In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Контент предоставлен Oscar Dahl & Matt Knudsen, Oscar Dahl, and Matt Knudsen. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Oscar Dahl & Matt Knudsen, Oscar Dahl, and Matt Knudsen или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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283: Retrospectating 1999 - RUN LOLA RUN (U.S. Release)
Manage episode 236414228 series 2415063
Контент предоставлен Oscar Dahl & Matt Knudsen, Oscar Dahl, and Matt Knudsen. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Oscar Dahl & Matt Knudsen, Oscar Dahl, and Matt Knudsen или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
On this week’s edition of our ongoing series “Retrospectating 1999” we revisit the forgotten German crime caper Run Lola Run. Now, this film is technically attributed to 1998, which is when it premiered in Germany, Venice, and Toronto. But it first screened in the U.S. during the Sundance and Seattle Film Festivals (where it racked up multiple awards) respectively before finally getting a stateside release on June 18th, 1999. It’s a miraculous movie that rarely gets talked up and we’re here to remedy that with a spirited discussion about fate, determinism, the metaphysical properties of electronic music, and the unexpected benefits of risking your last five euros on a make or break spin of the roulette wheel. Email: wlmpodcast@gmail.com Donate: Thanks! Subscribe: Apple Podcasts / Stitcher / Overcast / RSS
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204 эпизодов
Поделиться
Manage episode 236414228 series 2415063
Контент предоставлен Oscar Dahl & Matt Knudsen, Oscar Dahl, and Matt Knudsen. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Oscar Dahl & Matt Knudsen, Oscar Dahl, and Matt Knudsen или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
On this week’s edition of our ongoing series “Retrospectating 1999” we revisit the forgotten German crime caper Run Lola Run. Now, this film is technically attributed to 1998, which is when it premiered in Germany, Venice, and Toronto. But it first screened in the U.S. during the Sundance and Seattle Film Festivals (where it racked up multiple awards) respectively before finally getting a stateside release on June 18th, 1999. It’s a miraculous movie that rarely gets talked up and we’re here to remedy that with a spirited discussion about fate, determinism, the metaphysical properties of electronic music, and the unexpected benefits of risking your last five euros on a make or break spin of the roulette wheel. Email: wlmpodcast@gmail.com Donate: Thanks! Subscribe: Apple Podcasts / Stitcher / Overcast / RSS
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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