In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Контент предоставлен The Last Thing I Saw and Nicolas Rapold. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией The Last Thing I Saw and Nicolas Rapold или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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Ep. 264: Venice 2024: Jordan Cronk on The Brutalist, Cloud, Baby Invasion, The Day the Clown Cried
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Контент предоставлен The Last Thing I Saw and Nicolas Rapold. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией The Last Thing I Saw and Nicolas Rapold или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Ep. 264: Venice 2024: Jordan Cronk on The Brutalist, Cloud, Baby Invasion, The Day the Clown Cried, Three Friends Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The 81st Venice Film Festival has just begun, and I’m podcasting from the festival about the latest movies to screen. This time I chatted with critic and programmer Jordan Cronk. Among the titles we discussed are The Brutalist (directed by Brady Corbet), Cloud (Kiyoshi Kurosawa), Baby Invasion (Harmony Korine), Three Friends (Emmanuel Mouret), and a documentary about Jerry Lewis’s unfinished film The Day the Clown Cried, From Darkness To Light (Michael Lurie and Eric Friedler). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
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Manage episode 437553955 series 2792919
Контент предоставлен The Last Thing I Saw and Nicolas Rapold. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией The Last Thing I Saw and Nicolas Rapold или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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