Manage episode 348554019 series 2990351
Контент предоставлен Kevin Sparrow. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Kevin Sparrow или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
From man-eating plants to man-eating mans, this week we're exploring cannibalism in a feast for the senses. First, Emmy Colón-Geistlinger joins us to talk about why The Texas Chain Saw Massacre is the perfect Thanksgiving movie. Then, we make a recommendation for our double-meat double-feature, the 2010 Mexican film We Are What We Are.
Follow Emmy online at https://soyemmy.com, Instagram @la_soy_emmy,
and listen to The Violet Vulture wherever you get your podcasts.
Follow us on Twitter and Instagram @callsinsidepod
and our host Kevin Sparrow on Twitter @dirtydevlin
Referenced in the episode:
Chris Justice - Oil and a Dangerous South: Alternate Geopolitical Readings of “The Texas Chain Saw Massacre. Classic-Horror.com, 2010.
Jessica Scott - Written in the Stars: Astrology and Fatalism in Proto-Slashers. Manor Vellum, 2021.
53 эпизодов
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Похожие на The Calls Are Coming from Inside the Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
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