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Women in Jazz Media: In Conversation with Amy Gadiaga
Manage episode 341318603 series 3338721
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Welcome to our latest episode of ‘In Conversation With’ featuring music from Hannah Horton! You can now find our podcasts in the top 60 Best Jazz Podcasts in FeedSpot! In this episode, host Hannah Horton welcomes our special guest, bassist, composer and vocalist Amy Gadiaga.
Recently signed by Jazz Re:Freshed, Amy bridges the old school jazz tradition of musicians such as Betty Carter and Wayne Shorter with the modern bops of artists such as D'Angelo and Kimbra. Amy's band offers an energetic performance that celebrates art, freedom and black pride. Having already performed at the EFG London Jazz Festival, the Jazz Cafe and several festivals last year, Amy is currently working on her debut EP.
Over almost three decades, Tomorrow’s Warriors has proved a crucial development platform for many of the artists now tearing up the international jazz scene – Moses Boyd, Nubya Garcia, Cassie Kinoshi and Nérija, Femi Koleoso and Ezra Collective, Binker Golding, Shabaka Hutchings and Sons Of Kemet, Cherise Adams-Burnett, Eska, Denys Baptiste, Soweto Kinch, Zara McFarlane, and so many more…An alumni of the Tomorrow's Warriors umbrella, Amy is now flying solo and has no limits in terms of genres and disciplines practiced and experimented with. ‘Amy Gadiaga’s star is indeed rising and shining brightly. ’ Jazz in Europe
Hannah is a British Female Jazz Saxophonist whose music is rooted in jazz, folk and funk. She has performed with many great jazz artists including Ian Shaw, Amy Winehouse, John Etheridge, Tina May, Georgia Mancio, Polly Gibbons, Natalie Williams, Esther Bennett and Irene Serra; and at venues including Ronnie Scott’s, Pizza Express Dean St, The 606, The Pheasantry, Love Supreme Jazz Festival, Royal Festival Hall and The Barbican. She has also toured in Europe and USA with her own and other groups. Her latest album has been going down a storm across the world.
“Hannah makes the big beast of a baritone sax sound like an angel” – Ian Shaw
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