In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Контент предоставлен Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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218 | Lessons In Chemistry, The Office, and Jury Duty: Lee Eisenberg's Multi-Genre Screenwriting Career
Manage episode 445627140 series 2856508
Контент предоставлен Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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How does a TV writer go from working on a classic sitcom (The Office), to a deeply-felt immigrant dramedy (Little America), to creating a hidden camera show (Jury Duty), and most recently, creating an Emmy-nominated female-driven workplace drama (Lessons in Chemistry)? Hard work. Despite his mega-career, Lee Eisenberg doesn't believe he is in the upper echelon of Hollywood's most talented writers, but he does believe he outworks almost anyone else in town. Tune in to find out how you can, too.
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Контент предоставлен Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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How does a TV writer go from working on a classic sitcom (The Office), to a deeply-felt immigrant dramedy (Little America), to creating a hidden camera show (Jury Duty), and most recently, creating an Emmy-nominated female-driven workplace drama (Lessons in Chemistry)? Hard work. Despite his mega-career, Lee Eisenberg doesn't believe he is in the upper echelon of Hollywood's most talented writers, but he does believe he outworks almost anyone else in town. Tune in to find out how you can, too.
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Похожие на The Screenwriting Life with Meg LeFauve and Lorien McKenna
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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