In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Контент предоставлен The Video Essay Podcast. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией The Video Essay Podcast или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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Cinema & Machine Vision: Live at The King's Festival of Artificial Intelligence w/ Daniel Chávez Heras
Manage episode 430430828 series 2847526
Контент предоставлен The Video Essay Podcast. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией The Video Essay Podcast или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Today's episode features a conversation recorded live in May at The King's Festival of Artificial Intelligence in London. The event featured as the launch of Cinema and Machine Vision: Artificial Intelligence, Aesthetics and Spectatorship, a new book from Edinburgh University Press by Daniel Chávez Heras, who is a lecturer in the Department of Digital Humanities at King's College London.
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Daniel has also agreed to give away two copies of the book to listeners! Learn more here.
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Manage episode 430430828 series 2847526
Контент предоставлен The Video Essay Podcast. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией The Video Essay Podcast или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Today's episode features a conversation recorded live in May at The King's Festival of Artificial Intelligence in London. The event featured as the launch of Cinema and Machine Vision: Artificial Intelligence, Aesthetics and Spectatorship, a new book from Edinburgh University Press by Daniel Chávez Heras, who is a lecturer in the Department of Digital Humanities at King's College London.
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Daniel has also agreed to give away two copies of the book to listeners! Learn more here.
Follow the show on Twitter. Learn more at the pod's website. Get the free newsletter. Music by Ketsa.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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