In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Контент предоставлен Himanshu Joglekar. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Himanshu Joglekar или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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Episode 26: Kamlesh Pandey (Tezaab, Aatish, Aks, Delhi 6)
Manage episode 276711554 series 2795250
Контент предоставлен Himanshu Joglekar. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Himanshu Joglekar или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Hi everyone, thanks for listening. Drop a line or two about the episode!
Kamlesh Pandey has written upwards of 45 films, including Tezaab, Saudagar, Aatish, Aks, Rang De Basanti, Delhi 6, and Yalgaar.
Kamlesh Pandey joins us for a chat on screenwriting, stories behind some of his biggest films, and how writing for Hindi cinema has changed over the last 30 years.
We chatted about Tezaab, Aks, Delhi-6, Aatish, his admiration for Walter Hill, working with Feroz Khan, and why our lives are incomplete without stories.
Also...
Did you know the trial show of Tezaab was a huge disaster, primarily due to its non-linear narrative structure, and the wife of a superstar wanted the film edited to a linear structure?
Did you know that Pandey had originally conceived Delhi-6 along the lines of My Big Fat Greek Wedding - set in Delhi?
Or how, initially, he was never interested in writing for Feroz Khan?
Or why he believed Sanjay Dutt was better suited to play Nawab in Aatish?
All those stories and more. Listen in!
Feedback/comments/questions: loveofcinemasf@gmail.com
Credits:
Concept: Himanshu (@loveofcinemasf8)
Host: Himanshu
Editor: Devika Joglekar
Music: Nakul Abhyankar
Copyrights © Love of Cinema 2020
If you liked the episode and found value, please considering supporting the show. Your support will help me continue making good content for fans of Indian cinema everywhere across the world: https://www.buzzsprout.com/257788/support
69 эпизодов
Поделиться
Manage episode 276711554 series 2795250
Контент предоставлен Himanshu Joglekar. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Himanshu Joglekar или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
Hi everyone, thanks for listening. Drop a line or two about the episode!
Kamlesh Pandey has written upwards of 45 films, including Tezaab, Saudagar, Aatish, Aks, Rang De Basanti, Delhi 6, and Yalgaar.
Kamlesh Pandey joins us for a chat on screenwriting, stories behind some of his biggest films, and how writing for Hindi cinema has changed over the last 30 years.
We chatted about Tezaab, Aks, Delhi-6, Aatish, his admiration for Walter Hill, working with Feroz Khan, and why our lives are incomplete without stories.
Also...
Did you know the trial show of Tezaab was a huge disaster, primarily due to its non-linear narrative structure, and the wife of a superstar wanted the film edited to a linear structure?
Did you know that Pandey had originally conceived Delhi-6 along the lines of My Big Fat Greek Wedding - set in Delhi?
Or how, initially, he was never interested in writing for Feroz Khan?
Or why he believed Sanjay Dutt was better suited to play Nawab in Aatish?
All those stories and more. Listen in!
Feedback/comments/questions: loveofcinemasf@gmail.com
Credits:
Concept: Himanshu (@loveofcinemasf8)
Host: Himanshu
Editor: Devika Joglekar
Music: Nakul Abhyankar
Copyrights © Love of Cinema 2020
If you liked the episode and found value, please considering supporting the show. Your support will help me continue making good content for fans of Indian cinema everywhere across the world: https://www.buzzsprout.com/257788/support
69 эпизодов
Все серии
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
Satguru Mata Sudiksha Ji Maharaj Discourses Podcast Channel
…
continue reading
The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
…
continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
…
continue reading
Watch what you want, where you want, when you want on whatever device you please. Take control of your TV, Movies and more. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
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The day's biggest news dissected by the day's newsmakers. Diverse opinions from across the political spectrum. The show that makes you decide, are you the Left, Right or the Centre?
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