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sangam

sangam

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Welcome to the Sangam podcast, where amazing things happen. Cover art photo provided by Andrew Ridley on Unsplash: https://unsplash.com/@aridley88
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Sangat Vaani

Guruji's Bangalore Sangat

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Amidst the global pandemic, when we are confined to our homes and left craving Guruji’s divine Satsangs, Sangat Vaani is an initiative to bring His global parivaar together on a virtual platform. In this audio series, the magic of satsangs is brought to you in the form of curated Podcasts published on the web. Each hourly episode includes soulful shabads, new satsangs, and insightful conversations.
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RSD Sanga

Ravindra Svarupa Dasa

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Ravindra Svarupa Dasa (William H. Deadwyler, III) is an initiated disciple of His Divine Grace A.C. Bhaktivedanta Swami Srila Prabhupada who is the Founder-Acarya of the International Society for Krishna Consciousness (ISKCON). Ravindra Svarupa Dasa received a B.A. in Philosophy from the University of Pennsylvania in 1966 and a Ph.D. in Religion from Temple University in 1980. In 1971 he became an initiated disciple of Srila Prabhupada. In his decades of service to ISKCON, he has served as t ...
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Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 10 śrīmad-uttarovāca kāmināṁ puṇya-kartṝṇāṁ trai-lokyaṁ gṛhiṇāṁ padam agṛhāṇāṁ ca tasyordhvaṁ sthitaṁ loka-catuṣṭayam TRANSLATION Śrīmatī Uttarā said: By performing auspicious duties, householders with material desires can achieve the three worlds, and persons who have renounced their homes can reach the fo…
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In this episode, we observe the trajectory of a conflict, as depicted in Sangam Literary work, Kalithogai 90, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and etches a tale of denial and acceptance. தலைவி கண்டேன், நின் மாயம் களவு ஆதல்; பொய்ந் நகா, மண்டாத சொல்லித் தொடாஅல்; தொடீஇய நின் பெண்டிர் உளர…
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In this episode, we perceive sparks fly in a domestic quarrel, as portrayed in Sangam Literary work, Kalithogai 89, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and relates a heated exchange between a couple. தலைவி யார் இவன்? எம் கூந்தல் கொள்வான்? இதுவும் ஓர் ஊராண்மைக்கு ஒத்த படிறு உடைத்து; எம் ம…
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In this episode, we observe the inferences of a lady’s perceptive eyes, as depicted in Sangam Literary work, Kalithogai 88, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and etches the quarrelling and conflict in a household. தலைவி ஒரூஉ; கொடி இயல் நல்லார் குரல் நாற்றத்து உற்ற முடி உதிர் பூந் தாது …
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In this episode, we encounter an animated exchange between the lady and the man, as depicted in Sangam Literary work, Kalithogai 87, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches a situation of domestic conflict. தலைவி ஒரூஉ நீ; எம் கூந்தல் கொள்ளல் யாம் நின்னை வெரூஉதும் காணுங்கடை தலைவன…
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In this episode, we listen to advice offered by a mother to her young son, as portrayed in Sangam Literary work, Kalithogai 86, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and contrasts the positive and negative qualities of a man. தலைவி மை படு சென்னி மழ களிற்று ஓடை போல், கை புனை முக்காழ் கயந் த…
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In this episode, we listen to a mother’s words to her child, as depicted in Sangam Literary work, Kalithogai 85, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and paints a portrait of the adornments on a child, in an affluent household. காலவை, சுடு பொன் வளைஇய ஈர் அமை சுற்றொடு பொடி அழற் புறம் தந்த …
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Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 10 śrīmad-uttarovāca kāmināṁ puṇya-kartṝṇāṁ trai-lokyaṁ gṛhiṇāṁ padam agṛhāṇāṁ ca tasyordhvaṁ sthitaṁ loka-catuṣṭayam TRANSLATION Śrīmatī Uttarā said: By performing auspicious duties, householders with material desires can achieve the three worlds, and persons who have renounced their homes can reach the fo…
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In this episode, we perceive the lady’s ire, as portrayed in Sangam Literary work, Kalithogai 84, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the inferences in the lady’s mind about the intentions of courtesans. தலைவி தோழியை வினாவுதல் உறு வளி தூக்கும் உயர் சினை மாவின் நறு வடி ஆர் இற…
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In this episode, we perceive the angst of the lady, as depicted in Sangam Literary work, Kalithogai 83, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and reveals the consequences of the man’s actions on the lady. தலைவி பெருந் திரு நிலைஇய வீங்கு சோற்று அகல் மனை, பொருந்து நோன் கதவு ஒற்றிப் புலம்பி ய…
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In this episode, we listen to a lady’s admonition to her son, as portrayed in Sangam Literary work, Kalithogai 82, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the man’s infidelity. தலைவி ஞாலம் வறம் தீரப் பெய்ய, குணக்கு ஏர்பு, காலத்தில் தோன்றிய கொண்மூப் போல், எம் முலை பாலொடு வீங்கத் …
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In this episode, we listen to a striking interaction between the man and the lady, as depicted in Sangam Literary work, Kalithogai 81, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and reveals the man’s attempts at allaying the lady’s ire. புதல்வனை நோக்கித் தலைவி கூறுதல் மை அற விளங்கிய மணி மருள் அ…
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In this episode, we perceive the lady's affection for her son, as portrayed in Sangam Literary work, Kalithogai 80, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and conveys a hidden message.Nandini Karky
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In this episode, we listen to a lady's words of rebuke to her man, as depicted in Sangam Literary work, Kalithogai 79, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and spotlights moments of affection.Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 1 śrī-janamejaya uvāca satyaṁ sac-chāstra-vargārtha- sāraḥ saṅgṛhya durlabhaḥ gūḍhaḥ sva-mātre pitrā me kṛṣṇa-premṇā prakāśitaḥ TRANSLATION Śrī Janamejaya said: Truly, my father gleaned the essential meaning of all eternal scriptures, and with great love for Kṛṣṇa he revealed to his mother that rare confide…
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In this episode, we listen to the lady's perspective on the man's thoughts, as portrayed in Sangam Literary work, Kalithogai 78, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and reflects the lady's clarity and perception.Nandini Karky
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In this episode, we perceive the lady's loss owing to the man's actions, as portrayed in Sangam Literary work, Kalithogai 77, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the lady's state of despair.Nandini Karky
