Readings and conversation with The New Yorker's poetry editor, Kevin Young.
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Контент предоставлен WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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Margaret Atwood Reads Mavis Gallant, Live
Manage episode 381597541 series 46
Контент предоставлен WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Margaret Atwood joins Deborah Treisman to read and discuss “Varieties of Exile,” by Mavis Gallant, which was published in The New Yorker in 1976. Atwood is the author of more than forty books of poetry and fiction, including the novels “The Handmaid’s Tale” and “The Testaments” and the story collection “Old Babes in the Wood,” which was published earlier this year. This is the first episode of the New Yorker Fiction Podcast to be recorded in front of a live audience. It was taped at the Hot Docs podcast festival, in Toronto, on October 21, 2023.
215 эпизодов
Поделиться
Manage episode 381597541 series 46
Контент предоставлен WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Margaret Atwood joins Deborah Treisman to read and discuss “Varieties of Exile,” by Mavis Gallant, which was published in The New Yorker in 1976. Atwood is the author of more than forty books of poetry and fiction, including the novels “The Handmaid’s Tale” and “The Testaments” and the story collection “Old Babes in the Wood,” which was published earlier this year. This is the first episode of the New Yorker Fiction Podcast to be recorded in front of a live audience. It was taped at the Hot Docs podcast festival, in Toronto, on October 21, 2023.
215 эпизодов
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Похожие на The New Yorker: Fiction
Readings and conversation with The New Yorker's poetry editor, Kevin Young.
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1
The New Yorker: The Writer's Voice - New Fiction from The New Yorker
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The Audio Long Read podcast is a selection of the Guardian’s long reads, giving you the opportunity to get on with your day while listening to some of the finest longform journalism the Guardian has to offer, including in-depth writing from around the world on current affairs, climate change, global warming, immigration, crime, business, the arts and much more. The podcast explores a range of subjects and news across business, global politics (including Trump, Israel, Palestine and Gaza), mo ...
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continue reading
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…
continue reading
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Radiolab is on a curiosity bender. We ask deep questions and use investigative journalism to get the answers. A given episode might whirl you through science, legal history, and into the home of someone halfway across the world. The show is known for innovative sound design, smashing information into music. It is hosted by Lulu Miller and Latif Nasser.
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"I should be writing" is what people say, but they rarely do it. This podcast is designed to help you get past those blocks, whether it's what your teacher told you when you were a kid, to being totally sure you'll never be as good as (FAV AUTHOR) so you might as well quit.
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