In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Контент предоставлен Metebelis Two and Ben and David. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Metebelis Two and Ben and David или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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#235 - It Helps to Have Great Sets
MP3•Главная эпизода
Manage episode 385082347 series 1469356
Контент предоставлен Metebelis Two and Ben and David. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Metebelis Two and Ben and David или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Our discussion of set design continues with a conversation about the designs overseen by Edward Thomas, who was Production Designer for most of Series 1 through Series 5 of Doctor Who. How television was made changed in significant ways since the McCoy Doctor and Ace left our screens. With the debut of 'new Who', an executive level position, the art department head, oversaw the appearance of all physical elements in the programme. When things accidently clicked in the classic era was when television magic was made. Now the overall vision of how the episode would look would be centrally controlled by one man, Edward Thomas, so design in 21st century Who should always click, right? We talk about this change and what each of us see as his five best designed stories. Opening music is "Sycorax Encounter" and closing music is "Pandorica", both composed by Murray Gold. We recorded this episode on 5 November 2023.
…
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265 эпизодов
MP3•Главная эпизода
Manage episode 385082347 series 1469356
Контент предоставлен Metebelis Two and Ben and David. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Metebelis Two and Ben and David или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Our discussion of set design continues with a conversation about the designs overseen by Edward Thomas, who was Production Designer for most of Series 1 through Series 5 of Doctor Who. How television was made changed in significant ways since the McCoy Doctor and Ace left our screens. With the debut of 'new Who', an executive level position, the art department head, oversaw the appearance of all physical elements in the programme. When things accidently clicked in the classic era was when television magic was made. Now the overall vision of how the episode would look would be centrally controlled by one man, Edward Thomas, so design in 21st century Who should always click, right? We talk about this change and what each of us see as his five best designed stories. Opening music is "Sycorax Encounter" and closing music is "Pandorica", both composed by Murray Gold. We recorded this episode on 5 November 2023.
…
continue reading
265 эпизодов
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