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Контент предоставлен Eric Barnum and Richard Robbins, Eric Barnum, and Richard Robbins. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Eric Barnum and Richard Robbins, Eric Barnum, and Richard Robbins или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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The Choral Contrarians
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Manage series 2698140
Контент предоставлен Eric Barnum and Richard Robbins, Eric Barnum, and Richard Robbins. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Eric Barnum and Richard Robbins, Eric Barnum, and Richard Robbins или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
A couple of friendly conductors bantering about complex issues affecting the choral world.
…
continue reading
55 эпизодов
Отметить все как (не)прослушанные ...
Manage series 2698140
Контент предоставлен Eric Barnum and Richard Robbins, Eric Barnum, and Richard Robbins. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Eric Barnum and Richard Robbins, Eric Barnum, and Richard Robbins или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
A couple of friendly conductors bantering about complex issues affecting the choral world.
…
continue reading
55 эпизодов
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1 The Intersection of Emotion and Performance 1:17:20
1:17:20
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Richard and Eric try to locate the intersection point of emotion and performance. They not only attempt to differentiate the difference between how emotion works for the audience versus performer, but also debate the value and perception of emotion's usefulness as a performer of music. Do we overvalue, or misjudge, emotion in the act of performance?…
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1 I had a dream, past the wit of man to say what dream it was… 1:01:06
1:01:06
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Richard and Eric wonder about the goings-on of music and performance in dreams. What piece is heard there? Who wrote that piece? What ensemble performed the piece you heard in the dream? Is there anything to be learned from those questions? Maybe there is something similar going on when a conductor references their mental/aural imagery when adjudicating and rehearsing their ensembles.…
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1 Ye Olde Fireside Chat 1:03:28
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Richard and Eric gather round the old fireplace to chat about a variety of things, including reading a wonderful note from Swedish composer Mattias Sjöberg. High-back chairs and a roaring fire is a wonderful time to reminisce and celebrate hygge during the dark, winter season.
Eric and Richard ask the question no one is asking (and maybe for good reason): Is there an intersection between the concept of liminal space and choral music? They discuss this fairly defined aesthetic phenomena and posit if any aspect of it can be seen in the light of music performance. Oh, and they rank their favorite solfege syllables. Just riveting in every way.…
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1 The Future of Music? 1:08:35
1:08:35
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Richard and Eric dive deep into an article in The Critic, entitled " Have I Seen the Future of Music; On a performance in three dimensions for all five senses ," by Norman Lebrecht. The article largely reviews pianist Yuja Wang's recent collaboration with renowned English artist David Hockney. The author posits that, through the use of technology and three-dimensional space, this performance hints to not just a navigable way forward for music and music performance, but an exciting possible future filled with multi-sensory elements. Are there issues to ponder with this type of thinking? What do we mean when we say the 'future of music'? What might we think the future of music will really be like? https://thecritic.co.uk/issues/november-2023/have-i-seen-the-future-of-music/…
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1 Destined to Drown in the Digital Sea 1:24:40
1:24:40
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Richard and Eric, after struggling to come up with topics for the pocast, resort to asking ChatGPT for help. They review and analyze what offerings AI provides, which leads to a much larger discussion of how AI might intersect the fine arts, most specifically choral music. It is an interesting deep dive into the digital sea.…
Richard and Eric look into a quote about art and music that has been making the rounds of social media recently. Formally attributed to postmodernist/neo expressionist artist Jean-Michel Basquiat, it reads: “Art is how we decorate space, music is how we decorate time.” Why does the statement illicit a strong response from those in the fine arts? What could it actually mean, or does it perhaps mean something that people are misinterpreting, en masse ?…
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1 The Boy, the Mole, the Fox and the Horse 1:07:32
1:07:32
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Richard and Eric have returned from the proverbial grave! They catch up a bit and then briefly tackle the difficult task of creating a discernible ethic an ensemble can utilize and rally around on a practical level. They look specifically to a recent movie: "The Boy, the Mole, the Fox and the Horse" directed by Peter Baynton and Charlie Mackesy (adapted from a book of the same name by Mackesy) for inspiration. Are there ground level ideas or simple philosophies that can be implemented 'below' the music making that can effect the entire process for the good? To watch on AppleTV: https://tv.apple.com/us/movie/the-boy-the-mole-the-fox-and-the-horse/umc.cmc.2aenzye90tqkj7iy0131oom9x…
Richard and Eric take a look at perfection within the context of our choral experiences. What actually is perfection as it relates to choral rehearsal and performance? Is it an attainable goal, or is it actually a shadowy, distant mountain in which the closer we get to it, the farther away it becomes? How do our individual contexts play a role in our conception of perfection? Can we be driven so hard by the idea of perfection that it finally becomes either a harm or absurdity?…
Richard and Eric make a grand (well, not-so-grand) return to the airwaves after a long hiatus! They once again, effortlessly, reach the pinnacles of podcasting mediocrity as they catch up a bit and discuss some of the challenges and victories of making music this fall.
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1 Highback Chairs and Hefty Tomes 1:00:11
1:00:11
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With churchwarden pipe in hand, Richard joins Eric in the library by a tended fire to discuss the year and perhaps what the future may hold for those in the choral profession.
Eric and Richard are like or as a couple of professors talking about using words in a way that is like or as similes and metaphors are used. How can a conductor use similes and metaphors in the context of a rehearsal setting? Is it useful? What are potential issues that can arise if used incorrectly or too much? Join the guys deep in the mine and go spelunking for ways metaphors can be used in ways that are like or as useful ideas are used.…
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1 Unattainably Attainable Transcendence 1:02:50
1:02:50
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Richard and Eric discuss the slippery subject of transcendence through music and art. Often referenced throughout their discussions, they take the time to dive more deeply into this difficult concept, deciding if it is something one can grasp for or merely receive. Is it attainable in our day-to-day lives, or only reserved for special moments? ...and what is it exactly, anyway? Lewis, C. S. (2001). The Weight of Glory (1st ed.). HarperOne.…
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1 Chain Links and the Cult of Progress 1:01:05
1:01:05
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Richard and Eric tackle a juicy quote about Herbert Howells from a 1950s Musical Times article composed by Gerald Finzi. “To some the idiom will appear ‘dated,’ and poorer critical minds attach much greater significance to this word than it deserves. ‘All only constant is in constant change,’ but too often the generations see only the change and overlook the constancy. We are, after all, only a link in a chain and each link must, of necessity, lie the opposite way to its predecessor.” Where are we at today with some of the notions Finzi presents? Finzi, G. (1954). Herbert Howells. The Musical Times, 95 (1334), 180-183. doi:10.2307/934754…
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1 The Nihilism of Accomplishment. Feat. Dr. Jeremiah Cawley 1:21:08
1:21:08
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Richard and Eric are joined by returning guest Dr. Jeremiah Cawley to discuss a special and controversial quote from Fyodor Dostoevsky's "Notes from Underground." The thought process of the examined quote is guided by a YouTuber " Thoughts on Thinking ," and the road leads to some broad and substantial questions about a human's relationship to process, purpose, goals, accomplishment, and despair. Is what you think you want not what you want at all? Is the process of completion a hidden key for satisfaction or a trap? Does this topic relate somehow to music making? https://www.thoughtsonthinking.org https://www.youtube.com/watch?v=cC2SfbWrgFA…
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