Why helicopter gathers are so controversial
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Manage episode 337215586 series 3380056
Контент предоставлен Wildish, Anna Coburn, High Country News, and Alan Wartes Media. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Wildish, Anna Coburn, High Country News, and Alan Wartes Media или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
From High Country News in collaboration with Alan Wartes Media, Wildish is a six-part podcast series that chronicles the complicated world of wild horse management in the Western United States. Wildish is meant to confound you. It does not offer a simple solution to one of the region’s most intractable natural resource conundrums. It is a serial on humans. You’ll hear from the activists who ache for freedom — for the wild horse to be wild — and from those who flinch at the mythology attached to the species. You’ll also get to know some of the well-meaning people inside the Bureau of Land Management, the agency stuck in the middle, faced with balancing the horse as a relic of the Wild West with its undeniable impacts on the modern Western landscape. The Bureau of Land Management’s most controversial population control tactics are the helicopter gathers, which sometimes end up killing the horses involved. New legislation has been passed to increase wild horse gathers and offer funding to a new sterilization method for wild horses and burros. Wildish host Anna Coburn attends a helicopter gather in Range Creek, Utah, and speaks to Gus War, a wild horse and burro specialist, and public affairs specialist Lisa Reid, two BLM lead employees, about the gathers, their jobs and their hopes for the program. We also hear from Ginger Kathrens, the founder of the Cloud Foundation, a wild horse advocacy group that is fighting to allow wild horses to stay on the range. Artwork by Amy Berenbeim
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