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In this episode, we perceive elements of a different landscape appearing in the farmlands domain, as portrayed in Sangam Literary work, Kalithogai 76, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches a lady's way of revealing her relationship with the man to her friend.…
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In this episode, we perceive the reasons for the lady's restraint, as depicted in Sangam Literary work, Kalithogai 75, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and highlights the man's crafty nature.Nandini Karky
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In this episode, we listen to the sharp censure of the lady, as portrayed in Sangam Literary work, Kalithogai 74, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and vividly sketches the man's infidelity.Nandini Karky
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In this episode, we observe the perceptive eyes of the lady, as depicted in Sangam Literary work, Kalithogai 73, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and talks about the deceptive actions of the man.Nandini Karky
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In this episode, we listen to an anguished question, as depicted in Sangam Literary work, Kalithogai 72, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and provides insight about the prominent workers in a town setting.Nandini Karky
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In this episode, we perceive a lady's fury at her man, as depicted in Sangam Literary work, Kalithogai 71, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the lady's disappointment in the words of the man's supporters.Nandini Karky
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In this episode, we listen to many sounds that arise in a town, as depicted in Sangam Literary work, Kalithogai 70, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and portrays the formidable foes of sleep.Nandini Karky
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In this episode, we listen to the sharp words of a lady, as depicted in Sangam Literary work, Kalithogai 69, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the man's activities with courtesans.Nandini Karky
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In this episode, we perceive the anguished questions in the mind of the lady, as portrayed in Sangam Literary work, Kalithogai 68, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the illusory nature of the man's relationship.Nandini Karky
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In this episode, we listen to a lady's lament, as depicted in Sangam Literary work, Kalithogai 67, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and echoes a feeling of betrayal in the lady.Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 151 svayaṁ yad-bhakti-māhātmyam anubhūtam itas tataḥ sānandaṁ vīṇayā gāyan sa yayau bhakti-lampaṭaḥ TRANSLATION Thus Nārada started on his journey to Prayāga, intoxicated with eagerness for pure devotion. Wherever he passed he vibrated his vīṇā and blissfully sang the glories of the kṛṣṇa-bhakti he had seen…
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In this episode, we perceive the ire of a lady towards her man, as portrayed in Sangam Literary work, Kalithogai 66, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the escapades of the man with courtesans.Nandini Karky
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In this episode, we listen to a curious incident that unfolded one night, as portrayed in Sangam Literary work, Kalithogai 65, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and attempts to convey the gravity of the situation in an indirect manner.Nandini Karky
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In this episode, we listen to a playful conversation between a man and lady in love, as depicted in Sangam Literary work, Kalithogai 64, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and etches an attempt to reconcile a disgruntled person.Nandini Karky
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In this episode, we perceive an exchange of words to unearth the truth, as depicted in Sangam Literary work, Kalithogai 63, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and sketches the confidante's attempts at bringing together the man and the lady.Nandini Karky
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In this episode, we perceive the transformation in a lady's heart, as portrayed in Sangam Literary work, Kalithogai 62, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and sketches the manner in which the man wins over the lady's reservations against him.Nandini Karky
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In this episode, we listen to an interesting conversation between three people, as depicted in Sangam Literary work, Kalithogai 61, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and reveals the man's situation and the confidante's support.Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 150 atha prayāge gatvā tān mad-apekṣā-vilambitān munīn kṛtārthayānīti samanujñāpya mādhavam TRANSLATION Nārada then took leave of Mādhava, Lord Kṛṣṇa, and went to Prayāga, thinking, “Let me bestow perfection on the sages who have waited so long for me to return.”…
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Irma Neumüller släppte sitt debutalbum 2024 där hon introducerade sin egenkomponerade musik. Varierade, härliga låtar i en ganska traditionell jazzstil. Delar av det här avsnittet handlar om allvarliga röstproblem och hur Irma till slut tog tag i dem. Lärdomar för alla sångare alltså. Chris Bendz och Irma har riktigt kul när de pratar om musik och …
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In this episode, we listen to an animated conversation between two women, as portrayed in Sangam Literary work, Kalithogai 60, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and presents a situation where the confidante pleads the man's case in the court of the lady's mind!…
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In this episode, we listen to a man's attempt to convince a maiden, as depicted in Sangam Literary work, Kalithogai 59, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and informs us about certain customs of penances undertaken by Sangam women.Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 145 śrī-parīkṣid uvāca tataḥ śrī-hasta-kamalaṁ prasārya paramādarāt evam astv iti sānandaṁ gopī-nāthena bhāṣitam TRANSLATION Śrī Parīkṣit said: Lord Gopīnātha then extended His divine lotus hand and with great respect for Nārada blissfully said, “So be it.”
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In this episode, we listen to a long list of praises, as depicted in Sangam Literary work, Kalithogai 57, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and reveals both the glory of a king and the power of a maiden.Nandini Karky
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In this episode, we listen to an account of a lady's first meeting with a man, as portrayed in Sangam Literary work, Kalithogai 55, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and reveals an incident to the confidante.Nandini Karky
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