Artwork

Контент предоставлен This Rhetorical Life. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией This Rhetorical Life или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Player FM - приложение для подкастов
Работайте офлайн с приложением Player FM !

Episode 30: An Interview with Ira Shor

46:06
 
Поделиться
 

Manage episode 126818789 series 70161
Контент предоставлен This Rhetorical Life. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией This Rhetorical Life или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.

Ira Shor 1

Image of Ira Shor from BBS Radio

In part one of our interview, Ira Shor tells us about growing up in the Bronx, his early experiences of education, joining social movements, practicing critical pedagogy, and his first encounters and early collaboration with the Brazilian educator Paulo Freire.

I discovered what it was like to sit next to a teenager from an affluent family, and how they dressed; and they had good complexions and I wondered how that happened, ’cause nobody I grew up with had a nice complexion; they all had nice teeth, I had terrible teeth, all my friends had terrible teeth; I wore my brother’s clothes, the hand-me-downs, they had their own clothes. So, it was like a very sudden contact with class differences because the schools I went to in the neighborhood, we were all from the same social class. It was an education for me but it also caused me a lot of—I don’t know—doubt, anxiety about who I was, and I began to feel insecure that I was ugly, badly dressed, that I smelled bad, that my hair was too oily, that my skin was too pimply, my teeth were too cracked, and so on. . .

So I had been moving in this direction of what I call critical literacy or critical pedagogy. And Paulo Freire, of course, was way ahead, he had been doing it—that was around 1970s, he’d been doing it for over twenty years. So then I began studying his work in earnest and used it as a foundation for writing my first book Critical Teaching and Everyday Life.

We hope you enjoy it, and check back next week for part two where we talk about social movements, political possibilities, and the current state of higher education.

To access a PDF of the full transcript of this episode, please click here: Episode 30 Transcript

The music sampled in this podcast is “Absurdius Rex” by Jovian Year.

  continue reading

10 эпизодов

Artwork
iconПоделиться
 
Manage episode 126818789 series 70161
Контент предоставлен This Rhetorical Life. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией This Rhetorical Life или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.

Ira Shor 1

Image of Ira Shor from BBS Radio

In part one of our interview, Ira Shor tells us about growing up in the Bronx, his early experiences of education, joining social movements, practicing critical pedagogy, and his first encounters and early collaboration with the Brazilian educator Paulo Freire.

I discovered what it was like to sit next to a teenager from an affluent family, and how they dressed; and they had good complexions and I wondered how that happened, ’cause nobody I grew up with had a nice complexion; they all had nice teeth, I had terrible teeth, all my friends had terrible teeth; I wore my brother’s clothes, the hand-me-downs, they had their own clothes. So, it was like a very sudden contact with class differences because the schools I went to in the neighborhood, we were all from the same social class. It was an education for me but it also caused me a lot of—I don’t know—doubt, anxiety about who I was, and I began to feel insecure that I was ugly, badly dressed, that I smelled bad, that my hair was too oily, that my skin was too pimply, my teeth were too cracked, and so on. . .

So I had been moving in this direction of what I call critical literacy or critical pedagogy. And Paulo Freire, of course, was way ahead, he had been doing it—that was around 1970s, he’d been doing it for over twenty years. So then I began studying his work in earnest and used it as a foundation for writing my first book Critical Teaching and Everyday Life.

We hope you enjoy it, and check back next week for part two where we talk about social movements, political possibilities, and the current state of higher education.

To access a PDF of the full transcript of this episode, please click here: Episode 30 Transcript

The music sampled in this podcast is “Absurdius Rex” by Jovian Year.

  continue reading

10 эпизодов

Все серии

×
 
Loading …

Добро пожаловать в Player FM!

Player FM сканирует Интернет в поисках высококачественных подкастов, чтобы вы могли наслаждаться ими прямо сейчас. Это лучшее приложение для подкастов, которое работает на Android, iPhone и веб-странице. Зарегистрируйтесь, чтобы синхронизировать подписки на разных устройствах.

 

Краткое руководство