Every creative work you’ve ever loved has a hero’s journey behind it. On Spark & Fire, you'll hear creators tell the story of bringing one beloved work to life. Iconic creatives — like Wicked composer Stephen Schwartz, Pixar director Domee Shi, comedian Patton Oswald, musician Wynton Marsalis, and novelist Isabel Allende — share the endless iterations, the inevitable setbacks, and the breakthrough ideas along the epic process of creation. But this isn’t an interview show. It’s a story — told ...
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Контент предоставлен The Lonely Palette and Tamar Avishai. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией The Lonely Palette and Tamar Avishai или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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BonusEp 0.4 - Tamar Avishai interviews Ralph Steadman
MP3•Главная эпизода
Manage episode 280400704 series 1319526
Контент предоставлен The Lonely Palette and Tamar Avishai. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией The Lonely Palette and Tamar Avishai или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
You’ve seen the work of 84-year-old Welsh artist and illustrator Ralph Steadman, even if you haven’t realized it. His searing political caricature and trademark flying ink spatter have illustrated major works of literature and journalism for the past half-century – and most notably the hallucinogenic writing of Hunter S. Thompson, resulting in an alchemic collaboration that wove together journalism and illustration to create what history has described as Gonzo, and what Steadman calls the meeting between an ex-Hell’s Angel with a shaved head and a matted-haired geek with string warts. We spoke in advance of his new retrospective, “Ralph Steadman: A Life in Ink,” and talked about this storied, ink-stained career: what it means to illustrate depravity, how a caricature can capture both body and soul, and where to look for the ever-present birdsong that undergirds our current doom. [2:18]: Love of Picasso and Duchamp. [3:11]: Where do you start with caricature, the body or the soul? [5:40]: Drawing with a pen – “no such thing as a mistake.” [7:09]: The difference between illustration and “fine art”. [9:55]: Use of the geometric in Steadman’s work, ink spatter, a conversation with the paper. [13:10]: Coming to the U.S. in 1970, David Hockney “Paranoids”. [14:30]: Use of photographs and text in drawing. [15:15]: I, Leonardo, the terror of the blank canvas, and “prorogation”. [17:53]: Style, “exposing depravity” and being purified by drawing it. [22:33]: Early career before collaborating with Hunter S. Thompson, alchemy, gonzo. [29:08]: Favorite faces to draw. [30:48]: 2020, the pandemic, and finding the birdsong in doom. Interview Webpage: http://bit.ly/38erSJX Music Used: The Blue Dot Sessions, "Crumbtown" Support the Show: www.patreon.com/lonelypalette
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117 эпизодов
MP3•Главная эпизода
Manage episode 280400704 series 1319526
Контент предоставлен The Lonely Palette and Tamar Avishai. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией The Lonely Palette and Tamar Avishai или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
You’ve seen the work of 84-year-old Welsh artist and illustrator Ralph Steadman, even if you haven’t realized it. His searing political caricature and trademark flying ink spatter have illustrated major works of literature and journalism for the past half-century – and most notably the hallucinogenic writing of Hunter S. Thompson, resulting in an alchemic collaboration that wove together journalism and illustration to create what history has described as Gonzo, and what Steadman calls the meeting between an ex-Hell’s Angel with a shaved head and a matted-haired geek with string warts. We spoke in advance of his new retrospective, “Ralph Steadman: A Life in Ink,” and talked about this storied, ink-stained career: what it means to illustrate depravity, how a caricature can capture both body and soul, and where to look for the ever-present birdsong that undergirds our current doom. [2:18]: Love of Picasso and Duchamp. [3:11]: Where do you start with caricature, the body or the soul? [5:40]: Drawing with a pen – “no such thing as a mistake.” [7:09]: The difference between illustration and “fine art”. [9:55]: Use of the geometric in Steadman’s work, ink spatter, a conversation with the paper. [13:10]: Coming to the U.S. in 1970, David Hockney “Paranoids”. [14:30]: Use of photographs and text in drawing. [15:15]: I, Leonardo, the terror of the blank canvas, and “prorogation”. [17:53]: Style, “exposing depravity” and being purified by drawing it. [22:33]: Early career before collaborating with Hunter S. Thompson, alchemy, gonzo. [29:08]: Favorite faces to draw. [30:48]: 2020, the pandemic, and finding the birdsong in doom. Interview Webpage: http://bit.ly/38erSJX Music Used: The Blue Dot Sessions, "Crumbtown" Support the Show: www.patreon.com/lonelypalette
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117 эпизодов
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