An investigative podcast hosted by world-renowned literary critic and publishing insider Bethanne Patrick. Book bans are on the rise across America. With the rise of social media, book publishers are losing their power as the industry gatekeepers. More and more celebrities and influencers are publishing books with ghostwriters. Writing communities are splintering because members are at cross purposes about their mission. Missing Pages is an investigative podcast about the book publishing ind ...
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Digital Media Aesthetics in the time of Climate Crisis
M4A•Главная эпизода
Manage episode 357342884 series 2411003
Контент предоставлен Arts Research Africa. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Arts Research Africa или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
In this podcast of the 4th dialogue in the Arts Research Africa series, Christo Doherty and Thomas Pringle explore the question of how computer models, and forms of digital visualisation, have evolved a new digital media aesthetics that has a complex relationship with the understanding of climate crisis in the 21st century.
Thomas Pringle is a Brown Presidential fellow and PhD candidate with the department of Modern Culture and Media at Brown University. He is a graduate affiliate with the Institute at Brown for Environment and Society and has held fellowships with the SenseLab Montréal and the Digital Cultures Research Lab at Leuphana University. Thomas has published work on the entangled history of photography and radiation in NECSUS: European Journal of Media Studies and on new documentary politics in The Journal of Film and Video. He has recently finished a book with Gertrud Koch and Bernard Stiegler titled Machine, to be published this fall on the University of Minnesota Press. Thomas has come to Wits as part of the Watershed Conference on Art, Science, and Elemental Politics in Southern Africa. www.wits.ac.za/watershed
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Thomas Pringle is a Brown Presidential fellow and PhD candidate with the department of Modern Culture and Media at Brown University. He is a graduate affiliate with the Institute at Brown for Environment and Society and has held fellowships with the SenseLab Montréal and the Digital Cultures Research Lab at Leuphana University. Thomas has published work on the entangled history of photography and radiation in NECSUS: European Journal of Media Studies and on new documentary politics in The Journal of Film and Video. He has recently finished a book with Gertrud Koch and Bernard Stiegler titled Machine, to be published this fall on the University of Minnesota Press. Thomas has come to Wits as part of the Watershed Conference on Art, Science, and Elemental Politics in Southern Africa. www.wits.ac.za/watershed
50 эпизодов
M4A•Главная эпизода
Manage episode 357342884 series 2411003
Контент предоставлен Arts Research Africa. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Arts Research Africa или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
In this podcast of the 4th dialogue in the Arts Research Africa series, Christo Doherty and Thomas Pringle explore the question of how computer models, and forms of digital visualisation, have evolved a new digital media aesthetics that has a complex relationship with the understanding of climate crisis in the 21st century.
Thomas Pringle is a Brown Presidential fellow and PhD candidate with the department of Modern Culture and Media at Brown University. He is a graduate affiliate with the Institute at Brown for Environment and Society and has held fellowships with the SenseLab Montréal and the Digital Cultures Research Lab at Leuphana University. Thomas has published work on the entangled history of photography and radiation in NECSUS: European Journal of Media Studies and on new documentary politics in The Journal of Film and Video. He has recently finished a book with Gertrud Koch and Bernard Stiegler titled Machine, to be published this fall on the University of Minnesota Press. Thomas has come to Wits as part of the Watershed Conference on Art, Science, and Elemental Politics in Southern Africa. www.wits.ac.za/watershed
…
continue reading
Thomas Pringle is a Brown Presidential fellow and PhD candidate with the department of Modern Culture and Media at Brown University. He is a graduate affiliate with the Institute at Brown for Environment and Society and has held fellowships with the SenseLab Montréal and the Digital Cultures Research Lab at Leuphana University. Thomas has published work on the entangled history of photography and radiation in NECSUS: European Journal of Media Studies and on new documentary politics in The Journal of Film and Video. He has recently finished a book with Gertrud Koch and Bernard Stiegler titled Machine, to be published this fall on the University of Minnesota Press. Thomas has come to Wits as part of the Watershed Conference on Art, Science, and Elemental Politics in Southern Africa. www.wits.ac.za/watershed
50 эпизодов
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