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Контент предоставлен Chris Hedges. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Chris Hedges или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.
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War on Gaza (w/ Joe Sacco) | The Chris Hedges Report

52:10
 
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Manage episode 462536731 series 3589488
Контент предоставлен Chris Hedges. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Chris Hedges или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.

Mary Shelley, in the preface to the 1831 edition of Frankenstein, writes, “Invention, it must be humbly admitted, does not consist in creating out of void, but out of chaos.” In the chaos of war and inequity, cartoonist Joe Sacco pioneered the first graphic illustration journalism. Sacco has covered some of the most devastating warzones such as in Bosnia, which gave birth to his book, “Safe Area Gorazde,” and Gaza, which inspired “Footnotes in Gaza,” a book host Chris Hedges calls, “A masterpiece… one of the finest books done on the Palestine-Israel conflict, hands down.”

Sacco joins Hedges on this episode of The Chris Hedges Report to talk about his continued journey through chaos and how Israel’s genocide in Gaza influenced the newest iteration of his invention, his book “War on Gaza.”

Hedges quotes a question Sacco asks in the book, “Is it genocide or is it self-defense? Let's make everyone happy and say it is both. In that case, we'll need new terminology. I propose genocidal self-defense that should give both sides something to work with.”

Through visual renderings, dark humor and objective reporting, Sacco is able evoke responses to events playing out in ways traditional media can never achieve.

“You will find humor in places like Gaza, places like Bosnia, and it's always of the darkest sort. It's their way of sort of managing their own thoughts, being funny, but understanding the underlying darkness of their humor. And I think I picked that up and I'm reflecting it back,” Sacco tells Hedges.

The two reference several parts of Sacco’s new book, touching on the different ways the genocide has altered life in the West, including academic censorship, the question of democracy and biblical interpretation.

In the end, Sacco says it all comes back to his own personal life and the connection it has with such an atrocity. “I've always had this idea that whatever I'm paying in taxes really just adds up to one small piece of shrapnel. I mean, as a nightmare, I just imagine that all my money is funneled into a small part of a bomb that causes someone to lose their life in Gaza.”

  continue reading

30 эпизодов

Artwork
iconПоделиться
 
Manage episode 462536731 series 3589488
Контент предоставлен Chris Hedges. Весь контент подкастов, включая эпизоды, графику и описания подкастов, загружается и предоставляется непосредственно компанией Chris Hedges или ее партнером по платформе подкастов. Если вы считаете, что кто-то использует вашу работу, защищенную авторским правом, без вашего разрешения, вы можете выполнить процедуру, описанную здесь https://ru.player.fm/legal.

Mary Shelley, in the preface to the 1831 edition of Frankenstein, writes, “Invention, it must be humbly admitted, does not consist in creating out of void, but out of chaos.” In the chaos of war and inequity, cartoonist Joe Sacco pioneered the first graphic illustration journalism. Sacco has covered some of the most devastating warzones such as in Bosnia, which gave birth to his book, “Safe Area Gorazde,” and Gaza, which inspired “Footnotes in Gaza,” a book host Chris Hedges calls, “A masterpiece… one of the finest books done on the Palestine-Israel conflict, hands down.”

Sacco joins Hedges on this episode of The Chris Hedges Report to talk about his continued journey through chaos and how Israel’s genocide in Gaza influenced the newest iteration of his invention, his book “War on Gaza.”

Hedges quotes a question Sacco asks in the book, “Is it genocide or is it self-defense? Let's make everyone happy and say it is both. In that case, we'll need new terminology. I propose genocidal self-defense that should give both sides something to work with.”

Through visual renderings, dark humor and objective reporting, Sacco is able evoke responses to events playing out in ways traditional media can never achieve.

“You will find humor in places like Gaza, places like Bosnia, and it's always of the darkest sort. It's their way of sort of managing their own thoughts, being funny, but understanding the underlying darkness of their humor. And I think I picked that up and I'm reflecting it back,” Sacco tells Hedges.

The two reference several parts of Sacco’s new book, touching on the different ways the genocide has altered life in the West, including academic censorship, the question of democracy and biblical interpretation.

In the end, Sacco says it all comes back to his own personal life and the connection it has with such an atrocity. “I've always had this idea that whatever I'm paying in taxes really just adds up to one small piece of shrapnel. I mean, as a nightmare, I just imagine that all my money is funneled into a small part of a bomb that causes someone to lose their life in Gaza.”

  continue reading

30 эпизодов

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